This selection of smart, accessible essays covers CSI's cutting-edge science, intriguing mysteries, and engaging personal dynamics. Essays from experts in the field illuminate such processes as DNA testing, ballistics, crime-scene photography, and autopsy procedure. With pieces that focus on the leads' varying appeals, the history of forensics on television, the show's treatment of alternate sexualities, and whether the incredible attention to detail actually gives criminals an advantage, this anthology provides an in-depth investigation that enriches the viewing experience.

This is what we know, this is the truth: CSI is a global television phenomenon. It began in 2000 with "CSI: Crime Scene Investigation", a dark procedural drama about forensic science set within the neon escapism of Las Vegas, in which Grissom and his team search within the very vitals of the murder victims they investigate. Nearly 17 million viewers tuned in each week and "CSI: Crime Scene Investigation" fast became America's number one show. The success of the series moved it into franchise territory, continuing in 2002 with the body beautifuls and dismembereds of "CSI: Miami" (now the world's biggest television show) and again in 2004 extending the francise to the melancholic noir of post-9/11 New York with "CSI: NY". "Reading 'CSI'" pieces together the evidence in order to understand what the CSI shows mean to contemporary television culture, both in America and beyond. The varied, intellectually curious and often polemic responses to CSI from critics, journalists and industry professionals focus on a range of issues from the pornographic quality of the CGI effects, the relationship of characters to their narratives, and the reaction of the fans, to the semiotics of Horatio Caine's sunglasses. This in depth, compulsive read also includes a full episode guide.

This timely and accessible text shows how portrayals of science in popular media—including television, movies, and social media—influence public attitudes around messages from the scientific community, affect the kinds of research that receive support, and inform perceptions of who can become a scientist. The book builds on theories of cultivation, priming, framing, and media models while drawing on years of content analyses, national surveys, and experiments. A wide variety of media genres—from Hollywood blockbusters and prime-time television shows to cable news channels and satirical comedy programs, science documentaries and children’s cartoons to Facebook posts and YouTube videos—are explored with rigorous social science research and an engaging, accessible style. Case studies on climate change, vaccines, genetically modified foods, evolution, space exploration, and forensic DNA testing are presented alongside reflections on media stereotypes and disparities in terms of gender, race, and other social identities. Science in the Media illuminates how scientists and media producers can bridge gaps between the scientific community and the public, foster engagement with science, and promote an inclusive vision of science, while also highlighting how readers themselves can become more active and critical consumers of media messages about science. Science in the Media serves as a supplemental text for courses in science communication and media studies, and will be of interest to anyone concerned with publicly engaged science.

A TV tie-in.

A gripping new crime series for fans of Val McDermid, Jane Casey and Cara Hunter ‘Gold-standard crime writing’ Erin Kinsley ‘An impressive start in an exciting new series’ The Sun ‘Authentic and atmospheric’ Adele Parks, Platinum ‘Packed with authenticity’ Mail Online

Examining the nature of UFO "evidence", the authors present a primer for scholars, skeptics, and others uneasy about investigating the field of UFOs. The volume also brings together three bestselling authors--David M. Jacobs, Budd Hopkins, and Pulitzer Prize winner John Mack--widely known for their writings on the controversial "alien abduction" phenomenon.