"Incorrigibles and Innocents: Constructions of Childhood and Citizenship in Progressive Era Comic Strips addresses this gap in scholarship, serving as the first sustained examination of the ways childhood was depicted and theorized in late nineteenth- and early twentieth-century comic strips. By drawing from and building on histories and theories of childhood, comics and Progressive Era conceptualizations of citizenship and nationhood, Lara Saguisag demonstrates that child characters in comic strips reinforced and complicated notions of who could claim membership in a modernizing, expanding nation"--

The turn of the nineteenth century in the United States saw the substantial influx of immigrants and a corresponding increase in anti-immigration and nativist tendencies among longer-settled Americans. Jewish immigrants were often the object of such animosity, being at once the object of admiration and anxiety for their perceived economic and social successes. One result was their frequent depiction in derogatory caricatures on the stage and in print. Smoothing the Jew investigates how Jewish artists of the time attempted to “smooth over” these demeaning portrayals by focusing on the first Jewish comic strip published in English, Harry Hershfield’s Abie the Agent. Jeffrey Marx demonstrates how Hershfield created a Jewish protagonist who in part reassured nativists of the Jews’ ability to assimilate into American society while also encouraging immigrants and their children that, over time, they would be able to adopt American customs without losing their distinctly Jewish identity.

Focusing on significant and cutting-edge preoccupations within children’s literature scholarship, The Routledge Companion to Children’s Literature and Culture presents a comprehensive overview of print, digital, and electronic texts for children aged zero to thirteen as forms of world literature participating in a panoply of identity formations. Offering five distinct sections, this volume: Familiarizes students and beginning scholars with key concepts and methodological resources guiding contemporary inquiry into children’s literature Describes the major media formats and genres for texts expressly addressing children Considers the production, distribution, and valuing of children’s books from an assortment of historical and contemporary perspectives, highlighting context as a driver of content Maps how children’s texts have historically presumed and prescribed certain identities on the part of their readers, sometimes addressing readers who share some part of the author’s identity, sometimes seeking to educate the reader about a presumed “other,” and in recent decades increasingly foregrounding identities once lacking visibility and voice Explores the historical evolutions and trans-regional contacts and (inter)connections in the long process of the formation of global children’s literature, highlighting issues such as retranslation, transnationalism, transculturality, and new digital formats for considering cultural crossings and renegotiations in the production of children’s literature Methodically presented and contextualized, this volume is an engaging introduction to this expanding and multifaceted field.

The Routledge Companion to Gender and Sexuality in Comic Book Studies is a comprehensive, global, and interdisciplinary examination of the essential relationship between Gender, Sexuality, Comics, and Graphic Novels. A diverse range of international and interdisciplinary scholars take a closer look at how gender and sexuality have been essential in the evolution of comics, and how gender and sexuality in comics demand that we re-frame and re-view comics history. Chapters cover a wide array of intersectional topics including Queer Underground and Alternative comics, Feminist Autobiography, re-drawing disability, Latina testimony, and re-evaluating the critical whiteness and masculinity of superheroes in this first truly global reference text to gender and sexuality in comics. Comics have always been an important place for the radical exploration of feminist and non-binary sexualities and identities, and the growth of non-normative comic book traditions as a field of inquiry makes this an essential text for upper-level undergraduates, postgraduates, and researchers studying Comics Studies, Women’s and Gender Studies, Literary Studies, and Cultural Studies.

The Oxford Handbook of Comic Book Studies examines the history and evolution of the visual narrative genre from a global perspective. The Handbook brings together readable, jargon-free essays written by established and emerging scholars from diverse geographic, institutional, gender, and national backgrounds.

In Regency England, when twelve-year-old Kat discovers she has magical powers, she tries to use them to rescue her sister from marrying a man she does not love.

From USA Today bestselling author Meredith Jaeger comes an emotionally resonant novel about two women whose lives intersect as one resists the gentrification of her San Francisco neighborhood, and the other, eighty years earlier, fights for her freedom in nineteenth-century America. . . . 1890, San Francisco. Seduced by her employer’s nephew, Annie Gilmurray, an Irish maid, is accused of stealing the ring he promised her. Sentenced to one year in San Quentin, Annie is heartbroken and frightened among the inmates of the women’s ward: prostitutes, murderers, and pickpockets. But Annie finds beauty and friendship in a brutal place, where the women look out for one another, dreaming of a better life after release. But their world inside San Quentin's walls is a dangerous one, and when the unthinkable happens, Annie makes a choice that will alter the course of her future forever. 1972, San Francisco. Aspiring photographer Judy Morelli is grappling with the searing betrayal of her husband’s infidelity, subletting a San Francisco apartment while she pieces her life back together. When Judy discovers Annie's mugshot, she becomes fascinated and invested not just in Annie's fate but also in the history of her gentrifying South of Market Street neighborhood, joining the fight against redevelopment to maintain its rich community. Exploring the different ways in which we are imprisoned and how we can break free, The Incorrigibles is a story of women reaching across the barriers of time, the unbreakable bonds of female friendship, and the forgotten histories of those pushed to society’s margins.

Holy adolescence, Batman! Robin and the Making of American Adolescence offers the first character history and analysis of the most famous superhero sidekick, Robin. Debuting just a few months after Batman himself, Robin has been an integral part of the Dark Knight’s history—and debuting just a few months prior to the word “teenager” first appearing in print, Robin has from the outset both reflected and reinforced particular images of American adolescence. Closely reading several characters who have “played” Robin over the past eighty years, Robin and the Making of American Adolescence reveals the Boy (and sometimes Girl!) Wonder as a complex figure through whom mainstream culture has addressed anxieties about adolescents in relation to sexuality, gender, and race. This book partners up comics studies and adolescent studies as a new Dynamic Duo, following Robin as he swings alongside the ever-changing American teenager and finally shining the Bat-signal on the latter half of “Batman and—.”

The Incorrigible Optimists Club is a huge, exhilarating whirlwind of first love, radical art, colonial war, progressive politics, Chuck Berry and chain-smoking intellectuals. Paris, 1959. As dusk settles over the immigrant quarter, 12-year-old Michel Marini - amateur photographer and compulsive reader - is drawn to the hum of the local bistro. From his usual position at the football table, he has a vantage point on a grown-up world - of rock 'n' roll and of the Algerian War. But as the sun sinks and the plastic players spin, Michel's concentration is not on the game, but on the huddle of men gathered in the shadows of a back room... Past the bar, behind a partly drawn curtain, a group of eastern European men gather, where under a cirrus of smoke and over the squares of chess boards, they tell of their lives before France - of lovers and wives, children and ambitions, all exiled behind the Iron Curtain. Listening to this band of survivors and raconteurs, Michel is introduced to a world beyond the boundaries of his childhood experience, a world of men made formidable in the face of history, ideas and politics: the world of the Incorrigible Optimists Club.

Even pacifists have their limits. Being a partner in genocide is unimaginable for a peaceful, inept shape shifter like Grainne. But when her husband Slyxx holds her medieval homeland hostage for a seemingly worthless ransom she doesn’t have, the inconceivable happens. Despite growing despair, Grainne can’t let go of believing that survivors do exist, and it’s up to her to find them. When she detects an error in translation of a set of mysterious scrolls penned by a missing order of priestesses, she resolves to find the women she believes can lead her to survivors. What Grainne doesn’t realize is that she already knows the missing priestesses, and some of them are working to stop her from uncovering a secret alliance threatening her world. Even worse, the key to saving her world is inside of her, and someone will stop at nothing to have it. Grainne is about to learn just how naïve she really is when she discovers the stars aren’t what she thought they were . . . and neither is she.