When stars were many and people few, a great story was told everywhere. The first storytellers were women. Their story was so large it filled the universe it told of a Great Mother encompassing life, death and return of everything. When Neolithic farming people settled, and depended on plentiful crops and herds, a goddess of fertility stepped into stardom. Inanna is the Sumerian goddess of love, crescent moon, evening star, fertility and renewal. She is the longest lasting supreme goddess of the Ancient Near East. Inannas biography includes her rise to supreme holder of almost all the powers of culture and civilization. 5000 year old poems bring Inanna to life. She sings to her miraculous vulva and to her consort-lover; she struggles to keep her powers and complains of her losses and demotions. Inanna represents lifes powerful contradictions. She changes peace to war and back again; she causes strife and brings love; she turns women into men and men into women. Inanna loves all her people, every one. A biography must have adversity and Inanna has plenty; she must always conquer of the ever-rising tide of patriarchal domination in all its forms. Buried and forgotten for two millennia, she now steps from the dust, ties up her sandals, applies her kohl, adjusts her tiara, summons her lions, and returns. Her story is also womans story. Let me introduce you to Inanna, Queen of Heaven, Earth, and almost everything

Inanna, in heaven, gazes happily down at the city of Uruk. Inanna: How they sing praises to me! How the people of Uruk worship me, the Queen of Heaven and Earth! They make sacrifices to me! They pray to me! Day and night, the people of Uruk show how much they love the Queen of Heaven and— Mamtar, an angel, enters. She stands before Inanna and bows her head...

Brings together theoretical interpretations of shame with clinical studies and integrates major concepts from psychoanalysis, Jungian analysis, developmental psychology and anthropology.

A fresh retelling of the ancient texts about Ishtar, the world's first goddess. Illustrated with visual artifacts of the period. "A great masterpiece of universal literature."--Mircea Eliade Copyright © Libri GmbH. All rights reserved.

Around 2,300 BC Enheduanna was high priestess to the moon god Nanna at his temple in Ur, a position she held for almost forty years. This volume translates Enheduanna's three devotional poems to the goddess Inanna accompanied by an extensive commentary and discussion which places these highly personal and unique expressions within the context of Sumerian culture and religion. The author highlights the importance of the poems and the princess for our understanding of the place of women in Near Eastern society and religion.

The purpose of this book is to give a connected account of what happened in the ancient Middle East, primarily on the basis of the records and monuments that have been recovered through the work of modem archaeology. The Middle East is defined as extending from the western border of Egypt (20 degrees E) to the eastern border of Iran (60 degrees E),

This anthology translates and discusses texts authored by women of ancient Mesopotamia.

A comprehensive, scholarly accessible study, in which the authors draw upon poetry and mythology, art and literature, archaeology and psychology to show how the myth of the goddess has been lost from our formal Judeo-Christian images of the divine. They explain what happened to the goddess, when, and how she was excluded from western culture, and the implications of this loss.