In the quaint town of Nightfall, Oregon, it isn't the dark you should be afraid of—it's the girls. The Lost Boys meets Buffy the Vampire Slayer in this propulsive novel from the New York Times bestselling author of The Treatment. Theo and her brother, Marco, threw the biggest party of the year. And got caught. Their punishment? Leave Arizona to spend the summer with their grandmother in the rainy beachside town of Nightfall, Oregon—population 846 souls. The small town is cute, when it’s not raining, but their grandmother is superstitious and strangely antisocial. Upon their arrival she lays out the one house rule: always be home before dark. But Theo and Marco are determined to make the most of their summer, and on their first day they meet the enigmatic Minnow and her friends. Beautiful and charismatic, the girls have a magnetic pull that Theo and her brother can't resist. But Minnow and her friends are far from what they appear. And that one rule? Theo quickly realizes she should have listened to her grandmother. Because after dark, something emerges in Nightfall. And it doesn’t plan to let her leave.

Six months have passed since Taya, Guntharr and the others recovered the damaged Talisman of Alterian, the only hope to proving that Taya is the rightful heir. With little to go on, Firebane sets out with Rift for a distant monastery where the elves stored copies of their ancient writings. Uncovering a potential lead, the two make their way back to the sanctuary when they are ambushed by a barbarian and rogue Battle Wolf who knows of Rift. Elsewhere, a faction of elves that survived the assault on Silverwood, struggle against an unknown plague that is threatening their outpost’s existence by killing off the crop that they use to sustain themselves. While trying to hold off increasing attacks from the dark creatures of Nightfall and with little men to spare, General Alderthorn sends out a trio of men, led by his only son, Farrian, to search out a gifted spy who can infiltrate the land and discover the source of the plague. Guntharr’s suspicions are aroused as rumors have surfaced throughout the five realms that certain elf groups have forsaken the kingdom of Silverwood and pledged loyalty to no one. Farrian’s pleas for help conflict against Guntharr’s commitment to protect Taya, but then news from Firebane hints that the next piece to the Talisman may reside in Nightfall. Arnethia’s drive to prove herself causes Guntharr to relent and follow the elves back toward Nightfall knowing they could be walking into a trap. Without a plan, Arnethia hurries off on her mission into the land of Nightfall to uncover the whereabouts of the gem and possibly the cause for the plague effecting the General’s outpost. Her persistence pays off, but in the process she is captured by a pair of creatures that have the ability to change into any living creature. Captured and surrounded by an army of evil, Arnethia must rely on a newfound resource to help her overcome her fear, save her friends and return the second gem of the talisman.

The Macintosh challenged games to be more than child’s play and quick reflexes. It made human–computer interaction friendly, inviting, and intuitive. Mac gaming led to much that is now taken for granted by PC gamers and spawned some of the biggest franchises in video game history. It allowed anyone to create games and playful software with ease, and gave indie developers a home for their products. It welcomed strange ideas and encouraged experimentation. It fostered passionate and creative communities who inspired and challenged developers to do better and to follow the Mac mantra ‘think different’. Drawing on archive material and interviews with key figures from the era – and featuring new material from Craig Fryar, Apple’s first Mac games evangelist and the co-creator of hit game Spectre – The Secret History of Mac Gaming is the story of those communities and the game developers who survived and thrived in an ecosystem that was serially ignored by the outside world. It’s a book about people who followed their hearts first and market trends second, showing how clever, quirky, and downright wonderful video games could be.

In Ethereum for Business, Paul Brody provides a plain English guide to doing business on the world's largest blockchain. The book covers an overview of Ethereum, business applications on Ethereum, and various advanced topics. Including case studies and examples from the world of Ethereum, Ethereum for Business is readable both linearly and by dipping in and out of chapters. The book is aimed at business executives who want to understand the potential of blockchain for solving real-world business problems, and readers with technical knowledge who want to understand the business use cases. Ethereum for Business covers topics such as data quality, efficiency, and decentralization in digital marketplaces, wallets, tokens, and smart contracts, privacy, scalability, supply chain management, trade finance, payments and asset transfers, and tokenomics. Brody argues that blockchain technology, particularly Ethereum, can transform the world of enterprise computing by enabling companies to model and manage assets, real or digital, that exist off-chain. The result is a guide for implementation that contains key success metrics for enterprises considering blockchain-based solutions.

The veterans' culture in postwar eras from World War I to the present is examined in this book, with specific attention to the historic events of each era as they influence veterans, and the literature and movies produced about veterans and by veterans. The intention is to highlight the reciprocal interactions among the influences of the war, the veterans, and the culture. The common alienation of the veterans of foreign wars is thoroughly explored. Films and literary works featuring war veterans of each era are examined in detail for their various views of alienation. Homer's Odyssey, myths, fairy tales, modern novels, memoirs, and short stories are all discussed with an emphasis on detailing what is common and expected with returning veterans, and what is unique for each postwar era.

In a realm ravaged by war, The Brotherhood of Shadow and The Children of Light will stop at nothing to destroy each other. Chaos is a warrior who fights for the Children Of The Light, in the name of honor and glory. The demon Anathema has pledged his loyalty to the Brotherhood of Shadows. Arrogant and headstrong, they both believe they're the strongest in the land. The two strike up an intense rivalry, but their obsession to defeat one another only leads them closer together. When the forces of Light and Darkness collide, where will their loyalties lie?

First in the Sons of Destiny series-now in mass market. To avoid tempting destiny, four sets of twin mage-brothers are exiled to Nightfall Island, where females are forbidden. But when the youngest rescues a woman from another universe, their world is altered forever.

“Graceful yet precise, poetic yet deeply rooted in research, this exploration of an overlooked painter is gorgeous — a joy to read. Molly Peacock’s insights and empathy with her subject bring to life both Mary Hiester Reid and her luscious flower paintings.” — Charlotte Gray, author of The Massey Murder Molly Peacock uncovers the history of neglected painter Mary Hiester Reid, a trailblazing artist who refused to choose between marriage and a career. Born into a patrician American family in the middle of the nineteenth century, Mary Hiester Reid was determined to be a painter and left behind women’s design schools to enter the art world of men. After she married fellow artist George Reid, she returned with him to his home country of Canada. There she set about creating over 300 stunning still life and landscape paintings, inhabiting a rich, if sometimes difficult, marriage, coping with a younger rival, exhibiting internationally, and becoming well-reviewed. She studied in Paris, traveled in Spain, and divided her time between Canada and the United States where she lived among America’s Arts and Crafts movement titans. She left slender written records; rather, her art became her diary and Flower Diary unfolds with an artwork for each episode of her life. In this sumptuous and precisely researched biography, celebrated poet and biographer Molly Peacock brings Mary Hiester Reid, foremother of painters such as Georgia O’Keefe, out of the shadows, revealing a fascinating, complex woman who insisted on her right to live as a married artist, not as a tragic heroine. Peacock uses her poet’s skill to create a structurally inventive portrait of this extraordinary woman whom modernism almost swept aside, weaving threads of her own marriage with Hiester Reid’s, following the history of empathy and examining how women manage the demands of creativity and domesticity, coping with relationships, stoves, and steamships, too. How do you make room for art when you must go to the market to buy a chicken for dinner? Hiester Reid had her answers, as Peacock gloriously discovers.

Pulp According to David Goodis starts with six characteristics of 1950s pulp noir that fascinated mass-market readers, making them wish they were the protagonist, and yet feel relief that they were not. His thrillers are set in motion by suppressed guilt, sexual frustrations, explosions of violence, and the inaccessible nature of intimacy. Extremely valuable is a gangster-infested urban setting. Uniquely, Goodis saw a still-vibrant community solidarity down there. Another contribution was sympathy for the gang boss, doomed by his very success. He dramatizes all this in the stark language of the Philadelphia’s “streets of no return.” The book delineates the noir profundity of the author’s work in the context of Franz Kafka’s narratives. Goodis’ precise sense of place, and painful insights about the indomitability of fate, parallel Kafka’s. Both writers mix realism, the disorienting, and the dreamlike; both dwell on obsession and entrapment; both describe the protagonist’s degeneration. Tragically, belief in obligations, especially family ones, keep independence out of reach. Other elements covered in this critical analysis of Goodis’s work include his Hollywood script-writing career; his use of Freud, Arthur Miller, Faulkner and Hemingway; his obsession with incest; and his “noble loser’s” indomitable perseverance. Praise for PULP ACCORDING TO DAVID GOODIS: “This was a fascinating read. [Gertzman] appears as an expert not only on Goodis’s body of work but on the pulp era of fiction in general, mid-twentieth-century American history, Philadelphia history, literary analysis, and a litany of other subjects. The book is stylishly written and well designed for reaching a broader, nonacademic audience interested in the pulp’s history, role in American culture, and meaning. Frankly, the crime fiction community needs more books like this!” —Chris Rhatigan, editor, publisher, and writer of hard-boiled and noir literature “Jay Gertzman is one of those rare maverick critics with the courage to explore the dark alleys of American literature, and to report back with commendable honesty about what he has found. His book Pulp According to David Goodis is a perfect match of critic to author, and it belongs in the collections of universities hoping to be regarded as major.” —Michael Perkins, author of Evil Companions, Dark Matter, and The Secret Record: Modern Erotic Literature “The most comprehensive Goodis study yet. Gertzman culls the files, brings everything together and then some. Not only essential reading for all Goodis obsessives but an excellent introduction to one of noir’s greatest writers.” —Woody Haut, author Pulp Culture: Hard-boiled Fiction and the Cold War, Heartbreak and Vine, and Neon Noir: Contemporary American Crime Fiction

An examination of experimental cinema and media art from the Arabic-speaking world that explores filmmakers' creative and philosophical inventiveness in trying times. In this book, Laura Marks examines one of the world's most impressive, and affecting, bodies of independent and experimental cinema from the last twenty-five years: film and video works from the Arabic-speaking world. Some of these works' creative strategies are shared by filmmakers around the world; others arise from the particular economic, social, political, and historical circumstances of Arab countries, whose urgency, Marks argues, seems to demand experiment and invention. Grounded in a study of infrastructures for independent and experimental media art in the Arab world and a broad knowledge of hundreds of films and videos, Hanan al-Cinema approaches these works thematically. Topics include the nomadism of the highway, nostalgia for '70s radicalism, a romance with the archive, algorithmic and glitch media, haptic and networked space, and cinema of the body. Marks develops an aesthetic of enfolding and unfolding to elucidate the different ways that cinema can make events perceptible, seek connections among them, and unfold in the bodies and thoughts of audiences. The phrase Hanan al-cinema expresses the way movies sympathize with the world and the way audiences feel affection for, and are affected by, them. Marks's clear and expressive writing conveys these affections in works by such internationally recognized artists and filmmakers as Akram Zaatari, Elia Suleiman, Hassan Khan, Mounir Fatmi, and Joana Hadjithomas and Khalil Joreige, and others who should be better known.