The Most Trusted Guide for Getting Poetry Published The 2012 Poet’s Market includes hundreds of publishing opportunities specifically for poets, including poetry publications, book/chapbook publishers, contests, and more. These listings include contact information, submission preferences, insider tips on what specific editors want, and—when offered—payment information. Plus, the editorial content in the front of the book has been revamped to include more articles on the Business of Poetry, Promotion of Poetry, Craft of Poetry, and Interviews with Poets. Learn how to navigate the social media landscape, write various poetic forms, offer writing workshops, and more. You also gain access to: • Lists of conferences, workshops, organizations, and grants • One-year access to the poetry-related information and listings on WritersMarket.com • A free digital download of Writer’s Yearbook featuring the 100 Best Markets: WritersDigest.com/upload/images/WritersDigest-Yearbook-11.pdf Includes an exclusive 60-minute FREE WEBINAR with editor and poet Robert Lee Brewer that will teach you how to build an audience for your poetry. "Ridiculously relevant! I’ve been using Poet’s Market since I was in college more than 20 years ago. Since then, I’ve published hundreds of poems and two books." —Aaron Belz, author of Lovely, Raspberry "I returned to writing in 2006 and Poet’s Market was the first book I purchased. It guides everyone—from newbie to seasoned writer—on the path to publishing their poems." —Jessie Carty, author of Paper House

Poetry and Voice, with a foreword by Helen Dunmore, is a book of essays which fuses critical and creative treatments of poetic voice. Some contributors focus on critical explorations of voice in work by poets such as John Ashbery, Simon Armitage, Eavan Boland, Carol Ann Duffy, Arun Kolatkar, Don McKay and Dragica Rajčić, and on the musical voices of the lyric tradition and of poetry itself. Vicki Feaver, Jane Griffiths, Philip Gross, Waqas Khwaja, Lesley Saunders and David Swann reflect on their own poetic processes of composition, and the development of the voices of childhood, old age, migration, landscape, bilinguality, and imprisonment. Laurel Cohen-Pfister and Tatjana Bijelić examine the nature of poetic voice in exile, the need for fresh voices after war and new spaces in which poetic voices can be heard. In this international collection, the contributors give rare and generous insights into inner poetic processes and external effects. They engage with artistic debates about developing, losing and appropriating voice in poetry and approach the question of what is ‘finding a voice’ in poetry from multiple angles. The book will interest literary critics, poets, lecturers, and undergraduate and postgraduate students of literature, poetry and creative writing.

This Handbook offers an authoritative and up-to-date collection of original essays bringing together ground breaking research into the development of contemporary poetry in Britain and Ireland.

The Oxford Handbook of Victorian Poetry offers an authorative collection of original essays and is an essential resource for those interested in Victorian poetry and poetics.