In the Region of the Summer Stars is a new Celtic fantasy from Stephen R. Lawhead, the critically-acclaimed author of the Pendragon Cycle. Ravaged by barbarian Scálda forces, the last hope for Eirlandia lies with the island’s warring tribes. Wrongly cast out of his tribe, Conor, the first-born son of the Celtic king, embarks on a dangerous mission to prove his innocence. What he discovers will change Eirlandia forever. For the Scálda have captured the mystical Fae to use as an ultimate weapon. And Conor’s own people have joined in the invasion. The Eirlandia Series: #1) In the Region of the Summer Stars #2) In the Land of the Everliving #3) In the Kingdom of All Tomorrows At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Taliesin, Chief Bard of Britain and Celtic shaman, was a historical figure who lived in Wales during the latter half of the sixth century. His verse is established as a direct precursor to the Arthurian Legends--and Taliesin himself, is said to be the direct forebear to Merlin. The author presents completely new translations of Taliesin's major poems in their entirety, uncovering the meanings behind these great works for the first time.

The Grail legends have in modern times been appropriated by a number of different scholarly schools of thought; their approaches are analysed here.

First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.

Charles Williams has achieved considerable reputation for his novels. He has been recognized as a brilliant theologian and a sensitive literary critic. But Williams himself wished most to be remembered as a poet, and trusted his future literary reputation to the two-volume series of poems on the Arthurian theme, Taliessin Through Logres and The Region of the Summer Stars.Of the first volume Williams wrote: "The matter and the style require and reward attention. The poems do not so much tell a story or describe a process as express states or principles of experience. The names and incidents of the Arthurian myth are taken as starting-points for investigation and statement on common and profound experience." In this first full-length study of these poems, they receive, in both matter and style, the close attention that Williams requested.The emphasis in this study is on the quality of these poems as poetry and only secondarily upon their religious content. Although essentially Christian, they are placed within the context of the multifaceted, many-changing forms of recurring myths. Thus they represent one of the few attempts in the twentieth century to encapsulate and age-old and ever-recurring "pattern in the web" in a brilliant structure that is thoroughly modern.

Annotated bibliography of the Arthurian legend in modern English-language fiction, not only in literary texts, but in television, music, and art. The legend of Arthur has been a source of fascination for writers and artists in English since the fifteenth century, when Thomas Malory drew together for the first time in English a variety of Arthurian stories from a number of sources to form the Morte Darthur. It increased in popularity during the Victorian era, when after Tennyson's treatment of the legend, not only authors and dramatists, but painters, musicians, and film-makers found a sourceof inspiration in the Arthurian material. This interdisciplinary, annotated bibliography lists the Arthurian legend in modern English-language fiction, from 1500 to 2000, including literary texts, film, television, music, visual art, and games. It will prove an invaluable source of reference for students of literary and visual arts, general readers, collectors, librarians, and cultural historians--indeed, by anyone interested in the history of the waysin which Camelot has figured in post-medieval English-speaking cultures. ANN F. HOWEY is Assistant Professor at Brock University, Canada; STEPHEN R. REIMER is Associate Professor at the University of Alberta, Canada

Learn the purpose of ley lines and ancient megalithic structures located on the grid. Discover how the grid made the Philadelphia Experiment possible. Explore Coral Castle and other mysteries including acoustic levitation, Tesla shields and Scalar wave weaponry.

The two great Yeats Family Sales of 2017 and the legacy of the Yeats family’s 80-year tradition of generosity to Ireland’s great cultural institutions provide the kaleidoscope through which these advanced research essays find their theme. Hannah Sullivan’s brilliant history of Yeats’s versecraft challenges Poundian definitions of Modernism; Denis Donoghue offers unique family memories of 1916 whilst tracing the political significance of the Easter Rising; Anita Feldman addresses Yeats’s responses to the Rising’s appropriation of his symbols and myths, the daring artistry of his ritual drama developed from Noh, his poetry of personal utterance, and his vision of art as a body reborn rather than a treasure preserved amid the testing of the illusions that hold civilizations together in ensuing wars. Warwick Gould looks at Yeats as founding Senator in the new Free State, and his valiant struggle against the literary censorship law of 1929 (with its present-day legacy of Irish anti-blasphemy law still presenting a constitutional challenge). Drawing on Gregory Estate documents, James Pethica looks at the evictions which preceded Yeats’s purchase of Thoor Ballylee in Galway; Lauren Arrington looks back at Yeats, Ezra Pound, and the Ghosts of The Winding Stair (1929) in Rapallo. Having co-edited both versions of A Vision, Catherine Paul offers some profound reflections on ‘Yeats and Belief’. Grevel Lindop provides a pioneering view of Yeats’s impact on English mystical verse and on Charles Williams who, while at Oxford University Press, helped publish the Oxford Book of Modern Verse. Stanley van der Ziel looks at the presence of Shakespeare in Yeats’s Purgatory. William H. O’Donnell examines the vexed textual legacy of his late work, On the Boiler while Gould considers the challenge Yeats’s intentionalism posed for once-fashionable post-structuralist editorial theory. John Kelly recovers a startling autobiographical short story by Maud Gonne. While nine works of current biographical, textual and literary scholarship are reviewed, Maud Gonne is the focus of debate for two reviewers, as are Eva Gore-Booth, Constance and Casimir Markievicz, Rudyard Kipling, David Jones, T. S. Eliot and his presence on the radio.

Resistance is a key concept for understanding the twentieth and early twenty-first centuries, and for approaching the poetry of the period. This collection of 15 critical essays explores how poetry and resistance interact, set against a philosophical, historical and cultural background. In the light of the upheavals of the age, and the changing perception of the nature of language, resistance is seen to lie at the core of poetic preoccupations, moving poetic language forward. From this perspective, the resistance of poetry is connected with the human call to solidarity, resilience, and, ultimately, meaning. The volume covers poetry from Hardy, Yeats and Auden, among others, to contemporary writers like Hugo Williams and Linton Kwesi Johnson.