Over 500,000 Jews fought under the Soviet banner in World War Two, of which an approximate 40 percent gave their lives - the highest percentage of all the nations of the Soviet Union and among all the other nations that fought in the Second World War. Dr. Arad now sets the record straight on the immense contribution of Soviet Jewry in the battle against Nazi Germany, a part of history long concealed by the Soviet government. After outlining the military progress of the war, the book documents the contributions of Soviet Jewry on the battlefronts and in the weapons development industry, in the ghetto undergrounds and in partisan warfare. In addition, the book records the Soviet government's deliberate attempts to downplay the Jewish effort and the anti-Semitism that Jewish soldiers and partisan groups suffered at the hands of the Soviet establishment, even while giving their lives for their country. Replete with the stories of individual heroes of all ranks, the book pays a debt of gratitude to those who paid the ultimate price to achieve our victory.

The majority of European Yiddish speaking Jews was murdered by Hitler's National Socialists, their cultural realm was destroyed. After the war, the Communist regimes suppressed Jewish culture, but despite emigration of Jewish survivors, small Jewish communities continued to exist and made efforts to revive their culture in most of the Communist countries. Jewish organizations, clubs, cultural societies and theatres were founded, and a great number of Yiddish books, newspapers and periodicals were printed, despite political pressure, hostility and persecution. The cultural activity which developed "under the red banner" cannot of course be compared to the immense impact the Yiddish culture experienced before the Second World War but it was an important phenomenon in Jewish history which remained uninvestigated for a long time and has not been described in a proper way until today. This volume of seventeen essays is a collection of papers delivered by scholars from the USA, Sweden, Israel, Germany and Poland at the conference on Yiddish Culture in the Communists Countries in the Postwar Era which was organized at the Jagiellonian University Cracow in cooperation with the University of Potsdam in November 2006.

This book is about the experiences of Jewish children who were members of armed partisan groups in Eastern Europe during World War II and the Holocaust. It describes and analyze the role of children as activists, agents, and decision makers in a situation of extraordinary danger and stress. The children in this book were hunted like prey and ran for their lives. They survived by fleeing into the forest and swamps of Eastern Europe and joining anti-German partisan groups. The vast majority of these children were teenagers between ages 11 and 18, although some were younger. They were, by any definition, child soldiers, and that is the reason they lived to tell their tales. The book will be of interest to general and academic audiences. There is also great interest in children and childhood across disciplines of history and the social sciences. It is likely to spark considerable debate and interest, since its argument runs counter to the generally accepted wisdom that child soldiers must first and foremost be seen as victims of their recruiters. The argument of this book is that time, place, and context play a key role in our understanding of children’s involvement in war and that in some contexts children under arms must be seen as exercising an inherent right of self-defense.

Can it be ever possible to write about war in a work of fiction? asks a protagonist of one of Makine’s strongly metafictional and intensely historical novels. Helena Duffy’s World War II in Andreï Makine’s Historiographic Metafiction redirects this question at the Franco-Russian author’s fiction itself by investigating its portrayal of Soviet involvement in the struggle against Hitler. To write back into the history of the Great Fatherland War its unmourned victims — invalids, Jews, POWs, women or starving Leningraders — is the self-acknowledged ambition of a novelist committed to the postmodern empowerment of those hitherto silenced by dominant historiographies. Whether Makine succeeds at giving voice to those whose suffering jarred with the triumphalist narrative of the war concocted by Soviet authorities is the central concern of Duffy’s book.

The Nazi regime and local collaborators killed 800,000 Belorussian Jews, many of them parents or relatives of young Jews who survived the war. Thousands of young girls and boys were thus orphaned and struggled for survival on their own. This book is the first systematic account of young Soviet Jews' lives under conditions of Nazi occupation and genocide. These orphans' experiences and memories are rooted in the 1930s, when Soviet policies promoted and sometimes actually created interethnic solidarity and social equality. This experience of interethnic solidarity provided a powerful framework for the ways in which young Jews survived and, several decades after the war, represented their experience of violence and displacement. Through oral histories with several survivors, video testimonies, and memoirs, Anika Walke reveals the crucial roles of age and gender in the ways young Jews survived and remembered the Nazi genocide, and shows how shared experiences of trauma facilitated community building within and beyond national groups. Pioneers and Partisans uncovers the repeated transformations of identity that Soviet Jewish children and adolescents experienced, from Soviet citizens in the prewar years, to a target of genocidal violence during the war, to a barely accepted national minority in the postwar Soviet Union.

Finalist for the 2023 Locus Award for Best Novel Finalist for the 2023 Arthur C. Clarke Award for Best Novel Finalist for the 2022 BSFA Award for Best Novel When tech scavenger Xích Si is captured and imprisoned by the infamous pirates of the Red Banner, she expects to be tortured or killed. Instead, their leader, Rice Fish, makes Xích Si an utterly incredible proposition: an offer of marriage. Both have their reasons for this arrangement: Xích Si needs protection; Rice Fish, a sentient spaceship, needs a technical expert to investigate the death of her first wife, the Red Scholar. That’s all there is to it. But as the interstellar war against piracy rages on and their own investigation reaches a dire conclusion, the two of them discover that their arrangement has evolved into something much less business-focused and more personal...and tender. And maybe the best thing that’s ever happened to either of them—but only if they can find a way to survive together. A rich space opera and an intensely soft romance, from an exceptional SF author. Advance Praise for The Red Scholar's Wake: “So romantic I may simply perish.” —Tasha Suri, author of The Jasmine Throne “LESBIAN SPACE PIRATES. Enough said.” —Katee Robert, NYT bestselling author of Neon Gods “The Red Scholar’s Wake is a fizzingly inventive space opera, quite unlike anything I’ve encountered before, and told with style, grace, and a big dose of heart. SF is lucky to have Aliette de Bodard.” —Alastair Reynolds, Sunday Times bestselling author “The Red Scholar’s Wake takes you on an exhilarating dive into space piracy with passion, politics, dazzling settings, and-even better-a profound core of love transcending hopelessness that rings throughout the story.” —Everina Maxwell, author of Winter’s Orbit

Soviet Jews lived through a record number of traumatic events: the Great Terror, World War II, the Holocaust, the Famine of 1947, the Doctors' Plot, the antisemitic policies of the postwar period, and the collapse of the Soviet Union. But like millions of other Soviet citizens, they married, raised children, and built careers, pursuing life as best as they could in a profoundly hostile environment. One of the first scholars to record and analyze oral testimonies of Soviet Jews, Anna Shternshis unearths their everyday life and the difficult choices that they were forced to make as a repressed minority living in a totalitarian regime. Drawing on nearly 500 interviews with Soviet citizens who were adults by the 1940s, When Sonia Met Boris describes both indirect Soviet control mechanisms?such as housing policies and unwritten quotas in educational institutions?and personal strategies to overcome, ignore, or even take advantage of those limitations. The interviews reveal how ethnicity was rapidly transformed into a negative characteristic, almost a disability, for Soviet Jewry in the postwar period. Ultimately, Shternshis shows, after decades living in a repressive, nominally atheistic state, these Jews did manage to retain a complex sense of Jewish identity, but one that fully disassociates Jewishness from Judaism and instead associates it with secular society, prioritizing chess over Talmud, classical music over Hasidic tunes. Gracefully weaving together poignant stories, intimate reflections, and witty anecdotes, When Sonia Met Boris traces the unusual contours of contemporary Russian Jewish identity back to its roots.