Offering a unique account of identity formation in Ireland and Central Europe, this book explores and contextualises transfers and comparisons between Ireland and the successor states of the Austro-Hungarian Empire. It reveals how Irish perceptions of borders and identities changed after the (re)birth of the small states of Austria, Hungary and Czechoslovakia and the creation of the Irish Free State. Adopting a transnational approach, the book documents the outward-looking attitude of Irish nationalists and provides original insights into the significance of personal encounters that transcended the borders of nation-states. Drawing on a wide range of official records, private papers, contemporary press accounts and journal articles, Imagining Ireland Abroad, 1904-1945 bridges the gap between historiographies of the East and West by opening up a new perspective on Irish national identity.

The United Kingdom is weakening, and this book helps to explain why. Alvin Jackson examines the UK in the light of the experience of similar union states elsewhere, offering the first sustained comparative study across the long nineteenth century and beyond. The UK was not in fact the only self-styled 'united kingdom' of the time: Jackson argues strikingly and originally that Britain exported the idea of union through the advocacy or encouragement of other multinational united kingdoms at the beginning of the nineteenth century. The work is distinctive in its geographical breadth. Jackson draws together the histories of Ireland, Scotland, Wales, and England and explores the links between them and Sweden-Norway, the United Netherlands, Austria-Hungary and the United Canadas - and many other polities across the globe. United Kingdoms looks too at the institutions and agencies affecting the condition of union - from monarchy, aristocracy, and religion through to class, money, and violence. Jackson offers new overarching arguments about the origins, survival, and fall of all union states, and in doing so, sheds new light on the particular history, condition, and fate of the UK.

Winner of the Myrna F. Bernath Book Award “A stunning accomplishment...As the Trump administration works to expatriate naturalized U.S. citizens, understanding the history of individual rights and state power at the heart of Under the Starry Flag could not be more important.” —Passport “A brilliant piece of historical writing as well as a real page-turner. Salyer seamlessly integrates analysis of big, complicated historical questions—allegiance, naturalization, citizenship, politics, diplomacy, race, and gender—into a gripping narrative.” —Kevin Kenny, author of The American Irish In 1867 forty Irish American freedom fighters, outfitted with guns and ammunition, sailed to Ireland to join the effort to end British rule. They were arrested for treason as soon as they landed. The Fenians, as they were called, claimed to be American citizens, but British authorities insisted that they remained British subjects. Following the Civil War, the Fenian crisis dramatized the question of whether citizenship should be considered an inalienable right. This gripping legal saga, a prelude to today’s immigration battles, raises important questions about immigration, citizenship, and who deserves to be protected by the law.

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The two-volume work Modernism has been awarded the prestigious 2008 MSA Book Prize! Modernism has constituted one of the most prominent fields of literary studies for decades. While it was perhaps temporarily overshadowed by postmodernism, recent years have seen a resurgence of interest in modernism on both sides of the Atlantic. These volumes respond to a need for a collective and multifarious view of literary modernism in various genres, locations, and languages. Asking and responding to a wealth of theoretical, aesthetic, and historical questions, 65 scholars from several countries test the usefulness of the concept of modernism as they probe a variety of contexts, from individual texts to national literatures, from specific critical issues to broad cross-cultural concerns. While the chief emphasis of these volumes is on literary modernism, literature is seen as entering into diverse cultural and social contexts. These range from inter-art conjunctions to philosophical, environmental, urban, and political domains, including issues of race and space, gender and fashion, popular culture and trauma, science and exile, ­all of which have an urgent bearing on the poetics of modernity.

As a concept, landscape does not respect disciplinary boundaries.

In the aftermath of World War I, the British Empire was hit by two different crises on opposite sides of the world--the Jallianwala Bagh, or Amritsar, Massacre in the Punjab and the Croke Park Massacre, the first 'Bloody Sunday', in Ireland. This book provides a study at the cutting edge of British imperial historiography, concentrating on British imperial violence and the concept of collective punishment. This was the 'crisis of empire' following the political and ideological watershed of World War I. The British Empire had reached its greatest geographical extent, appeared powerful, liberal, humane and broadly sympathetic to gradual progress to responsible self-government. Yet the empire was faced with existential threats to its survival with demands for decolonisation, especially in India and Ireland, growing anti-imperialism at home, virtual bankruptcy and domestic social and economic unrest. Providing an original and closely-researched analysis of imperial violence in the aftermath of World War I, this book will be essential reading for historians of empire, South Asia and Ireland.

British imperialism helped shaped the modern world order. This same imperialism created modern Singapore, controlling its colonial development and influencing its post-colonial orientation. Winston Churchill was British imperialism's most significant twentieth century statesman. He never visited Singapore, but his story and that of the city-state are deeply intertwined. Singapore became a symbol of British imperial power in Asia to Churchill, while Singaporeans came to see him as symbolizing that power. The fall of Singapore to Japanese conquest in 1942 was a low point in Churchill's war leadership, one he forever labeled by calling it 'the worst disaster in British military history.' It was also a tragedy for Singapore, ushering in three years of harsh military occupation. But the interplay between these three historical forces, Churchill, Empire, and Singapore, extended well beyond this dramatic conjuncture. The Last Lion and the Lion City provides a critical examination of that longer interplay through an analysis of Churchill's understanding of empire, his perceptions of Singapore and its imperial role, his direction of affairs regarding Singapore and the Empire, his influence on the subsequent relationship between Britain and Singapore.

Leech painted portraits, landscapes and still lifes, including remarkable self-portraits, interiors and luxuriant aloes. Throughout his life he regularly exhibited in Ireland and England. The majority of his paintings are still in private hands and little known. This retrospective catalogue documents his reclusive life and confirms his place as a major Irish artist.