A comprehensive, scholarly accessible study, in which the authors draw upon poetry and mythology, art and literature, archaeology and psychology to show how the myth of the goddess has been lost from our formal Judeo-Christian images of the divine. They explain what happened to the goddess, when, and how she was excluded from western culture, and the implications of this loss.

The nurturing Earth Goddess, the Great Mother worshipped at the dawn of civilization—historical fact or consoling fiction? While Goddess mythologies proliferate and the public devours books by artists, psychotherapists, and enthusiastic amateurs, it is remarkable that those in the field of prehistory have remained largely silent. Did Goddess worship really exist? What actually remains from the earliest cultures, and what can it tell us? What can we learn about the early stages of human religion from the study of prehistoric carvings, pictures, pottery, figurines, and temples? In Ancient Goddesses, historians and archaeologists write accessibly about this intriguing and controversial topic for the first time. Considering a number of significant early civilizations—Predynastic and Early Dynastic Egypt; “Old Europe;” Early North West Europe; “Celtic” civilization; the Prehistoric Aegean; Malta; the Ancient Near East; Old Testament Israel; Çatalhöyük; and Archaic Greece—these experts review the most recent evidence so that readers can make up their own minds. Contributors include Ruth Tringham and Margaret Conkey, University of California, Berkeley; Lynn Meskell, New College, Oxford; Fekri Hassan, University College, London; Karel van der Toorn, University of Amsterdam; Joan Westenholz, Bible Lands Museum, Jerusalem; Elizabeth Shee Twohig, University College, Cork; Caroline Malone, New Hall, Cambridge; Mary Voyatzis, University of Arizona; and Miranda Green, University of Wales College.

Modern Goddess: The Complete Series contains all three installments in the Modern Goddess series. Sprawling fantasies intertwined with mythology, adventure, romance, and philosophy, pick this boxset up today and soar free with an Odette C. Bell series. Trapped by Thor: Yes, she's a goddess. And, oh yes, he is most certainly a god. You can tell from the fact he marches around in glimmering armor, picking fights with titans and picking up divine broads. But she didn't sign up for this. Sea monsters, kidnappings, evil plots, and the end of the world? Are you kidding? She spends most nights reading the weather report and icing cupcakes. It’s all his fault. Trapped by Atlas: Jeanie’s just an ordinary goddess holding down an ordinary job in these hard economic times. But when an actual legend wades into her life one day, making way more mess than she can clean, she quickly learns there's something extra to her ordinary. It'll take her deep into the golden age of the gods, deep into universe-ending danger, and even deeper into a love that’s waited eons for her. Trapped by Apollo: The first casualty in every war is the truth. Which is terrible if you happen to be Truth herself. In the golden age of the gods, Veritas was one of the most celebrated deities. These days she sits on her couch, suffers from panic attacks, and shouts at the news. Modern times have not been kind to the truth, and now she’s more elusive than ever. But when mysterious cracks begin appearing through her temple, Veritas is forced to act. Someone is attacking the truth, and there’s only one person she can turn to. A god she'd rather push out a window than rely on. Her ex-husband, Apollo. Modern times killed their love, but if it kills the truth one last time, all will lose – none more so than Apollo.

Goddess characters are revered as feminist heroes in the popular media of many cultures. However, these goddess characters often prove to be less promising and more regressive than most people initially perceive. Goddesses in film, television, and fiction project worldviews and messages that reflect mostly patriarchal culture (included essentialized gender assumptions), in contrast to the feminist, empowering levels many fans and critics observe. Building on critiques of other skeptical scholars, this feminist, folkloristic approach deepens how our remythologizing of the ancient past reflects a contemporary worldview and rhetoric. Structures of contemporary goddess myths often fit typical extremes as either vilified, destructive, dark, and chaotic (typical in film or television); or romanticized, positive, even utopian (typical in women’s speculative fiction). This goddess spectrum persistently essentializes gender, stereotyping women as emotional, intuitive, sexual, motherly beings (good or bad), precluded from complex potential and fuller natures. Within apparent good-over-evil, pop-culture narrative frames, these goddesses all suffer significantly. However, a few recent intersectional writers, like N. K. Jemisin, break through these dark reflections of contemporary power dynamics to offer complex characters who evince “hopepunk.” They resist typical simplified, reductionist absolutes to offer messages that resonate with potential for today’s world. Mythic narratives featuring goddesses often do, but need not, serve merely as ideological mirrors of our culture’s still problematically reductionist approach to women and all humanity.

More than at any other time in human history, we live in an age defined by movement and mobility; and yet, we lack a unifying theory which takes this seriously as a starting point for philosophy. The history of philosophy has systematically explained movement as derived from something else that does not move: space, eternity, force, and time. Why, when movement has always been central to human societies, did a philosophy based on movement never take hold? This book finally overturns this long-standing metaphysical tradition by placing movement at the heart of philosophy. In doing so, Being and Motion provides a completely new understanding of the most fundamental categories of ontology from a movement-oriented perspective: quality, quantity, relation, modality, and others. It also provides the first history of the philosophy of motion, from early prehistoric mythologies up to contemporary ontologies. Through its systematic ontology of movement, Being and Motion provides a path-breaking historical ontology of our present.

In analyzing the parallels between myths glorifying the Indian Great Goddess, Durgā, and those glorifying the Sun, Sūrya, found in the Mārkaṇḍeya Purāṇa, this book argues for an ideological ecosystem at work in the Mārkaṇḍeya Purāṇa privileging worldly values, of which Indian kings, the Goddess (Devī), the Sun (Sūrya), Manu and Mārkaṇḍeya himself are paragons. This book features a salient discovery in Sanskrit narrative text: just as the Mārkaṇḍeya Purāṇa houses the Devī Māhātmya glorifying the supremacy of the Indian Great Goddess, Durgā, it also houses a Sūrya Māhātmya, glorifying the supremacy of the Sun, Sūrya, in much the same manner. This book argues that these māhātmyas were meaningfully and purposefully positioned in the Mārkaṇḍeya Purāṇa, while previous scholarship has considered this haphazard interpolation for sectarian aims. The book demonstrates that deliberate compositional strategies make up the Saura–Śākta symbiosis found in these mirrored māhātmyas. Moreover, the author explores what he calls the "dharmic double helix" of Brahmanism, most explicitly articulated by the structural opposition between pravṛtti (worldly) and nivṛtti (other-worldy) dharmas. As the first narrative study of the Sūrya Māhātmya, along with the first study of the Mārkaṇḍeya Purāṇa (or any Purāṇa), as a narrative whole, this book will be of interest to academics in the field of Religion, Hindu Studies, South Asian Studies, Goddess Studies, Narrative Theory and Comparative Mythology.

In ancient times, the Greeks created the gods and goddesses to represent the various personalities of human nature. In Gods and Goddesses in Love, Agapi Stassinopoulos tells the stories of the primary goddesses and gods, and how their myths can provide insight into your own romantic relationships. Included are two fun and fascinating quizzes: one for women to determine their own dominant personality type and which goddess she most embodies; and a second that will help every woman understand more about the "god" she is involved with, or searching for. In the book, the seven archetypal goddesses are portrayed in modern terms, highlighting not only each goddess's unique strengths but also the pitfalls or stumbling blocks she is likely to encounter in a relationship with her partner. Also included are interviews with real couples who reveal how they overcame obstacles to find true love. For anyone who desires the self-knowledge and empowerment to find their ideal other, Gods and Goddesses in Love is an uplifting, instructive, and enlightening guide for achieving greater fulfillment in love.

Florescano traces the spread of the worship of the Plumed Serpent, and the multiplicity of interpretations that surround the god, by comparing the Palenque inscriptions, the Vienna Codex, the Historia de los Mexicanos, the Popul Vuh, and numerous other texts.

David Leeming and Jake Page gather some seventy-five of the most potent and meaningful of these tales in an extraordinary rich and readable introduction of this divine figure as she has emerged from prehistory to the present.

Drawing upon historical, archaeological, and mythical examples from around the world, this book reveals how societal views of female empowerment and authority can be directly traced to the reverence once directed towards female warriors, priestesses, healers, queens, pharaohs, and goddesses. Communities which revered women as sacred idols of their belief systems were far more likely to place women in prominent positions of social or political influence, since their members were quite used to envisioning power in the hands of a strong or divine woman. The book also explores how goddesses were purposefully devalued during the rise of patriarchal civilizations, thus restricting the social importance of earthly women and their accompanying rights. One such instance can be found in Greek mythology's Gaia: once revered as a dominant earth mother, she was replaced by a division of less-powerful figures with more socially acceptable feminine roles, such as Aphrodite, the goddess of love (typically held up as an object of male lust); Hera, the goddess of marriage and childbirth (often portrayed as obsessed with jealousy over the extramarital exploits of her husband); and the mostly silent goddess of the hearth, Hestia. The devaluing of once revered goddesses appeared in quite distinct ways across different cultures; thus, this book breaks down its chapters by global region, including Europe, the Middle East, the Mediterranean, India, Asia, Africa, the Americas, and Oceania.