Granted that God may exist, how may God be defined in our time? Addressing this issue Benjamin Farley explores a variety of belief systems, Western and Eastern, religious and skeptical. Taking an approach that is both critical of religion as well as sympathetic, Farley refuses to shy away from hard questions or to dismiss constructive answers that speak to the human condition. He distinguishes human "intellectual ascent" towards God from humankind's "innate and inner sense" to know and relate to the living God, demonstrating the efforts and rewards of both approaches in Christianity, as well as in Hinduism, Buddhism, Taoism, and Zen. Alongside these more obviously "religious" approaches, Farley reviews the methodologies and findings of today's greatest scientific minds, including skeptics such as Hawking, Dawkins, and Wilson, as well as their skeptical forerunners of the past. He argues that belief in God can no more ignore the scientific truth about the universe than science can dismiss the spiritual yearnings and hunger of humanity for purpose, meaning, and its inescapable sense of the presence of God.

Utilizing a series of essays examining the broad philosophical concepts embedded in Rod Serling's series, The Twilight Zone, Philosophy in The Twilight Zone provides a platform for further philosophical discussion. Features essays by eminent contemporary philosophers concerning the over-arching themes in The Twilight Zone, as well as in-depth discussions of particular episodes Fuses popular cult entertainment with classical philosophical perspectives Acts as a guide to unearthing larger questions - from human nature to the nature of reality and beyond - posed in the series Includes substantial critical and biographical information on series creator Rob Serling

More than sixty years after the The Twilight Zone debuted on television, the show remains a cultural phenomenon, including a feature film, three television reboots, a comic book series, a magazine and a theatrical production. This collection of new essays offers a roadmap through a dimension not only of sight and sound, but of mind. Scholars, writers, artists and contributors to the 1980s series investigate the many incarnations of Rod Serling's influential vision through close readings of episodes, explorations of major themes and first-person accounts of working on the show.

"The Antichrist" is an attack on the "slave morality" and apathy of Western Christianity. Nietzsche's basic claim is that Christianity (as he saw it in the West) is a poisoner of western culture and perversion of the words of and practice of Jesus._x000D_ "The Twilight of the Idols" criticizes German culture of the day as unsophisticated and nihilistic, and shoots some disapproving arrows at key French, British, and Italian cultural figures who represent similar tendencies. In contrast to all these alleged representatives of cultural "decadence", Nietzsche applauds Caesar, Napoleon, Goethe, Thucydides and the Sophists as healthier and stronger types._x000D_ "Ecce Homo: How One Becomes What One Is" is the last book written by Nietzsche before his final years of insanity that lasted until his death in 1900. According to Walter Kaufmann, Nietzsche's most prominent English translators, the book offers "Nietzsche's own interpretation of his development, his works, and his significance."_x000D_ "Selected Personal Letters" includes letters to his family and friends._x000D_ Friedrich Nietzsche (1844–1900) was a German philosopher, poet, and Latin and Greek scholar whose work has exerted a profound influence on Western philosophy and modern intellectual history. Because of Nietzsche's evocative style and provocative ideas, his philosophy generates passionate reactions. His works remain controversial, due to varying interpretations and misinterpretations of his work. In the Western philosophy tradition, Nietzsche's writings have been described as the unique case of free revolutionary thought, that is, revolutionary in its structure and problems, although not tied to any revolutionary project._x000D_

The centuries-long economic and military decline of the Byznatine Empire, which culminated in its political disappearance as a state in 1459, was, paradoxically, accompanied by high levels of cultural achievement. Aimed at broadening our understanding of the final phase of the empire, this collection explores how Byzantine ideological, spiritual, and artistic traditions transcending the economic and political realities of the time. The papers, delivered at an interdisciplinary colloquium held in May 1989 at Princeton University, deal with hagiographic, monastic, literary, architectural, and artistic questions, as well as the general cultural and social issues, of this fascinating period. Along with the editors, the contributors are Smilkjka Gabelic, Thalia Gouma-Peterson, Angela Hero, Robert Ousterhout, Marcus Rautman, Steven Reinert, Alice Mary Talbot, SPeros Vryonis, and John J. Yiannias. Slobodan Curcic is Professor of Art and Archaeology at Princeton University. Doula Mouriki teaches at the Technical University of Athens. Publications of the Department of Art and Archaeology, Princeton University. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Fall into a beguiling fantasy world in Time and the Gods, a collection of magical short stories from writer Lord Dunsany, whom many critics regard as a central figure in the early development of the fantasy genre. This interlinked series of tales will please fantasy fans who prefer a more literary, lyrical style.

This book explores the history of the paranormal romance genre; from its origins in the revisionist horror fiction of the 1970s, via its emergence as a minor sub-genre of romantic fiction in the early 1990s, to its contemporary expansion in recent years into an often-controversial genre of mainstream fiction. Tracing the genre from its roots in older Gothic fiction written by and for women, it explores the interconnected histories of Gothic and romantic fiction, from Ann Radcliffe and Jane Austen in the eighteenth century to Buffy, Twilight, True Blood and The Vampire Diaries in the present day. In doing so, it investigates the extent to which the post-Twilight paranormal romance really does represent a break from older traditions of Gothic fiction – and just what it is about the genre that has made it so extraordinarily divisive, captivating millions of readers whilst simultaneously infuriating and repelling so many others.