An ethereal collection of long-lost fairy tales and folk stories from Ireland, collated and edited by one of the most sensational Irish poets, W. B. Yeats. This anthology of Irish myths and folklore was first published in 1892 after being carefully collated by W. B. Yeats. The prolific poet had a deep interest in the folkloric history of his country and dedicated part of his career to editing traditional fairy tales and translating them from the original Irish. Irish Fairy and Folk Tales is an illusive collection of beautiful and ghostly stories concerning fairies, changelings, witches, giants, the devil, and the supernatural. The tales featured in this volume are divided between the following sections: - The Trooping Fairies - Changelings - The Merrow - The Solitary Fairies - Ghosts - Witches, Fairy Doctors - T’yeer-Na-N-Oge - Saints, Priests - The Devil - Giants - Kings, Queens, Princesses, Earls, Robbers

Immerse yourself in a world of fairy queens and Celtic warriors in this remarkable collection of Irish folk tales. Set in Medieval Ireland, this collection of 10 stories were gathered in the late 19th and early 20th century by writer James Shepherd, described by James Joyce as 'my rival, the latest Irish genius'. The lyricism and humour within these retellings are unequalled and provide wonderful insight into the culture and traditions of Ireland. Drawn from the Fenian Cycle of Irish mythology, they include: • The Birth of Bran • The Enchanted Cav of Cesh Corran • Mongan's Frenzy • The Carl of the Drab Coat

Includes tales of fairies, changelings, ghosts, witches, saints, the devil, giants, kings, queens, and robbers.

INTRODUCTION. Dr. Corbett, Bishop of Oxford and Norwich, lamented long ago the departure of the English fairies. "In Queen Mary's time" he wrote— "When Tom came home from labour, Or Cis to milking rose, Then merrily, merrily went their tabor, And merrily went their toes." But now, in the times of James, they had all gone, for "they were of the old profession," and "their songs were Ave Maries." In Ireland they are still extant, giving gifts to the kindly, and plaguing the surly. "Have you ever seen a fairy or such like?" I asked an old man in County Sligo. "Amn't I annoyed with them," was the answer. "Do the fishermen along here know anything of the mermaids?" I asked a woman of a village in County Dublin. "Indeed, they don't like to see them at all," she answered, "for they always bring bad weather." "Here is a man who believes in ghosts," said a foreign sea-captain, pointing to a pilot of my acquaintance. "In every house over there," said the pilot, pointing to his native village of Rosses, "there are several." Certainly that now old and much respected dogmatist, the Spirit of the Age, has in no manner made his voice heard down there. In a little while, for he has gotten a consumptive appearance of late, he will be covered over decently in his grave, and another will grow, old and much respected, in his place, and never be heard of down there, and after him another and another and another. Indeed, it is a question whether any of these personages will ever be heard of outside the newspaper offices and lecture-rooms and drawing-rooms and eel-pie houses of the cities, or if the Spirit of the Age is at any time more than a froth. At any rate, whole troops of their like will not change the Celt much. Giraldus Cambrensis found the people of the western islands a trifle paganish. "How many gods are there?" asked a priest, a little while ago, of a man from the Island of Innistor. "There is one on Innistor; but this seems a big place," said the man, and the priest held up his hands in horror, as Giraldus had, just seven centuries before.

Reproduction of the original.

Beginning with a critical reappraisal of the notion of "fairy tale" and extending it to include categories and genres which are in common usage in folklore and in literary studies, this book throws light on the general processes involved in storytelling. It illuminates the fundamental ways in which a culture is formed, while highlighting important features of the Irish narrative tradition, in all its wealth and variety and in its connections with the mythical and historical events of Ireland. The Irish Fairy Tale argues that the fairy tale is a kind of "neutral zone," a place of transition as well as a meeting place for popular beliefs and individual creativity, oral tradition and literary works, historical sources and imaginary reconstructions, and for contrasting and converging views of the world, which altogether allow for a deeper and more sophisticated understanding of reality. The book focuses on stories by Yeats and Stephens, whose approach to the subject marks the culmination of a long tradition of attempts at linking past and present and of bridging the gap between what appear to be contradictory facets of a single culture. This leads to a comparative study of Joyce's Dubliners, which illustrates the universal and exemplary nature of the notion of fairy tale put forward in the work.

Celtic mythology is a rich and intricate diverse world, a captivating realm where deities and humans interact amidst mystical environments and celestial conflicts. Rooted predominantly in the ancient cultures of Ireland and Wales, this mythology serves as a compendium of stories, a cultural and spiritual mirror reflecting the Celtic people's values, traditions, and laws. By delving into the extensive range of Celtic myths, particularly the mythological, Ulster, and Fenian cycles in Ireland and the Mabinogion in Wales, we can uncover the profound influence these myths have had on European literary and cultural development. The primary method of transmitting these stories was oral, posing a significant challenge to studying Celtic myths. The religious perspectives of the scribes, particularly Christian monks, have left a significant imprint on these texts, but they remain crucial for our understanding. Irish literature draws from significant sources such as 'The Book of Invasions' and 'The Book of Leinster,' while Welsh literature relies on an important source known as 'Mabinogion.' Roman historians provide additional external narratives that contribute to understanding the Celts in a wider context of ancient European history. Unravelling these sources requires a nuanced approach to differentiate the authentic pagan elements from the Christian additions. The Celtic pantheon features diverse deities who govern various aspects of existence and the natural realm. In Irish mythology, the Dagda embodies paternal dominion and jurisdiction over the cycles of life and death, whereas Morrigan signifies the supremacy and inevitability of warfare. According to Welsh mythology, Arawn is the sovereign of the Otherworld, and Bran the Blessed is a colossal king with deep ties to the land and its well-being. The Celts' gods frequently engage with humans, often directly intervening in their destinies, highlighting the Celts' perception of the cosmos as a profoundly interconnected domain. The Mythological Cycle in Ireland narrates the tales of ancient deities and their conflicts, including the Tuatha Dé Danann, celestial beings who eventually assimilate into Irish civilisation as the forefathers of the contemporary Irish people after being conquered by the Milesians. The purpose of this cycle is twofold: to document Ireland's legendary history and to assert a divine entitlement to the land and its governance.

This collection brings together all of W. B. Yeats’s published prose writings on Irish folklore, legend and myth, with pieces on subjects including ghosts, kidnappers, fairies, ancient tribes, precious stones and Gaelic love songs. Through his researches on Irish folklore, Yeats attempted to create a movement in literature that was enriched by and rooted in a vital native tradition. In this volume Yeats’s essays, introductions and sketches are presented chronologically, giving a clear picture of how his analysis developed, increasing in its depth and complexity in his quest to create an Ireland of the imagination.

The Original Celtic Fairy Tales Faries and Folk of Ireland is a collection of Celtic folk tales written by William Henry Frost. Witness how the Irish common folk regard their history, their origin and also their relationship with nature, a mysterious place full of fairies, elves and evil creatures. This Xist Classics edition has been professionally formatted for e-readers with a linked table of contents. This eBook also contains a bonus book club leadership guide and discussion questions. We hope you’ll share this book with your friends, neighbors and colleagues and can’t wait to hear what you have to say about it. Xist Publishing is a digital-first publisher. Xist Publishing creates books for the touchscreen generation and is dedicated to helping everyone develop a lifetime love of reading, no matter what form it takes

In over 1,000 entries, this acclaimed Companion covers all aspects of the Western fairy tale tradition, from medieval to modern, under the guidance of Professor Jack Zipes. It provides an authoritative reference source for this complex and captivating genre, exploring the tales themselves, the writers who wrote and reworked them, and the artists who illustrated them. It also covers numerous related topics such as the fairy tale and film, television, art, opera, ballet, the oral tradition, music, advertising, cartoons, fantasy literature, feminism, and stamps. First published in 2000, 130 new entries have been added to account for recent developments in the field, including J. K. Rowling and Suzanne Collins, and new articles on topics such as cognitive criticism and fairy tales, digital fairy tales, fairy tale blogs and websites, and pornography and fairy tales. The remaining entries have been revised and updated in consultation with expert contributors. This second edition contains beautifully designed feature articles highlighting countries with a strong fairy tale tradition, covering: Britain and Ireland, France, Germany, Italy, Japan, North America and Canada, Portugal, Scandinavian countries, Slavic and Baltic countries, and Spain. It also includes an informative and engaging introduction by the editor, which sets the subject in its historical and literary context. A detailed and updated bibliography provides information about background literature and further reading material. In addition, the A to Z entries are accompanied by over 60 beautiful and carefully selected black and white illustrations. Already renowned in its field, the second edition of this unique work is an essential companion for anyone interested in fairy tales in literature, film, and art; and for anyone who values the tradition of storytelling.