In 2006 Dr Adrian Owen and his team made medical history. They discovered a new realm of consciousness, a twilight zone somewhere between life and death. They called this the Grey Zone. The people who inhabit the Grey Zone are frequently labelled as being irretrievably lost, with no awareness and no sense of self. The shocking truth is that they are often still there, an intact mind trapped deep inside a broken body and brain, hearing everything around them, experiencing emotions, thoughts, pleasure and pain, just like the rest of us. Not quite living, and not quite gone, they have existed silently in these shadowlands. But now, through Dr Owen's pioneering techniques, we can talk to them - and they can talk back. These shifting boundaries of consciousness have shaken the architecture of our sense of self. We have known for a long time that a body does not define a person - but what if a brain does not define a mind? What does it mean if a mind can exist unharmed within a deeply damaged brain? Through cutting edge research and case studies that are poignant, tragic and uplifting, Dr Owen maps this inner universe of the self, showing us what it means to be alive and human.

Amber Gratia (a recent empty nester) just moved to Palm Beach and landed a job as the new accountant at WeCare World International. Jack Hardie is an older, well-known, respected businessman on the East Coast of Florida and Chairman of the Board at the foundation. Two people, from two different lives who become unlikely friends, and create the slippery slope of sin and forbidden love. The deep, dark hidden secrets Amber uncovers will turn everyone's life upside down and leave her brokenhearted. Out of the Grey Zone is a story of God's grace, mercy and His unconditional love for Amber as she journey's on the road to forgiveness.

The high civilian death toll in modern, protracted conflicts such as those in Syria or Iraq indicate the limits of international law in offering protections to civilians at risk. A recent conference of states convened by the International Committee of the Red Cross referred to 'an institutional vacuum in the area of international humanitarian law implementation'. Yet both international humanitarian law and the law of human rights establish a series of rights intended to protect civilians. But which law or laws apply in a particular situation, and what are the obstacles to their implementation? How can the law offer greater protections to civilians caught up in new methods of warfare, such as drone strikes, or targeted by new forms of military organisation, such as transnational armed groups? Can the implementation gap be filled by the growing use of human rights courts to remedy violations of the laws of armed conflict, or are new instruments or mechanisms of civilian legal protection needed? This volume brings together contributions from leading academic authorities and legal practitioners on the situation of civilians in the grey zone between human rights and the laws of war. The chapters in Part 1 address key contested or boundary issues in defining the rights of civilians or non-combatants in today's conflicts. Those in Part 2 examine remedies and current mechanisms for redress both at the international and national level, and those in Part 3 assess prospects for the development of new mechanisms for addressing violations. As military intervention to protect civilians remains contested, this volume looks at the potential for developing alternative approaches to the protection of civilians and their rights.

How can works of the imagination help us to understand good and evil in the modern world? In this new collection of essays, Alex Danchev treats the artist as a crucial moral witness of our troubled times, and puts art to work in the service of political and ethical inquiry. He takes inspiration from Seamus Heaney's dictum: 'the imaginative transformation of human life is the means by which we can most truly grasp and comprehend it'. This is a book of blasphemers, world menders, troublemakers, torturers and turbulent priests of every persuasion.

The thirteenth Jack Taggart Mystery pits Jack against a group of ruthless kidnappers. The thirteenth Jack Taggart Mystery pits Taggart and his team against a group of ruthless kidnappers who have insider knowledge of police investigations within the Major Crimes Unit. He identifies one of the kidnappers and goes undercover with new operative Alicia Munday in an elaborate sting to lure the rest of the gang into a trap. Taggart is with the kidnappers on the day the trap is to be sprung, but he discovers they’ve already kidnapped another victim and they are both to be murdered in the belief that the police will pin the kidnapping on him. Still deep undercover, Taggart will have to come up with a risky plan for their survival before it’s too late.

Most Holocaust scholars and survivors contend that the event was so catastrophic and unprecedented that it defies authentic representation in feature films. Yet it is precisely the extremity of 'the Final Solution' and the issues it raised that have fueled the cinematic imagination since the end of World War II. Recognizing that movies reach a greater audience than eyewitness, historical, or literary accounts, Lawrence Baron argues that they mirror changing public perceptions of the Holocaust over time and place. After tracing the evolution of the most commonly employed genres and themes in earlier Holocaust motion pictures, he focuses on how films from the l990s made the Holocaust relevant for contemporary audiences. While genres like biographical films and love stories about doomed Jewish-Gentile couples remained popular, they now cast Jews or non-Jewish victims like homosexuals in lead roles more often than was the case in the past. Baron attributes the recent proliferation of Holocaust comedies and children's movies to the search for more figurative and age-appropriate genres for conveying the significance of the Holocaust to generations born after it happened. He contends that thematic shifts to stories about neo-Nazis, rescuers, survivors, and their children constitute an expression of the continuing impact the Holocaust exerts on the present. The book concludes with a survey of recent films like Nowhere in Africa and The Pianist.

The moment in the sun for special operations sometimes appears to have passed, seemingly eclipsed by preparations for potential conflict under the guise of ‘great power’ competition, combined with failure in Afghanistan. Yet the war in Ukraine serves as a reminder that special operations play an even greater role today―before, during and presumably after conflict. The challenge remains dealing with current irregular and hybrid threats, at the same time as preparing for an uncertain future, as threats and technologies evolve at a dizzying pace. Focusing too much on the future of conventional warfare creates a void in national security discussions related to special operations. This book seeks to fill that gap, drawing on the expertise of scholars and practitioners in the field, from the Indo-Pacific, Europe and the United States, to answer what, if anything, special operations can or should seek to do, and how. The contributors explore such topics as proxies, non-state special forces, capabilities, innovation and transformation, artificial intelligence, and special operations in space and cyberspace. These chapters are united by their analysis that special operations will have future strategic and operational value, for allies and adversaries alike, provided that difficult choices are made in the present.

This volume presents an analysis of the maritime boundary delimitations of the Russian Federation. The focus of this analysis is the relationship between state practice and the rules of public international law applicable to the delimitation of maritime zones between neighboring states. A first part establishes the contents of the law in this field. The main part of the work concerns an analysis of the position of the Russian Federation on the rules of maritime delimitation law and the practice of this state in relation to the delimitation of specific maritime boundaries with neighboring states. The case study of the Russian Federation illustrates the significance of international law for the delimitation of maritime boundaries, while at the same time indicating the limits of the influence of the law on state behavior.

First realised as a play, 'The Grey Zone' is based on historical events at Auschwitz in October 1944, and the only armed revolt by prisoners assigned to work in the crematoria. This book is a powerful account of what inspired Blake Nelson, and how he prepared himself and others to make this haunting movie.

Holocaust movies have become an important segment of world cinema and the de-facto Holocaust education for many. One quarter of all American-produced Holocaust-related feature films have won or been nominated for at least one Oscar. In fact, from 1945 through 1991, half of all American Holocaust features were nominated. Yet most Holocaust movies have fallen through the cracks and few have been commercially successful. This book explores these trends--and many others--with a comprehensive guide to hundreds of films and made-for-television movies. From Anne Frank to Schindler's List to Jojo Rabbit, more than 400 films are examined from a range of perspectives--historical, chronological, thematic, sociological, geographical and individual. The filmmakers are contextualized, including Charlie Chaplin, Sidney Lumet, Steven Spielberg, Quentin Tarantino and Roman Polanski. Recommendations and reviews of the 50 best Holocaust films are included, along with an educational guide, a detailed listing of all films covered and a four-part index-glossary.