Inventing Comics recovers and translates two of Rudolphe Töpffer’s nineteenth-century essays on the rhetorical invention of comics, an amateur aesthetic practice of the popular image. Growing out of contemporary philosophical thought, these essays reflect an early iteration of post-critical thought in the cultural and institutional shift from literacy to electracy.

For creative writers and artists, comics provide unique opportunities for expression – but unique challenges, too. Creating Comics brings together in one volume an authoritative guide to the creative process, with practical drawing exercises throughout and an anthology of comics demonstrating the eclectic possibilities of the form. Creating Comic covers: · Using images to conceive and develop characters and stories · The complete range of possible relationships between two images · The step-by-step structure of visual narratives · How to approach each page like a unique canvas · Combining words and images to create new meanings Fully integrated with the main guide, the anthology section includes work by creators including: Lynda Barry, Alison Bechdel, Jaime Hernandez, Marjane Satrapi, Adrian Tomine, and many others.

DIVComics are a unique form of storytelling created by talented and visionary artists. Creating Comics! is the first book to truly explore the backstories of the most talented visual artists currently practicing. Two of the most successful comic artists, Paul Gulacy and Michael Cavallaro, pen the foreword and introduction of the book, setting the tone for a truly remarkable collection of interviews from artists. Featured artists include Ryan Alexander-Tanner, Joseph Arthur, Gregory Benton, Ben Brown, Jeffrey Brown, Keith Carter, Michael Cavallaro, Amanda Conner, Henry Covert, Molly Crabapple, Marguerite Dabaie, Fly, Dylan Gibson, Michael Golden, Dan Goldman, Paul Gulacy, Chris Haughton, Glenn Head, Danny Hellman, John Holmstrom, R. Kikuo Johnson, Justin Kavoussi, Jim Lawson, Sonia Leong, Benjamin Marra, Paul Maybury, Tara McPherson, Josh Neufeld, Hyeondo Park, Chari Pere, Paul Pope, James Romberger/Marguerite Van Cook, J.J. Sedelmaier, Dash Shaw, R. Sikoryak, Maria Smedstad, Steve Spatucci, Jim Steranko, Denis St. John, Ward Sutton, Neil Swaab, Mark Texeira, Shawnti Therrien, Sara Varon, and Todd Webb. These artists walk readers through their conceptual process when devising story lines with powerful graphics. This is a must-read for all graphic novel enthusiasts!/div

You Can Work Professionally in Comics! Jump-start your comic book career! Creating Comics From Start to Finish tells you everything about how today's mainstream comic books are produced and published. Top working professionals detail how comics are created from concept to completion. Dig deep into every step of the process including writing, editing, penciling, inking, coloring, lettering and even publishing. Working professionals talk candidly about breaking into (and staying in) this exciting industry. Interviews and advice from: • Mike Marts, Editor—Batman • Mark Waid, Writer—Kingdom Come, Flash, Irredeemable • Darick Robertson, Penciler—Wolverine, The Boys, Transmetropolitan • Rodney Ramos, Inker—Green Lantern, Punisher • Brian Haberlin, Colorist—Witchblade, Spawn • Chris Eliopoulos, Letterer—Pet Avengers, Spider-Man, X-Men • Joe Quesada, Chief Creative Officer—Marvel Comics • Stan Lee, Former President, Chairman—Marvel Comics

This book provides student journalists, artists, designers, creative writers and web producers with the tools and techniques they need to tell nonfiction stories visually and graphically. Weaving together history, theory, and practical advice, seasoned nonfiction comics professors and scholars Randy Duncan, Michael Ray Taylor and David Stoddard present a hands-on approach to teach readers from a range of backgrounds how to develop and create a graphic nonfiction story from start to finish. The book offers guidance on: -how to find stories and make use of appropriate facts and visuals; -nonfiction narrative techniques; -artist's tools and techniques; -print, digital, and multimedia production; -legal and ethical considerations. Interviews with well-known nonfiction comics creators and editors discuss best practices and offer readers inspiration to begin creating their own work, and exercises at the end of each chapter encourage students to hone their skills.

From the creative minds behind your favorite modern-day comics ... In this unprecedented, behind-the-scenes guide, former Marvel editor and current IDW senior editor Andy Schmidt and his superstar industry friends give you the inside track on creating engaging, professional-looking comic books. Written for upcoming creative stars and comic book enthusiasts, The Insider's Guide to Comics and Graphic Novels covers the entire creative process from beginning to end, from fine-tuning a script to the nuances of camera angles, costume design and lettering. You'll learn not only how to emulate a camera pan, hit 'em with a splash page and shift into slow motion, but also WHEN and WHY to dip into that bag of graphic tricks for maximum impact. The real-world guide to creating great comics! • Profiles and insights from John Romita, Jr., Neal Adams, Gene Ha, David Finch and John Byrne • Professional advice from top talents in the business, including writers Brian Michael Bendis, Geoff Johns and Tom DeFalco; inkers Klaus Janson, Karl Kesel and Mike Perkins; colorist Chris Sotomayor; and letterer Chris Eliopoulos • Expert instruction on every element of the creative process - writing, drawing, inking, coloring, page layout and scene design - and how they all work together

Bachelor Thesis from the year 2014 in the subject American Studies - Culture and Applied Geography, grade: 1.0, Ruhr-University of Bochum, language: English, abstract: This paper attempts to provide a scholarly analysis of the discussion triggered by Frank Miller’s comment that “Metropolis is New York in the daytime; Gotham City is New York at night.” The paper aims to analyze the representation of Gotham City in Nolan’s "The Dark Knight" trilogy and the representation of Metropolis as fictional version of New York City in selected episodes of the television series "Smallville." Starting from a disambiguation of the respective city’s name, it continues with an analysis of the resulting relation of factual and imagined place. In the following,the author discusses the possibility of understanding the cities, both Gotham City and Metropolis, as characters within the framework of the respective superhero narrative. To do so, three different theories of space and spatial practices are being introduced: Michel Foucault’s “Of Other Spaces: Utopias and Heterotopias” (1984), Henri Lefebvre’s The Production of Space (1991), and Michel de Certeau’s The Practices of Everyday Life (1984). These theories and their respective approaches to space, as contradictory as they might seem, open up various ways to discuss the city as character.