The Sixties occupy a prominent place in popular culture and scholarship as an era of global upheavals, including the Civil Rights Movement, de-colonization, radical social movements, student and youth protests, and the Vietnam War. This pioneering book explores the seemingly isolated Eastern bloc and a non-capitalist context, demonstrating the impact of those global upheavals on young people in Poland in the form of international youth culture, protest movements, and counterculture.

This compelling book describes how everyday people courageously survived under repressive Communist regimes until the voices and actions of rebellious individuals resulted in the fall of the Iron Curtain in Europe. Part of Greenwood's Daily Life through History series, Daily Life behind the Iron Curtain enables today's generations to understand what it was like for those living in Eastern Europe during the Cold War, particularly the period from 1961 to 1989, the era during which these people-East Germans in particular-lived in the imposing shadow of the Berlin Wall. An introductory chapter discusses the Russian Revolution, the end of World War II, and the establishment of the Socialist state, clarifying the reasons for the construction of the Berlin Wall. Many historical anecdotes bring these past experiences to life, covering all aspects of life behind the Iron Curtain, including separation of families and the effects on family life, diet, rationing, media, clothing and trends, strict travel restrictions, defection attempts, and the evolving political climate. The final chapter describes Eastern Europe after the fall of the Berlin wall and the slow assimilation of East into West, and examines Europe after Communism.

Visiting Central Europe, in 1962, a visitor would not see a real "Iron Curtain." There was no huge piece of grim drapery splitting Europe between Communist dictatorships and democracies. The Iron Curtain represented the Central European part of the Cold War, the generally peaceful, but highly dangerous, forty-year competition between the United States and its allies and the Soviet Union and its allies. The Iron Curtain symbolically represented the attempt to permanently, artificially, and arbitrarily split one part of Central Europe from the other. Although there was no real iron curtain, there was lots of steel in the form of barbed wire, ground radar, watchtowers, and machine guns in the hands of troops willing to use them. The boundary between democracy and totalitarianism was clear. This book tells the story of the Iron Curtain, and the Cold War it so vividly represented, from the start of World War II to its end with the dramatic fall of the Berlin Wall in 1989. Book jacket.

Video, War and the Diasporic Imagination is an incisive study of the loss and (re)construction of collective and personal identities in ethnic migrant communities. Focusing on the Croatian and Macedonian Communities in Western Australia, Dona Kolar-Panov documents the social and cultural changes that affected these diasporic groups on the fragmentation of Yugoslavia.

Cold War history has emphasized the division of Europe into two warring camps with separate ideologies and little in common. This volume presents an alternative perspective by suggesting that there were transnational networks bridging the gap and connecting like-minded people on both sides of the divide. Long before the fall of the Berlin Wall, there were institutions, organizations, and individuals who brought people from the East and the West together, joined by shared professions, ideas, and sometimes even through marriage. The volume aims at proving that the post-WWII histories of Western and Eastern Europe were entangled by looking at cases involving France, Denmark, Poland, Romania, Switzerland, and others.

Using Vladimir Nabokov and Salman Rushdie's work, this study argues that transnational fiction refuses the simple oppositions of postcolonial theory and suggests the possibility of an inclusive global literature.

Imagined Regional Communities provides an original approach to thinking about the processes of regional integration. Focusing mostly on communities in Africa, Asia and Latin America, it develops detailed case studies based on archives, interviews and critical readings of existing texts. These case-studies are related to each other and the overall themes of the book, so that a set of narratives and theoretical elaborations emerge, that critically reformulate understandings of regional communities, statehold and sovereignty.

Religion and violence are intrinsic to the human story. By tracing their roots in human experience, Meral reveals that it is violence that shapes religion.

This detailed two-volume set tells the story of the Cold War, the dominant international event of the second half of the 20th century, through a diverse selection of primary source documents. One of the most extensive to date, this set of primary source documents studies the Cold War comprehensively from its beginning, with the emergence of the world's first communist government in Russia in late 1917, to its end, in 1991. All of the key events, including the Berlin Blockade, the Korean War, the Cuban Missile Crisis, the Vietnam War, and the nuclear arms race, are discussed in detail. The primary sources provide insight into the thinking of all participants, drawing on Western, Soviet, Asian, and Latin American perspectives. In The Cold War: Interpreting Conflict through Primary Documents primary documents are organized chronologically, allowing readers to appreciate the ramifications of the Cold War within a clear time frame. Extensive interpretive commentary provides in-depth background and context for each document. This work is an indispensable reference for all readers seeking to become deeply knowledgeable about the Cold War.

From the invention of skyscrapers and airplanes to the development of the nuclear bomb, ideas about the modern increasingly revolved around vertiginous images of elevation and decline and new technologies of mobility and terror from above. In The Vertical Imagination and the Crisis of Transatlantic Modernism, Paul Haacke examines this turn by focusing on discourses of aspiration, catastrophe, and power in major works of European and American literature as well as film, architecture, and intellectual and cultural history. This wide-ranging and pointed study begins with canonical fiction by Franz Kafka, Virginia Woolf, James Joyce, and John Dos Passos, as well as poetry by Guillaume Apollinaire, Hart Crane, and Aimé Césaire, before moving to critical reflections on the rise of New York City by architects and writers from Le Corbusier to Simone de Beauvoir, the films of Alfred Hitchcock and theories of cinematic space and time, and postwar novels by Kurt Vonnegut, Thomas Pynchon, and Leslie Marmon Silko, among many other examples. In tracing the rise and fall of modernist discourse over the course of the long twentieth century, this book shows how visions of vertical ascension turned from established ideas about nature, the body, and religion to growing anxieties about aesthetic distinction, technological advancement, and American capitalism and empire. It argues that spectacles of height and flight became symbols and icons of ambition as well as direct indexes of power, and thus that the vertical transformation of modernity was both material and imagined, taking place at the same time through the rapidly expanding built environment and shifting ideological constructions of "high" and "low."