In the decades between the Berlin Conference that partitioned Africa and the opening of the African Hall at the American Museum of Natural History, Americans in several fields and from many backgrounds argued that Africa had something to teach them. Jeannette Eileen Jones traces the history of the idea of Africa with an eye to recovering the emergence of a belief in "Brightest Africa"--a tradition that runs through American cultural and intellectual history with equal force to its "Dark Continent" counterpart. Jones skillfully weaves disparate strands of turn-of-the-century society and culture to expose a vivid trend of cultural engagement that involved both critique and activism. Filmmakers spoke out against the depiction of "savage" Africa in the mass media while also initiating a countertradition of ethnographic documentaries. Early environmentalists celebrated Africa as a pristine continent while lamenting that its unsullied landscape was "vanishing." New Negro political thinkers also wanted to "save" Africa but saw its fragility in terms of imperiled human promise. Jones illuminates both the optimism about Africa underlying these concerns and the racist and colonial interests these agents often nevertheless served. The book contributes to a growing literature on the ongoing role of global exchange in shaping the African American experience as well as debates about the cultural place of Africa in American thought.

In Brightest Africa is an excellent travelog with details of Carl Ethan Akeley's ventures in East Africa. Akeley worked with President Theodore Roosevelt and was friends with famous photographers Martin and Osa Johnson. He was the world's leading taxidermist of his time.

An introduction to the complex relationship between African Americans and the African continent What is an "African American" and how does this identity relate to the African continent? Rising immigration levels, globalization, and the United States' first African American president have all sparked new dialogue around the question. This book provides an introduction to the relationship between African Americans and Africa from the era of slavery to the present, mapping several overlapping diasporas. The diversity of African American identities through relationships with region, ethnicity, slavery, and immigration are all examined to investigate questions fundamental to the study of African American history and culture.

Missionary Diplomacy illuminates the crucial place of religion in nineteenth-century American diplomacy. From the 1810s through the 1920s, Protestant missionaries positioned themselves as key experts in the development of American relations in Asia, Africa, the Pacific, and the Middle East. Missionaries served as consuls, translators, and occasional trouble-makers who forced the State Department to take actions it otherwise would have avoided. Yet as decades passed, more Americans began to question the propriety of missionaries' power. Were missionaries serving the interests of American diplomacy? Or were they creating unnecessary problems? As Emily Conroy-Krutz demonstrates, they were doing both. Across the century, missionaries forced the government to articulate new conceptions of the rights of US citizens abroad and of the role of the US as an engine of humanitarianism and religious freedom. By the time the US entered the first world war, missionary diplomacy had for nearly a century created the conditions for some Americans to embrace a vision of their country as an internationally engaged world power. Missionary Diplomacy exposes the longstanding influence of evangelical missions on the shape of American foreign relations.

In his 1903 hit "Congo Love Song," James Weldon Johnson recounts a sweet if seemingly generic romance between two young Africans. While the song's title may appear consistent with that narrative, it also invokes the site of King Leopold II of Belgium's brutal colonial regime at a time when African Americans were playing a central role in a growing Congo reform movement. In an era when popular vaudeville music frequently trafficked in racist language and imagery, "Congo Love Song" emerges as one example of the many ways that African American activists, intellectuals, and artists called attention to colonialism in Africa. In this book, Ira Dworkin examines black Americans' long cultural and political engagement with the Congo and its people. Through studies of George Washington Williams, Booker T. Washington, Pauline Hopkins, Langston Hughes, Malcolm X, and other figures, he brings to light a long-standing relationship that challenges familiar presumptions about African American commitments to Africa. Dworkin offers compelling new ways to understand how African American involvement in the Congo has helped shape anticolonialism, black aesthetics, and modern black nationalism.

Jeremy Rich uses the eccentric life of R. L. Garner (1848–1920) to examine the commercial networks that brought the first apes to America during the Progressive Era, a critical time in the development of ideas about African wildlife, race, and evolution. Garner was a self-taught zoologist and atheist from southwest Virginia. Starting in 1892, he lived on and off in the French colony of Gabon, studying primates and trying to engage U.S. academics with his theories. Most prominently, Garner claimed that he could teach apes to speak human languages and that he could speak the languages of primates. Garner brought some of the first live primates to America, launching a traveling demonstration in which he claimed to communicate with a chimpanzee named Susie. He was often mocked by the increasingly professionalized scientific community, who were wary of his colorful escapades, such as his ill-fated plan to make a New York City socialite the queen of southern Gabon, and his efforts to convince Thomas Edison to finance him in Africa. Yet Garner did influence evolutionary debates, and as with many of his era, race dominated his thinking. Garner's arguments—for example, that chimpanzees were more loving than Africans, or that colonialism constituted a threat to the separation of the races—offer a fascinating perspective on the thinking and attitudes of his times. Missing Links explores the impact of colonialism on Africans, the complicated politics of buying and selling primates, and the popularization of biological racism.

Gorillas, the largest of the apes inhabiting our planet, have been a source of fear, awe, and inspiration to humans. In this book, James L. Newman brings a lifetime of study of Africa to his compelling story of the rich and varied interaction between gorillas and humans since earliest contact. He illuminates the complex relationship over time through the interlinked themes of discovery, exploitation, understanding, and continuing survival. Tragically, the number of free-living gorillas—facing habitat loss, disease, and poaching—has declined dramatically over the course of the past century, and the future of the few that remain is highly uncertain. At the same time, those in zoos and sanctuaries now lead much more secure lives than they did earlier. Newman follows this transition, highlighting the roles played by key individuals, both humans and gorillas. Among the former have been adventurers, opportunists, writers, and scientists. The latter include real gorillas, such as Gargantua and Koko, and fictional ones, notably King Kong and Mighty Joe Young. This thoughtful and engaging book helps us understand how our image of gorillas has been both distorted and clarified through culture and science for centuries and how we now control the destiny of these magnificent great apes.

An illuminating debut following three women in sub–Saharan Africa as they search for home and family. Leona, an isolated American anthropologist, gives birth to a baby girl in a remote Maasai village and must decide how she can be a mother, in spite of her own grim childhood. Jane, a lonely expat wife, follows her husband to the tropics and learns just how fragile life is. Simi, a barren Maasai woman, must confront her infertility in a society in which females are valued by their reproductive roles. In this affecting debut novel, these three very different women grapple with motherhood, recalibrate their identities and confront unforeseen tragedies and triumphs. In beautiful, evocative prose, Adrienne Benson brings to life the striking Kenyan terrain as these women's lives intertwine in unexpected ways. As they face their own challenges and heartbreaks, they find strength traversing the arid landscapes of tenuous human connection. With gripping poignancy, The Brightest Sun explores the heartbreak of loss, the struggle to find a sense of belonging and the surprising ways we find our family and home.