A rich collection of first-person renderings that both enhances and challenges traditional narratives of American religious life.

In the 20-year reboot of Neely and Abif’s 1996 In Our Own Voices, fifteen of the original contributors revisit their stories alongside the fifteen new voices that have been added. This Collective represents a wide range of life and library experiences, gender fluidities, sexualities, races, and other visible, and invisible identities. In addition to reflections on lives and experiences since the 1996 volume, chapters cover the representation of librarians of color in the profession at large, and more specifically, those among them who are still the “only one”; the specter of “us serving them—still;” and migrations from libraries to other information providing professions. These authors reflect on their careers and lives in libraries and other school and workplace settings, as activists, administrators, archivists, library students and information professionals. They share stories of personal and professional abuse, attempts to find and secure gainful employment, navigating the profession, and how they overcame decades of normalized discrimination to complete their educational and career pursuits. They write about the need for support systems, work-life balance, self-care, communities of support, and the importance of mentoring and being mentored. And above all, they persist, and continue to disrupt systems. These essays are from contributors from a variety of libraries and library related environments, and provide answers to questions professionals new to LIS haven’t even asked yet. The inclusion of a new group of librarian his-, her-, and their-stories provides a voice for those currently finding their way through this profession. These essays bring honesty, vulnerability, authenticity, and impactfulness to the “diversity” conversation in libraries and beyond. And more importantly, these voices, from a variety of races, ethnicities, genders and sexualities, matter.

An anthology of essays and interviews exploring the undeniable history of women creators in Science Fiction/Fantasy & Media fandom during the latter half of the 20th century. These women were writers. Artists. Costumers. Editors. Gamers. Scientists. Housewives. Despite the odds, they claimed their own voices and creative power, through the years and in their own terms. Each woman’s experience is personal and evocative, told in their own voices and each with their own story.

Interviews with a selection of African women writers. This book makes a strong and compelling statement about the position of women writers and women in contemporary Africa using the words of the writers themselves', says Dennis Duerden, the author of the earlier African WritersTalking.

A good columnist needs to have lots of ideas to write about people and issues that affect them. This volume will show young writers how curiosity and close observation of the world around them can turn into a column with a distinctive voice, whether they are writing an editorial, a review, a sports column, or a humorous piece. Studying examples from famous columnists or fellow student journalists can help writers develop their own style. Other types of columns, such as letters to the editor and surveys, are also discussed.

If educational reform is to succeed, it must attend to the perspectives of students--those most directly affected by schooling but least often consulted about its efficacy. This is the premise of the first book both to feature student perspectives on school and to foreground student voices; middle and high school students are the primary authors of the eight chapters collected in this volume aptly titled In Our Own Words. Reflecting differences of gender, racial, and ethnic background, and school context, the student authors write passionately and eloquently about their experiences of and desires for school. Through their explorations of topics as diverse as bilingual education, class cutting, teacher bias, race relations in school, what girls need from their education, and innovative curricular models, these student authors not only counter stereotypes of apathetic teenagers but also clearly identify what hinders and what supports their learning. For both the insights offered and the freshness of the students' voices, this collection is a must read for anyone who has a stake in making school a place where students can and want to learn.

This is a comprehensive, practical, encouraging book full of exercises and tips for anyone who wants to – even needs to – sing. Actors in straight plays, performers in musicals, professionals and amateurs, even people singing in choirs or bands will all benefit from Orlanda Cook's expert guidance.

James Mitchell presents a series of biographical sketches and interviews of more than thirty Maine women who have all carved out meaningful careers for themselves. The women shared their stories and dreams with Mitchell to celebrate their and other women's accomplishments. Although their stories and fields of endeavor — ranging from commercial fishing (Linda Greenlaw), to writing (Kate Barnes), to government service (Chellie Pingree) — are different, the women all celebrate the remarkable resilience of the human spirit. What they have in common is intelligence, passion, enthusiasm, and a firm belief in their abilities. Black and white photographs accompany each profile.

What does a teenage girl dream about in Nigeria or New York? How does she spend her days in Mongolia, the Midwest, and the Middle East? All around the world, girls are going to school, working, dreaming up big futures—they are soccer players and surfers, ballerinas and chess champions. Yet we know so little about their daily lives. We often hear about challenges and catastrophes in the news, and about exceptional girls who make headlines. But even though the health, education, and success of girls so often determines the future of a community, we don’t know more about what life is like for the ordinary girls, the ones living outside the headlines. From the Americas to Europe to Africa to Asia to the South Pacific, the thirty teens from twenty-seven countries in Girlhood share their own stories of growing up through diary entries and photographs, and the girls’ stories are put in context with reporting and research that helps us understand the circumstances and communities they live in. This full-color, exuberantly designed volume is a portrait of ordinary girlhood around the world, and of the world, as seen through girls’ eyes.