Tony Curtis was an American actor and film producer who was born on June 3, 1925, in the Bronx, New York City. Curtis was known for his handsome looks and charming personality which made him one of the most popular actors of his time. He started his acting career in 1948 and appeared in over 100 films throughout his long career timeline. Some of his notable films include "The Defiant Ones," "Spartacus," and "Some Like It Hot." Curtis received several awards for his acting skills and was nominated for an Academy Award for Best Actor in a Leading Role for the movie "The Defiant Ones." Apart from acting, Curtis was also an accomplished painter and sculptor. He had a passion for art and produced several artworks throughout his life. Curtis also wrote a memoir called "American Prince" which made it to the New York Times Best Seller list. Tony Curtis passed away on September 29, 2010, at the age of 85 in Las Vegas after suffering a heart attack. Despite his untimely death, his legacy as one of the greatest actors of his generation and his contribution to the film industry will never be forgotten. In conclusion, Tony Curtis was not just an actor, but also a painter, sculptor, writer and an accomplished artist. His contribution to the film industry is still remembered and cherished by many people to this day. He was a charming and talented man who lived a full and exciting life both on and off the screen. Tony Curtis will always be remembered as one of the most respected and beloved actors of his time.

Jamie Lee Curtis is a renowned American actress, author, and activist. She was born on November 22, 1958, in Santa Monica, California, and was raised in a prominent Hollywood family. Her father, Tony Curtis, was a well-known actor, and her mother, Janet Leigh, was a successful actress who starred in the iconic thriller, Psycho. Curtis began her acting career with a role in the horror film, Halloween, which propelled her to fame and earned her the title of the "scream queen." She appeared in numerous other horror movies in the 1980s, before branching out into other genres and showing off her versatility as an actress. In addition to her acting career, Curtis has also written several children's books and is known for her activism and advocacy work in the areas of children's health and wellness. She has won several awards and accolades throughout her career, including a Golden Globe and two BAFTA Awards.

The ultimate guide to DVD by the world's leadding authority on the medium.

The British coal industry no longer exists and yet the figure of the coal miner lives on in the British cultural imagination. In feature films and documentaries, miners are typically portrayed as proletarian traditionalists working in a dying industry. Taking this perspective, the 1984/85 miners' strike seems a desperate last stand against forces much bigger than the miners themselves -- not just the Thatcher government but the tide of historical change itself. In this ground-breaking study, Jörg Arnold challenges a declinist reading of the people working in one of Britain's most important energy industries. The study makes extensive use of previously inaccessible records to offer a new account of the British miner in the age of de-industrialisation. The book situates the miners in broader structures of feeling, and reconstructs the miners' sense of the past and the future. Arnold argues that Britain's miners went through a cyclical movement -- from loser to winner and back again -- as Britain underwent a de-industrial revolution in the final decades of the twentieth century. The book reinserts the industry's 'new dawn' of the 1970s into the story of coal and shows that the miners wielded real power. The industry's reversal of fortunes, inscribed in Plan for Coal (1974), proved short-lived. It was significant all the same. Its significance, the book argues, did not lie in affecting the long-term trajectory of the coal industry. Rather, the 'new dawn' was important in raising the political and cultural stakes. The miners found themselves at the centre of sharply conflicting visions of the future at a critical juncture in Britain's history. The figure of the coal miner became invested with sharply contrasting characteristics: hero and villain, underdog and enemy, proletarian traditionalist and standard bearer of Socialist advance. The miners were no mere spectators in this process. They were agents, thought to be uniquely powerful by their numerous opponents, and half believing in this power themselves. The miners' special nature, however, jarred with the aspiration to lead an ordinary life, producing tensions that were most cruelly exposed in the year-long strike of 1984/1985.

Writing is crucial to the academic world. It is the main mode of communication among scientists and scholars and also a means for students for obtaining their degrees. The papers in this volume highlight the intercultural, generic and textual complexities of academic writing. Comparisons are made between various traditions of academic writing in different cultures and contexts and the studies combine linguistic analyses with analyses of the social settings in which academic writing takes place and is acquired. The common denominator for the papers is writing in English and attention is given to native-English writers' and non-native writers' problems in different disciplines. The articles in the book introduce a variety of methodological approaches for analyses and search for better teaching methods and ways of improving the syllabi of writing curricula. The book as a whole illustrates how linguists strive for new research methods and practical applications in applied linguistics.

This new biography contains excerpts from interviews and articles by and about Curtis all the way from his teens in the Bronx to his death at 85 in 2010. Many of these are little known and provide insights into his complex relationship with fame, family and females, the three obsessions of his life. The book also documents his many struggles with substance abuse, his disenchantment with Hollywood when it failed to take him seriously, the violent deaths of his two brothers, the failure of four of his marriages, a heart attack, the death of a son from a drug overdose and, most importantly, the manner in which his resilient spirit saw him through these challenges and tragedies. It's a revisionist biography which adds significantly to the received wisdom on his life and times, not only through personal interviews but also revelations from two recent books not yet available in English, one written by his daughter Allegra and the other by his ex-wife Christine Kaufmann.

A biography of the six-time Oscar-winning director of films like Some Like It Hot and Double Indemnity, featuring analysis of his work. Although his career spanned fifty years and included more than fifty films, Austrian-American film director Billy Wilder (1906-2002) may be best known for the legendary shot of Marilyn Monroe’s dress billowing over a subway grating in The Seven Year Itch (1955). This “shot seen round the world” is representative not only of Hollywood’s golden era of cinema but also of one of its most prolific and brilliant directors. Wilder, whose filmography includes such classics as Sunset Boulevard (1950), Sabrina (1954), Witness for the Prosecution (1957), and Some Like It Hot (1959), is often remembered for his versatility, biting wit, and passion for challenging social and moral conventions. Author Gene D. Phillips departs from the traditional biography in Some Like It Wilder, offering new insights into the acclaimed director’s professional and private life. In preparation for the book, Phillips conducted personal interviews with Wilder and other key players from the legendary director’s life and times. Phillips’s unique combination of analysis and biographical detail brings Wilder to life, as both an artist and man. Phillips traces Wilder’s path from Berlin, where he worked as a scriptwriter for one of the city’s largest studios, to Hollywood, where he would quickly establish himself as a premier film director. Forming a partnership with writer-producer Charles Brackett, Wilder directed the classic films Five Graves to Cairo (1943), Double Indemnity (1945), and The Lost Weekend (1945), which earned Academy Awards for best picture, best director, and best screenplay. During the 1960s, Wilder continued to direct and produce controversial comedies, including Kiss Me Stupid (1964) and The Apartment (1960). The Apartment brought Wilder another round of Oscars for best picture, best director, and best screenplay. Wilder’s maverick approach and independent artistic vision pushed boundaries and ensured his legacy as one of the Hollywood greats. Sharply written, Some Like It Wilder serves as a comprehensive companion to Wilder’s films, offering a personalized and heartfelt account of the life and genius of this compelling director. Praise for Some Like It Wilder “Featuring Gene D. Phillips’ unique, in-depth critical approach, Some Like It Wilder . . . provides a groundbreaking overview of a filmmaking icon . . . . This definitive biography reveals that Wilder was, and remains, one of the most influential directors in filmmaking.” —Turner Classic Movies “[Phillips] goes beyond the surface and deep into the complex mind and soul of the famous film director . . . . This book is, in my view, definitive.” —Vincent LoBrutto, author of Martin Scorsese: A Biography

Tony Curtis was an American actor and film producer who was born on June 3, 1925, in the Bronx, New York City. Curtis was known for his handsome looks and charming personality which made him one of the most popular actors of his time. He started his acting career in 1948 and appeared in over 100 films throughout his long career timeline. Some of his notable films include "The Defiant Ones," "Spartacus," and "Some Like It Hot." Curtis received several awards for his acting skills and was nominated for an Academy Award for Best Actor in a Leading Role for the movie "The Defiant Ones." Apart from acting, Curtis was also an accomplished painter and sculptor. He had a passion for art and produced several artworks throughout his life. Curtis also wrote a memoir called "American Prince" which made it to the New York Times Best Seller list. Tony Curtis passed away on September 29, 2010, at the age of 85 in Las Vegas after suffering a heart attack. Despite his untimely death, his legacy as one of the greatest actors of his generation and his contribution to the film industry will never be forgotten. In conclusion, Tony Curtis was not just an actor, but also a painter, sculptor, writer and an accomplished artist. His contribution to the film industry is still remembered and cherished by many people to this day. He was a charming and talented man who lived a full and exciting life both on and off the screen. Tony Curtis will always be remembered as one of the most respected and beloved actors of his time.