Worship is at the heart of the Christian faith. This applies equally to all denominations. For that reason it is all the more important that the ordering of worship and its place in the life of the church is regularly rewritten and reinterpreted. This volume—based on the third, completely revised German edition from 2013 by two of the foremost liturgical scholars in Germany—offers a contemporary, comprehensive introduction to the foundations for the study of liturgy today, one from which scholars and students in the English-speaking world can also profit. Beyond appealing to students of liturgy and theology, this book reaches out to everyone who wants to know more about the liturgical essence and dimensions of the church.

The "Handbook for Liturgical Studies" provides a complete course of liturgical studies in five volumes. It is offered as a model, source, and reference for students of liturgy and liturgical ministry. Through the study of these five volumes, readers are led to an active and spiritually fruitful participation in the ecclesial celebration of Christ's mystery desired by the Second Vatican Council.

This introductory book for students and general readers sheds fresh light on the study of liturgy and worship, reflecting important new directions in contemporary research. The contributors, who are at the forefront of teaching and research in the United Kingdom, United States, and Ireland and who represent a variety of denominations, offer multiple insights into a range of topics neglected by traditional approaches. The book is divided into themed sections, influenced by developments in scholarly methodologies in the social sciences, anthropology, philosophy, and linguistics, building on previous textual and historical foundations. Significantly, The Study of Liturgy and Worship has also taken inspiration from the growth of ecumenical dialogue and exchange in recent years. Academics have praised the book for “its accessibility and clarity”; “the personal tone and examples given by the authors”; “its easy adaptability to both an advanced undergraduate and master’s level usage”; “’inspired’ organization”; and how “it addresses the themes [of] my introductory course . . . [and my] advanced seminars with PhD students.”

Designed as a general introduction to Christian liturgy, this book explores the meaning, history, and practice of worship in Eastern and Western, Catholic and Protestant traditions. Its chapters cover the theology of worship, the historical development of Eucharist and the Prayer Offices, the lectionary and customs of the church year, other sacramental rites, and the use of music and the arts. As such, it is a perfect textbook for students seeking to understand the basics of liturgical worship, as well as a reliable guide for worship leaders.

Volume I consists of three parts: Preliminary Notions," "Historical Overview of the Liturgy," and "Liturgical Sources." Articles and their contributors include "A Definition of Liturgy," by Anscar J. Chupungco, OSB; "Liturgical Families in the East," by Ephrem Carr, OSB; "Liturgical Families in the West," by Gabriel Ramis; "Bible and Liturgy," by Renato De Zan; "Liturgy and the Fathers," by Basil Studer, OSB; "Liturgy and Ecumenism," by Patrick Lyons, OSB; "History of the Liturgy Until the Fourth Century," by Anscar J. Chupungco, OSB; "History of the Eastern Liturgies," by Manel Nin, OSB; "History of the Roman Liturgy Until the Fifteenth Century," by Anscar J. Chupungco, OSB; "History of the Roman Liturgy from the Sixteenth Until the Twentieth Centuries," by Keith F. Pecklers, SJ; "History of the Liturgies in the Non-Roman West," by Jordi Pinell I Pons, OSB; "Liturgical Documents of the First Four Centuries," by Basil Studer, OSB; "Byzantine Liturgical Books," by Elena Velkova Velkovska; "Other Liturgical Books in the East," by Manel Nin, OSB; "Liturgical Books of the Roman Rite," by Cassian Folsom, OSB; "Liturgical Books of the Non-Roman West," by Gabriel Ramis; "Liturgical Textual Criticism," by Renato De Zan; "Criticism and Interpretation of Liturgical Texts," by Renato De Zan; "Translation of Liturgical Texts," by Anscar J. Chupungco, OSB; and "Liturgical Law," by Frederick R. McManus. More than forty authors from Asia, Africa, Latin America, North America, and Eastern and Western Europe have contributed to the Handbook. Many are professors and graduates of the Pontifical Liturgical Institute in Rome. Each author, while drawing material from liturgical tradition and from ancient, medieval, and modern sources, writes also from a particular research and personal interest in a subject. Although diverse in style, the authors collectively express a spirit of fidelity to the Church, to its doctrine and tradition, and to its mission. The result is a cohesive view of the meaning, purpose, and celebration of Christian worship.

This book examines the stylistic development of English cathedral music during a period of liturgical upheaval, looking at the attitudes of cathedral clergy, liturgists, composers, leading church music figures and organisations to music and liturgy. Arguments that were advanced for retaining an archaic style in cathedral music are considered, including the linking of musical style with liturgical language, the recommending of a subservient role for music in the liturgy, and the development of a language of fittingness to describe church music. The roles of the RSCM and other influential bodies are explored. Martin Thomas draws on many sources: the libraries and archives of English cathedrals; contemporary press coverage and the records of church music bodies; publishing practices; secondary literature; and the music itself. Concluding that an arresting of development in English cathedral music has prevented appropriate influences from secular music being felt, Thomas contrasts this with how cathedrals have often successfully and dynamically engaged with the world of the visual arts, particularly in painting and sculpture. Presenting implications for all denominations and for patronage of the arts by churches, and the place of musical aesthetics in the planning of liturgy, this book offers an important resource for music, theology, liturgy students and ministry teams worldwide.

In the decades following the Second Vatican Council, Catholic liturgy became an area of considerable interest and debate, if not controversy, in the West. Mid-late 20th century liturgical scholarship, upon which the liturgical reforms of the Second Vatican Council were predicated and implemented, no longer stands unquestioned. The liturgical and ecclesial springtime the reforms of Paul VI were expected to facilitate has failed to emerge, leaving many questions as to their wisdom and value. Quo vadis Catholic liturgy? This Companion brings together a variety of scholars who consider this question at the beginning of the 21st century in the light of advances in liturgical scholarship, decades of post-Vatican II experience and the critical re-examination in the West of the question of the liturgy promoted by Benedict XVI. The contributors, each eminent in their field, have distinct takes on how to answer this question, but each makes a significant contribution to contemporary debate, making this Companion an essential reference for the study of Western Catholic liturgy in history and in the light of contemporary scholarship and debate.

In Introduction to Eastern Christian Liturgies, renowned liturgical scholars Stefanos Alexopoulos and Maxwell E. Johnson fulfill the need for a new, comprehensive, and straightforward survey of the liturgical life of the Eastern Christian Churches within the seven distinct liturgical Eastern rites still in existence today: Armenian, Byzantine, Coptic, Ethiopic, East Syrian, West Syrian, and Maronite. This topical overview covers baptism, chrismation, Eucharist, reconciliation, anointing, marriage, holy orders, burial, Liturgy of the Hours, the liturgical year, liturgical ethos and spirituality, and offers a brief yet comprehensive bibliography for further study. This book will be of special interest to masters-level students in liturgy and theology, pastoral ministers seeking an introduction to the liturgies of the Christian East, and all who seek to increase their knowledge of the liturgical riches of the Christian East.

From the emergence of plainsong to the end of the fourteenth century, this Companion covers all the key aspects of medieval music. Divided into three main sections, the book first of all discusses repertory, styles and techniques - the key areas of traditional music histories; next taking a topographical view of the subject - from Italy, German-speaking lands, and the Iberian Peninsula; and concludes with chapters on such issues as liturgy, vernacular poetry and reception. Rather than presenting merely a chronological view of the history of medieval music, the volume instead focuses on technical and cultural aspects of the subject. Over nineteen informative chapters, fifteen world-leading scholars give a perspective on the music of the Middle Ages that will serve as a point of orientation for the informed listener and reader, and is a must-have guide for anyone with an interest in listening to and understanding medieval music.

Sometimes enjoying considerable favor, sometimes less, iconography has been an essential element in medieval art historical studies since the beginning of the discipline. Some of the greatest art historians – including Mâle, Warburg, Panofsky, Morey, and Schapiro – have devoted their lives to understanding and structuring what exactly the subject matter of a work of medieval art can tell. Over the last thirty or so years, scholarship has seen the meaning and methodologies of the term considerably broadened. This companion provides a state-of-the-art assessment of the influence of the foremost iconographers, as well as the methodologies employed and themes that underpin the discipline. The first section focuses on influential thinkers in the field, while the second covers some of the best-known methodologies; the third, and largest section, looks at some of the major themes in medieval art. Taken together, the three sections include thirty-eight chapters, each of which deals with an individual topic. An introduction, historiographical evaluation, and bibliography accompany the individual essays. The authors are recognized experts in the field, and each essay includes original analyses and/or case studies which will hopefully open the field for future research.