In this study of the encounter between Vietnam and the United States from 1919 to 1950, Mark Bradley fundamentally reconceptualizes the origins of the Cold War in Vietnam and the place of postcolonial Vietnam in the history of the twentieth century. Among the first Americans granted a visa to undertake research in Vietnam since the war, Bradley draws on newly available Vietnamese-language primary sources and interviews as well as archival materials from France, Great Britain, and the United States. Bradley uses these sources to reveal an imagined America that occupied a central place in Vietnamese political discourse, symbolizing the qualities that revolutionaries believed were critical for reshaping their society. American policymakers, he argues, articulated their own imagined Vietnam, a deprecating vision informed by the conviction that the country should be remade in America's image. Contrary to other historians, who focus on the Soviet-American rivalry and ignore the policies and perceptions of Vietnamese actors, Bradley contends that the global discourse and practices of colonialism, race, modernism, and postcolonial state-making were profoundly implicated in--and ultimately transcended--the dynamics of the Cold War in shaping Vietnamese-American relations.

The Vietnam War endured for thirty years, cost billions of dollars, and resulted in thousands of Vietnamese, French, and American deaths. Massive American military intervention in Vietnam embroiled America in protests, placed enormous strains on the western alliance, and altered U.S. relations with the Soviet Union and China. David L. Anderson's concise overview critiques U.S. errors in magnifying the strategic importance of South-east Asia in the Cold War and in underestimating the strength of the Vietnamese communist movement.

America’s Miracle Man in Vietnam rethinks the motivations behind one of the most ruinous foreign-policy decisions of the postwar era: America’s commitment to preserve an independent South Vietnam under the premiership of Ngo Dinh Diem. The so-called Diem experiment is usually ascribed to U.S. anticommunism and an absence of other candidates for South Vietnam’s highest office. Challenging those explanations, Seth Jacobs utilizes religion and race as categories of analysis to argue that the alliance with Diem cannot be understood apart from America’s mid-century religious revival and policymakers’ perceptions of Asians. Jacobs contends that Diem’s Catholicism and the extent to which he violated American notions of “Oriental” passivity and moral laxity made him a more attractive ally to Washington than many non-Christian South Vietnamese with greater administrative experience and popular support. A diplomatic and cultural history, America’s Miracle Man in Vietnam draws on government archives, presidential libraries, private papers, novels, newspapers, magazines, movies, and television and radio broadcasts. Jacobs shows in detail how, in the 1950s, U.S. policymakers conceived of Cold War anticommunism as a crusade in which Americans needed to combine with fellow Judeo-Christians against an adversary dangerous as much for its atheism as for its military might. He describes how racist assumptions that Asians were culturally unready for democratic self-government predisposed Americans to excuse Diem’s dictatorship as necessary in “the Orient.” By focusing attention on the role of American religious and racial ideologies, Jacobs makes a crucial contribution to our understanding of the disastrous commitment of the United States to “sink or swim with Ngo Dinh Diem.”

More than thirty years later, the Vietnam War still stands as one of the most controversial events in the history of the United States, and historians have so far failed to come up with a definitive narrative of the wartime experience. With competing viewpoints already in play, Mark Moyar’s recent revisionist approach in Triumph Forsaken has created heated debate over who "owns" the history of America’s war in Vietnam. Triumph Revisited: Historians Battle for the Vietnam War collects critiques of Triumph Forsaken from both sides of this debate, written by an array of Vietnam scholars, cataloguing arguments about how the war should be remembered, how history may be reconstructed, and by whom. A lively introduction and conclusion by editors Andrew Wiest and Michael Doidge provide context and balance to the essays, as well as Moyar’s responses, giving students and scholars of the Vietnam era a glimpse into how history is constructed and reconstructed.

The American war in Vietnam was so much more than the sum of its battles. To make sense of it, we must look beyond the conflict itself. We must understand its context and, above all, the formative experiences, worldview, and motivations of those who devised communist strategies and tactics. Vietnam's American War, now in its second edition, remains a story of how and why Hanoi won. However, this revised and expanded edition offers more extensive and nuanced insights into Southern Vietnamese history, politics, and society. It puts to rest the myth of Vietnamese national unity by documenting the myriad, profound local fractures exacerbated by US intervention. It also includes over thirty-five new images intended to highlight that the Vietnam War was, fundamentally, a Vietnamese civil war and tragedy. This new edition is as richly detailed as it is original, eye-opening, and absorbing.

"With the first book in this new series from Paulist Press, Fr. Peter C. Phan presents the history of Christianity in Vietnam, the conditions of Vietnamese Catholics in America, the challenges facing Vietnamese-American Catholics today, and suggestions on how to meet them."--BOOK JACKET.

The Vietnam War was one of the most heavily documented conflicts of the twentieth century. Although the events themselves recede further into history every year, the political and cultural changes the war brought about continue to resonate, even as a new generation of Americans grapples with its own divisive conflict. America and the Vietnam War: Re-examining the Culture and History of a Generation reconsiders the social and cultural aspects of the conflict that helped to fundamentally change the nation. With chapters written by subject area specialists, America and the Vietnam War takes on subjects such as women’s role in the war, the music and the films of the time, the Vietnamese perspective, race and the war, and veterans and post-traumatic stress disorder. Features include: chapter summaries timelines discussion questions guides to further reading a companion website with primary source documents and tools (such as music and movie playlists) for both instructors and students. Heavily illustrated and welcoming to students and scholars of this infamous and pivotal time, America and the Vietnam War is a perfect companion to any course on the Vietnam War Era.

This book is conceived as a reader for use in American studies, Asian American studies, ethnic studies, gender studies, lesbian/gay/bisexual/transgender studies, performance studies, and queer studies. It also contains new scholarship on Asian/American sexualities that would be useful for faculty and students. In particular, this volume highlights materials that receive little academic attention such as works on Southeast Asian migrants, mixed race cultural production, and Asian/American pornography. As an interdisciplinary anthology, this collection weaves together various forms of 'knowledge'_autobiographical accounts, humanistic research, community-based work, and artistic expression. Responsive to the imbrication of knowledge and power, the authors aspire to present a diverse sample of discourses that construct Asian/American bodies. They maintain that the body serves as the primary interface between the individual and the social, yet, as Elizabeth Grosz noted over a decade ago, feminist theory, and gender and sexuality studies more generally, 'has tended, with some notable exceptions, to remain uninterested in or unconvinced about the relevance of refocusing on bodies in accounts of subjectivity.' This volume attempts to address this concern.

Imagined Ancestries of Vietnamese Communisim illuminates the real and imagined lives of Ton Duc Thang (1888�1980), a celebrated revolutionary activist and Vietnamese communist icon, but it is much more than a conventional biography. This multifaceted study constitutes the first detailed re-evaluation of the official history of the Vietnamese Communist Party and is a critical analysis of the inner workings of Vietnamese historiography never before undertaken in its scope. In prominence and public visibility second only to Ho Chi Minh, whom he succeeded in the presidency, Ton Duc Thang in fact lacked any real power. Author Christoph Giebel reconciles this seeming contradiction by showing that it was only Ton Duc Thang who could personify for the Party crucial legitimizing �ancestries�: those that linked Vietnamese communism with the Russian October Revolution, highlighted proletarian internationalism among its ranks, and rooted the Party in Viet Nam�s south. The study traces the decades-long, complex processes in which famous heroic episodes in Ton Duc Thang�s life were manipulated or simply fabricated and�depending on prevailing historical and political necessities�utilized as propaganda by the Communist Party. Over time, narrative control over these tales switched hands, however, and since the late 1950s the stories came to be used in factional disputes by competing ideological and regional interests within the revolutionary camp. Based on innovative archival research in Viet Nam and France and on analyses of biographical writings, propaganda, and museum representations, the study challenges core assumptions about the history of the Vietnamese Communist Part and sheds light on divisions within the revolutionary movement along regional, class, and ideological lines. Giebel uses the fictions and contested facts of Ton�s life to demonstrate that history-writing and the constructions of memories and identities are always political acts.