Narratives are the concrete manifestation of an author’s subjectivity. They function as that person’s voice, and should be treated with the same respect that is granted to all voices. In Interpreting New Testament Narratives, Eric Douglass develops this ethical perspective, so that narratives are treated as communication, and the author’s voice is regarded as a valued perspective. Employing a cross-disciplinary approach, Douglass shows how readers engage narratives as mental simulations, creating a temporary possible world that readers enter and experience. To recover communication, readers locate the events of this world in the culture of the intended audience, and translate this meaning into the modern reader’s worldview. Using a staged reading design, this initial reading is followed by readings of critique.

Scripture Connections: Old Testament Narrative Books focuses on two larger narratives of the Old Testament: the Narratives of the Rise and Fall of the Hebrew Kingdoms (Joshua, Judges, Samuel, Kings) and the Narratives of Exile and Restoration (Ruth, Daniel, Esther, Ezra-Nehemiah, Chronicles). Overall, this work introduces the narratives of Israel’s scriptures with an emphasis on ancient connections, biblical connections, gospel connections, and life connections.

The Old Testament's stories are intriguing, mesmerizing, and provocative not only due to their ancient literary craft but also because of their ongoing relevance. In this volume, well suited to college and seminary use, Jerome Walsh explains how to interpret these narrative passages of Scripture based on standard literary elements such as plot, characterization, setting, pace, point of view, and patterns of repetition. What makes this book an exceptional resource is an appendix that offers practical examples of narrative interpretation- something no other book on Old Testament interpretation offers.

Until recently, studies of the Bible centered on finding sources for historical knowledge, theological insights, or ethical advice, overlooking the true beauty of the words in the "book of books." This collection of six essays by noted literary critics and biblical scholars--including Harold Bloom, Hans Frei, Frank Kermode, James Robinson, Donald Foster, and Herbert Schneidau--breaks new ground by exploring the Bible as poetry, rhetoric, and narrative. The authors treat such issues involved in biblical narrative as its genesis, its revisionist dynamic, its fictional character, its interpretive nature, and its contradictions, prejudices, and claims. McConnell's lively, readable introduction elucidates and unifies the book's themes.

This work focuses on the literary conventions of narrative texts in the Hebrew Bible, in particular the mode of representation in the book of Judges. The theory of integrational semantics, developed by Benjamin Hrushovski, is systematized to form a theoretical framework within which representation is conceptualized. The author suggests a novel reading of the Judges-narratives to demonstrate particular conventions of representation. The notions of paradoxality, perspectivity and juxtaposition are used to demonstrate the potential value of types of logic, alternative to modernist logic, in reading ancient Hebrew narratives. A hypothetical representeme is constructed for the book of Judges to make it clear that the mode of representation is neither mimesis nor historiography, but narrative, representing by convention and not by correspondence to history.

From Story Interpretation to Sermon Crafting was written by a preacher for preachers who have to deal with the competing demands of pastoral ministry. It takes some of the gains of the last seven decades of the literary approach to Scripture and applies them to a vital aspect of pastoral ministry--preaching. The book presents a text-centered and theological approach to analyzing Old Testament narratives. This approach lays a solid basis for interpreting the narratives, and demonstrates that the movement from examining the text to crafting the sermon is a continuous process. Making use of many examples based on narrative passages from the Old Testament that facilitate grasping the methodology, this approach to sermon crafting is rooted in the text, shaped by the text, and is characterized by sound and controlled exegesis. It provides the pastor with an approach that enables Old Testament historical narrative to speak to Christian believers in contemporary society in a way that addresses the issues, concerns, and struggles faced by the church and Christians. The writer to the Hebrews says of righteous Abel, "though he is dead, he still speaks" (11:4). Similarly, these ancient stories do speak and can still speak today. To make them heard effectively and relevantly is the purpose of the book.

2nd Edition An authoritative guide to accurately interpreting and applying God's Word In this second edition of Invitation to Biblical Interpretation, Andreas Kostenberger leads the reader step-by-step through the process of interpreting and applying God's Word. The primary principle is the hermeneutical triad, which consists of history, literature, and theology. Readers are equipped to explore the historical background of a biblical passage, analyze its literary genre and features, and derive its theological meaning in light of the biblical canon. Numerous examples are provided throughout to illustrate the concepts. A concluding chapter provides direction on practical application, preaching, and helpful tools for Bible study. Additional features include key words and definitions at the end of each chapter, study questions, and practical exercises for applying the material. An appendix lists numerous resources for Bible study, including recommended commentaries for every book of the Bible. The second edition updates these resources, as well as the sources cited throughout, and includes a revised chapter on the Old Testament canon. Instructors, students, pastors, and anyone who desires to interpret Scripture accurately will find this volume to be an indispensable addition to their library.

Introduction to Biblical Interpretation, now in its third edition, is a classic hermeneutics textbook that sets forth concise, logical, and practical guidelines for discovering the truth in God’s Word. With updates and revisions throughout that keep pace with current scholarship, this book offers students the best and most up-to-date information needed to interpret Scripture. Introduction to Biblical Interpretation: Defines and describes hermeneutics, the science of biblical interpretation Suggests effective methods to understand the meaning of the biblical text Surveys the literary, cultural, social, and historical issues that impact any text Evaluates both traditional and modern approaches to Bible interpretation Examines the reader’s role as an interpreter of the text and helps identify what the reader brings to the text that could distort its message Tackles the problem of how to apply the Bible in valid and significant ways today Provides an extensive and revised annotated list of books that readers will find helpful in the practice of biblical interpretation Used in college and seminary classrooms around the world, this volume is a trusted and valuable tool for students and other readers who desire to understand and apply the Bible.

Cato Gulaker employs narrative criticism to explore where the depiction of Satan found in the Book of Revelation is positioned on the axis of two divergent roles. The literary character of Satan is commonly perceived to gradually evolve from the first divine agents in the Hebrew Bible, representing the darker sides of the divine governing of affairs (Job 1–2; Zech 3; 1 Chr 21:1; Num 22:22, 32), to the full-blown enemy of God of the post-biblical era. However, Gulaker posits that texts referring to Satan in between these two poles are not uniform and diverge considerably. This book argues for a new way of perceiving Satan in Revelation that provides a more probable reading, as it creates less narrative dissonance than the alternative of the ancient combat myth/cosmic conflict between Satan and God. From this reading emerges a subdued Satan more akin to its Hebrew Bible hypotexts and Second Temple Judaism parallels – one that fits seamlessly with the theology, cosmology and the overarching plot of the narrative itself. Gulaker explores the functions of Satan in a text written relatively late compared to the rest of the New Testament, but with strong affinities to the Hebrew Bible, concluding that Satan is characterized more as the leash, rod, and sifting device in the hand of God, than as his enemy.