Now in a convenient eBook bundle, this Modern Library edition provides the most authoritative, critically acclaimed translation of Marcel Proust’s masterpiece in six volumes, In Search of Lost Time, which includes Swann’s Way, Within a Budding Grove, The Guermantes Way, Sodom and Gomorrah, The Captive, The Fugitive, and Time Regained. Graham Greene considered Marcel Proust “the greatest novelist of the twentieth century, just as Tolstoy was in the nineteenth.” Edmund Wilson proposed that he was “perhaps the last great historian of the loves.” And Virginia Woolf celebrated Proust for “his combination of the utmost sensibility with the utmost tenacity.” The prolific French master dazzled many of the most cherished authors of our time, and now his signature work comes alive in this practical and completely accessible eBook bundle. For these Modern Library volumes, D. J. Enright revised the late Terence Kilmartin’s acclaimed reworkings of C. K. Scott Moncrieff’s and Andreas Mayor’s translations to match the definitive French editions published in recent decades. Expertly and lovingly crafted to rival Marcel Proust’s original in elegance, precision, and emotional resonance, here is In Search of Lost Time as it was meant to be read.

The Modern Library’s fifth volume of In Search of Lost Time contains both The Captive (1923) and The Fugitive (1925). In The Captive, Proust’s narrator describes living in his mother’s Paris apartment with his lover, Albertine, and subsequently falling out of love with her. In The Fugitive, the narrator loses Albertine forever. Rich with irony, The Captive and The Fugitive inspire meditations on desire, sexual love, music, and the art of introspection. For this authoritative English-language edition, D. J. Enright has revised the late Terence Kilmartin’s acclaimed reworking of C. K. Scott Moncrieff’s translation to take into account the new definitive French editions of Á la recherché du temps perdu (the final volume of these new editions was published by the Bibliothèque de la Pléiade in 1989).

THE ACCLAIMED FULLY REVISED EDITION OF THE SCOTT MONCRIEFF AND KILMARTIN TRANSLATION In the two novels - The Captive and The Fugitive - contained in this volume, Proust's narrator is living in his mother's apartment in Paris with his lover, Albertine. However, this is far from an idyllic state of affairs. His obsessive love for her means that their relationship is shadowed by jealousy and headed for tragedy.

An authoritative new edition of Marcel Proust’s The Captive and The Fugitive, published together as the fifth volume of his epic masterwork, In Search of Lost Time Marcel Proust’s monumental seven-part novel In Search of Lost Time is considered by many to be the greatest novel of the twentieth century. The Captive and The Fugitive, the fifth and sixth volumes of Proust’s masterpiece, contain some of literature’s most beautiful meditations on art, music, desire, jealousy, love and loss, grieving and forgetting. In this work, Proust continues his vast satirical fresco of high society in France just prior to the outbreak of World War I. These volumes and the following volume were published posthumously, as Proust died when he was approximately one-third of the way through correcting the proofs for The Captive.The Fugitive was also the last volume translated by Charles Kenneth Scott Moncrieff, who did not live to finish his enormous task. This edition of the two, published together as the fifth volume, is edited and annotated by noted Proust scholar William C. Carter, who endeavors to bring the classic C. K. Scott Moncrieff translation closer to the spirit and style of the original.

The Living and the Dead examines the complex barriers and boundaries between the worlds of life and death. The book draws upon philosophy, ethnography, literature and natural science in order to suggest that rather than being seen as opposing terms, life and death are better understood as continuous tendencies acting upon one another in a relationship where neither can be seen as passive. Arguing that the failure to think the relationship between that which is living and that which is not leads to situations where both life and death are degraded, The Living and the Dead, proposes that to confront the challenges of our times the dominance of economism, the ecological crisis, technological advancement we need to develop a more nuanced, complex, and fluid understand of the relationships between life and death.

Departing from the traditional German school of music theorists, Michael Klein injects a unique French critical theory perspective into the framework of music and meaning. Using primarily Lacanian notions of the symptom, that unnamable jouissance located in the unconscious, and the registers of subjectivity (the Imaginary, the Symbolic Order, and the Real), Klein explores how we understand music as both an artistic form created by "the subject" and an artistic expression of a culture that imposes its history on this modern subject. By creatively navigating from critical theory to music, film, fiction, and back to music, Klein distills the kinds of meaning that we have been missing when we perform, listen to, think about, and write about music without the insights of Lacan and others into formulations of modern subjectivity.

This is an extended analysis of the film, from different perspectives. The first half is largely a discussion of the cinematic technique, with key sequences analyzed shot by shot. The second half approaches the film from many other angles, including its history, the critical reception, Renoir's life and career, and film theory, e.g., film in relation to music. A case is made that Renoir's career was inconsistent, especially after La Regle du jeu but also during the 1930s. And rather than emphasizing the humanist, anti-war thrust of La Grande Illusion, the film is approached as a work of art that is deeply expressive cinematically.

The Metaphysical City examines the metaphorical existence of the city as an entity to further understand its significance on urban planning and geography. It encourages an open-minded approach when studying cities so as to uncover broader connecting themes that may otherwise be missed. Case studies of New York, Paris, Cairo, Mumbai, Tokyo, and Los Angeles explore a metaphor specific to each city. This multidisciplinary analysis uses philosophical treatises, geographical analysis, and comparative literature to uncover how each city corresponds to the metaphor. As such, it allows the reader to understand the city from six differing points of view. This book would be beneficial to students and academics of urban planning, geography, and comparative literature, in particular those with an interest in a metaphysical examination of cities.

Without question, the tache (blot, patch, stain) is a central and recurring motif in nineteenth-century modernist painting. Manet's and the Impressionists? rejection of academic finish produced a surface where the strokes of paint were presented directly, as patches or blots, then indirectly as legible signs. C?nne, Seurat, and Signac painted exclusively with patches or dots. Through a series of close readings, this book looks at the tache as one of the most important features in nineteenth-century modernism. The tache is a potential meeting point between text and image and a pure trace of the artist?s body. Even though each manifestation of tacheism generates its own specific cultural effects, this book represents the first time a scholar has looked at tacheism as a hidden continuum within modern art. With a methodological framework drawn from the semiotics of text and image, the author introduces a much-needed fine-tuning to the classic terms index, symbol, and icon. The concept of the tache as a ?crossing? of sign-types enables finer distinctions and observations than have been available thus far within the Peircean tradition. The ?sign-crossing? theory opens onto the whole terrain of interaction between visual art, art criticism, literature, philosophy, and psychology.

Explores the transformative reign of the Catholic King James VII and the revolution that brought about his fall