"Ineffable tales" represents the admirable work by 39 amazing writers. Ineffable means something that is not able to be expressed. But this is the beauty of a writer to express the inexpressible through words. When everything else fails, poetry speaks ! We all faces such situations in our life when it gets so difficult to express the feelings like loosing our loved ones or loosing our self confidence. Sometimes we fall for someone else and try to find out the solutions in them. But at the end we have to fight for our own existence and this leads us towards realization of self love.

This book explores the different aspects of life—its beauty, ugliness, unfairness, tragedy, and darkness. Life doesn't always follow the tit-for-tat rule, and we can't always make a lemonade when it gives us lemons. But we can try to dodge them. The interconnected lives of four Gen-Z people are the same. One is learning to move on and make peace with her suffering; one belongs to a dark place but sees starry dreams and bashing her bad luck in black and blue; one has committed monstrous deeds but has fallen in love and is trying to bring out the beauty from the beast he is; one's own world is messed up but has been entrusted with the fate of the whole world. Read to know: Will Navara save herself from her self-made demons? Will Rubani defeat her destiny and achieve her dreams? Will Avir have a happily ever after with the love of his life despite the monstrous deeds he has committed? Will Nirjar bring apocalypse to the world because her world got messed up because of somebody else? So, dive in and fish out the answers yourself!

“Light, as it were, is but a current in the vast ocean of time.” Under a black starless sky, a troupe of ragged freaks and performers - led by the perverse and enigmatic Ringmaster - makes its way into a town disparaged by death and disease, intent on curing the sadness, suffering and infirmity of its inhabitants with Light.

Wisdom transcends knowledge but is only meaningful and relevant in context. This book explores the tensions and paradoxes associated with the ineffability of wisdom in a range of social and cultural contexts.

Examines the concept of a poetics of vacancy in Romantic-era literature. Romantic Vacancy argues that, at the cult of sensibility’s height, Romantic writers found alternative tropes of affect to express movement beyond sensation and the body. Grappling with sensibility’s claims that sensation could be translated into ideas and emotions, poets of vacancy rewrote core empiricist philosophies that trapped women and men in sensitive bodies and, more detrimentally, in ideological narratives about emotional response that gendered subjects’ bodies and minds. Kate Singer contends that affect’s genesis occurs instead through a series of figurative responses and movements that loop together human and nonhuman movements of mind, body, and nature into a posthuman affect. This book discovers a new form of Romantic affect that is dynamically linguistic and material. It seeks to end the long tradition of holding women and men writers of the Romantic period as separate and largely unequal. It places women writers at the forefront of speculative thinking, repositions questions of gender at the vanguard of Romantic-era thought, revises how we have long thought of gender in the period, and rewrites our notions of Romantic affect. Finally, it answers pivotal questions facing both affect studies and Romanticism about interrelations among language, affect, and materiality. Readers will learn more about the deep history of how poetic language can help us move beyond binary gender and its limiting intellectual and affective ideologies. “Romantic Vacancy is a formidable text for our time. Providing a nuanced and original account of Romanticism’s reconfiguration of affect, Singer not only opens up new ways of thinking about literature of the past; her detailed argument for complex poetic explorations of what it means to be a self, create challenges for the present, especially through the intimate relation between text and affect. This book is essential for anyone working in literary Romanticism, but will also be valuable for those interested in the complex literary history of affect.” — Claire Colebrook, Pennsylvania State University Praise for Romantic Vacancy “For some time now there has been what we might call a movement that attends in Romantic writing to affects and states of being we had previously neglected or simply missed altogether. A generation of scholars, junior and senior, is mapping out this uncharted territory in the most original manner, along the way teaching us how to be with Romanticism, and how Romanticism has always been with us, in ways that are teaching all of us in turn how to be with the present. We can put Kate Singer’s Romantic Vacancy—smart, insightful, beautifully argued—at the vanguard of this movement, proof of the fact that any rumours of the death of our field are not only highly exaggerated but just plain wrong.” — Joel Faflak, author of Romantic Psychoanalysis: The Burden of the Mystery “Romantic Vacancy offers compelling close readings of Romantic women poets and two canonical male poets (Shelley and Wordsworth). After reading this book, Romantic-era scholars will no longer be able to read these poets in the same way again—I think this book will be a game changer for scholars working on women poets. This is a very fine work that should have a significant influence on the field.” — Daniela Garofalo, author of Women, Love, and Commodity Culture in British Romanticism

Critical account of the genre of the short story in Indian English literature in a historical perspective.