The Glory is a historical drama series that centers around the life and times of Catherine the Great, a renowned Empress who ruled the Russian Empire from 1762 until her death in 1796. The series explores Catherine’s rise to power, as well as her love life, controversies, and political conflicts that shaped her reign. The show is set in the 18th century, a time of political turmoil, social upheaval, and cultural transformation that led to the Enlightenment. The Glory features a star-studded cast, with Australian actress Elle Fanning playing the lead role of Catherine. Other notable cast members include Nicholas Hoult, who portrays Peter III, Catherine’s husband and predecessor, and Phoebe Fox, who plays Marial, Catherine’s loyal maid and confidante. The series is produced by MediaRes and Echo Lake Entertainment, and was created by Tony McNamara, who also wrote the script for the Oscar-winning film The Favourite. The show has been praised for its production quality, strong performances, and attention to historical accuracy. The Glory premiered on May 15, 2021, on Hulu, and has since gained a large following and critical acclaim.

The anti-war masterpiece that became an iconic motion picture-now with a foreword by the creator of the acclaimed HBO(tm) series The Wire Familiar to many as the Stanley Kubrick film starring Kirk Douglas, Paths of Glory explores the perilous complications involved in what nations demand of their soldiers in wartime. Humphrey Cobb's protagonists are Frenchmen during the First World War whose nightmare in the trenches takes a new and terrible turn when they are ordered to assault a German position deemed all but invulnerable. When the attack fails, an inquiry into allegations of cowardice indicts a small handful of lower-ranked scapegoats whose trial exposes the farce of ordering ordinary men to risk their lives in an impossible cause. A chilling portrait of injustice, this novel offers insight into the tragedies of war in any age. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Christians love superhero movies, just like everybody else. But should they? How do the themes in the world's most popular movies relate to Christ's teachings? How do believers reconcile superhero violence with Jesus's message of peace? How does the Sermon on the Mount relate to superhero power fantasies? The Superpowers and the Glory helps readers answer those questions by teaching them how to identify the themes in superhero movies and examine them through Christian theology. With deep dives into nearly every superhero movie ever released, the book trains readers in understanding the worldviews behind movies such as Iron Man, Spider-Man, and Wonder Woman. Each chapter includes discussion questions, perfect for small groups, Sunday school classes, or personal inquiry. From Marvel hits like Black Panther and The Avengers to DC blockbusters Batman and Justice League to indie characters Hellboy and Teenage Mutant Ninja Turtles, The Superpowers and the Glory is an easy-to-read guide to using superhero movies to strengthen your relationship with Christ.

America, beginning as a small group of devout Puritan settlers, ultimately became the richest, most powerful Empire in the history of the world, but having reached that point, is now in a process of implosion and decay. This book, inspired by Frankfurt School Critical Theory, especially Erich Fromm, offers a unique historical, cultural and characterological analysis of American national character and its underlying psychodynamics. Specifically, this analysis looks at the persistence of Puritan religion, as well as the extolling of male toughness and America's unbridled pursuit of wealth. Finally, its self image of divinely blessed exceptionalism has fostered vast costs in lives and wealth. But these qualities of its national character are now fostering both a decline of its power and a transformation of its underlying social character. This suggests that the result will be a changing social character that enables a more democratic, tolerant and inclusive society, one that will enable socialism, genuine, participatory democracy and a humanist framework of meaning. This book is relevant to understanding America’s past, present and future.

A rollicking guided tour of one extraordinary summer, when some of the most pivotal and freakishly coincidental stories all collided and changed the way we think about modern sports The summer of 1984 was a watershed moment in the birth of modern sports when the nation watched Michael Jordan grow from college basketball player to professional athlete and star. That summer also saw ESPN's rise to media dominance as the country's premier sports network and the first modern, commercialized, profitable Olympics. Magic Johnson and Larry Bird's rivalry raged, Martina Navratilova and John McEnroe reigned in tennis, and Hulk Hogan and Vince McMahon made pro wrestling a business, while Donald Trump pierced the national consciousness as a pro football team owner. It was an awakening in the sports world, a moment when sports began to morph into the market-savvy, sensationalized, moneyed, controversial, and wildly popular arena we know today. In the tradition of Bill Bryson's One Summer: America, 1927, L. Jon Wertheim captures these 90 seminal days against the backdrop of the nostalgia-soaked 1980s, to show that this was the year we collectively traded in our ratty Converses for a pair of sleek, heavily branded, ingeniously marketed Nikes. This was the year that sports went big-time.

For almost thirty years, David Thomson’s Biographical Dictionary of Film has been not merely “the finest reference book ever written about movies” (Graham Fuller, Interview), not merely the “desert island book” of art critic David Sylvester, not merely “a great, crazy masterpiece” (Geoff Dyer, The Guardian), but also “fiendishly seductive” (Greil Marcus, Rolling Stone). This new edition updates the older entries and adds 30 new ones: Darren Aronofsky, Emmanuelle Beart, Jerry Bruckheimer, Larry Clark, Jennifer Connelly, Chris Cooper, Sofia Coppola, Alfonso Cuaron, Richard Curtis, Sir Richard Eyre, Sir Michael Gambon, Christopher Guest, Alejandro Gonzalez Inarritu, Spike Jonze, Wong Kar-Wai, Laura Linney, Tobey Maguire, Michael Moore, Samantha Morton, Mike Myers, Christopher Nolan, Dennis Price, Adam Sandler, Kevin Smith, Kiefer Sutherland, Charlize Theron, Larry Wachowski and Andy Wachowski, Lew Wasserman, Naomi Watts, and Ray Winstone. In all, the book includes more than 1300 entries, some of them just a pungent paragraph, some of them several thousand words long. In addition to the new “musts,” Thomson has added key figures from film history–lively anatomies of Graham Greene, Eddie Cantor, Pauline Kael, Abbott and Costello, Noël Coward, Hoagy Carmichael, Dorothy Gish, Rin Tin Tin, and more. Here is a great, rare book, one that encompasses the chaos of art, entertainment, money, vulgarity, and nonsense that we call the movies. Personal, opinionated, funny, daring, provocative, and passionate, it is the one book that every filmmaker and film buff must own. Time Out named it one of the ten best books of the 1990s. Gavin Lambert recognized it as “a work of imagination in its own right.” Now better than ever–a masterwork by the man playwright David Hare called “the most stimulating and thoughtful film critic now writing.”