Throughout the world and over many centuries, the cultures in which Islam has been a major presence have created stories in word and picture to celebrate the men and women who best exemplify each culture's aspirations. This is the story of how those heroic figures have both shaped and been shaped by the religious tradition called Islam.

Colloquial Arabic storytelling is most commonly associated with The Thousandvand One Nights. But few people are aware of a much larger corpus of narrative texts known as popular epic. These heroic romantic tales, originating in the Middle Ages, form vast cycles of adventure stories whose most remarkable feature is their portrayal of powerful and memorable women. Wildly appreciated by medieval audiences, and spread by professional storytellers throughout the cities of the Muslim world, these fictions were printed and reprinted over the centuries and comprise a vital part of Arab culture. Yet virtually none are available in translation, and so remain almost unknown to a non-Arab public. Remke Kruk at last makes these neglected romances available to a Western audience. She recounts the story of Princess Dhat al-Himma, brave and undefeated leader of the Muslim army in its wars against the Byzantines; of Ghamra, brought up as a boy to become a fearless leader of men; and of cool-headed Qannasa, raiding from her mountain fortress to capture and seduce her enemies before putting them pitilessly to the sword. The Warrior Women of Islam puts a bold new complexion on gender roles and the wider perception of women in the Middle East.

Seven Doors to Islam reveals the religious worldview and spiritual tradition of the world's one billion Muslims. Spanning the breadth of Islamic civilization from Morocco to Indonesia, this book demonstrates how Muslims have used the literary and visual arts in all their richness and diversity to communicate religious values. Each of the seven chapters opens a "door" that leads progressively closer to the very heart of Islam, from the foundational revelation in the Qur'an to the transcendent experience of the Sufi mystics. However, unlike most studies of Islam, which see spirituality as the concern of a minority of mystical seekers, Seven Doors demonstrates its central role in every aspect of the Islamic tradition.

A bold new conceptualization of Islam that reflects its contradictions and rich diversity What is Islam? How do we grasp a human and historical phenomenon characterized by such variety and contradiction? What is "Islamic" about Islamic philosophy or Islamic art? Should we speak of Islam or of islams? Should we distinguish the Islamic (the religious) from the Islamicate (the cultural)? Or should we abandon "Islamic" altogether as an analytical term? In What Is Islam?, Shahab Ahmed presents a bold new conceptualization of Islam that challenges dominant understandings grounded in the categories of "religion" and "culture" or those that privilege law and scripture. He argues that these modes of thinking obstruct us from understanding Islam, distorting it, diminishing it, and rendering it incoherent. What Is Islam? formulates a new conceptual language for analyzing Islam. It presents a new paradigm of how Muslims have historically understood divine revelation—one that enables us to understand how and why Muslims through history have embraced values such as exploration, ambiguity, aestheticization, polyvalence, and relativism, as well as practices such as figural art, music, and even wine drinking as Islamic. It also puts forward a new understanding of the historical constitution of Islamic law and its relationship to philosophical ethics and political theory. A book that is certain to provoke debate and significantly alter our understanding of Islam, What Is Islam? reveals how Muslims have historically conceived of and lived with Islam as norms and truths that are at once contradictory yet coherent.

A common objective of saint veneration in all three Abrahamic religions is the recovery and perpetuation of the collective memory of the saint. Christianity, Judaism, and Islam all yield intriguing similarities and differences in their respective conceptions of sanctity. This edited collection explores the various literary and cultural productions associated with the cult of saints and pious figures, as well as the socio-historical contexts in which sainthood operates, in order to better understand the role of saints in monotheistic religions. Using comparative religious and anthropological approaches, an international panel of contributors guides the reader through three main concerns. They describe and illuminate the ways in which sanctity is often configured. In addition, the diverse cultural manifestations of the cult of the saints are examined and analysed. Finally, the various religious, social, and political functions that saints came to play in numerous societies are compared and contrasted. This ambitious study covers sanctity from the Middle Ages until the contemporary period, and has a geographical scope that includes Europe, Central Asia, North Africa, the Americas, and the Asian Pacific. As such, it will be of use to scholars of the history of religions, religious pluralism, and interreligious dialogue, as well as students of sainthood and hagiography.

How do people understand the Quran to be divine revelation? What is it about the text that inspires such devotion and commitment in the reader/believer? Todd Lawson explores how the timeless literary genres of epic and apocalypse bear religious meaning in the Quran, communicating the sense of divine presence, urgency and truth. Grounding his approach in the universal power of story and myth, he embarks upon a fascinating inquiry into the unique power of one of the most loved, widely read and recited books in the world.

The Arabo-Islamic heritage of the Islam is among the richest, most diverse, and longest-lasting literary traditions in the world. Born from a culture and religion that valued teaching, Arabo-Islamic learning spread from the seventh century and has had a lasting impact until the present.In The Heritage of Arabo-Islamic Learning leading scholars around the world present twenty-five studies explore diverse areas of Arabo-Islamic heritage in honor of a renowned scholar and teacher, Dr. Wadad A. Kadi (Prof. Emerita, University of Chicago). The volume includes contributions in three main areas: History, Institutions, and the Use of Documentary Sources; Religion, Law, and Islamic Thought; Language, Literature, and Heritage which reflect Prof. Kadi’s contributions to the field. Contributors:Sean W. Anthony; Ramzi Baalbaki; Jonathan A.C. Brown; Fred M. Donner; Mohammad Fadel; Kenneth Garden; Sebastian Günther; Li Guo; Heinz Halm; Paul L. Heck; Nadia Jami; Jeremy Johns; Maher Jarrar; Marion Holmes Katz; Scott C. Lucas; Angelika Neuwirth; Bilal Orfali; Wen-chin Ouyang; Judith Pfeiffer; Maurice A. Pomerantz; Riḍwān al-Sayyid ; Aram A. Shahin; Jens Scheiner; John O. Voll; Stefan Wild.

Critics and academics have generally dismissed the commercial productions of the late Pahlavi era, best known for their songs and melodramatic plots, as shallow, derivative ‘entertainment’. Instead, they have concentrated on the more recent internationally acclaimed art films, claiming that these constitute Iranian ‘national' cinema, despite few Iranians having seen them. Film discourse, and even fan talk, have long attempted to marginalize the mainstream releases of the 1960s and 1970s with the moniker filmfarsi, ironically asserting that such popular favorites were culturally inauthentic. This book challenges the idea that filmfarsi is detached from the past and present of Iranians. Far from being escapist Hollywood fare merely translated into Persian, it claims that the better films of this supposed genre must be taken as both a subject of, and source for, modern Iranian history. It argues that they have an appeal that relies on their ability to rearticulate traditional courtly and religious ideas and forms to problematize in unexpectedly complex and sophisticated ways the modernist agenda that secular nationalist elites wished to impose on their viewers. Taken seriously, these films raise questions about standard treatments of Iran's modern history. By writing popular films into Iranian history, this book advocates both a fresh approach to the study of Iranian cinema, as well as a rethinking of the modernity/tradition binary that has organized the historiography of the recent past. It will appeal to those interested in Iranian cinema, Iranian history and culture, and, more broadly, readers dissatisfied with a dichotomous approach to modernity.

What constitutes a villain? How does villainy differ from evil? Do villains created for children's fiction differ from those created for adults? The villains considered in this volume come from an eclectic range of sources - from comic books to film and from novels to television serials - and a broad selection of times and places. Villains continue to raise troubling questions about the role of narrative in both fiction and real life.

A western Islamic scholar demystifies and explains one of the world’s great religious traditions! In an age of continued Middle East volatility, religious extremists, and terrorist threats, the mere mention of Islam and Muslims too often provokes misunderstanding and even rancor. Often overlooked are the important links between the Qur'an and the Bible. Also ignored are the significant historical overlap between Islamic interpretation of history with those of Christianity and Judaism. Islam is too often confusing and even opaque to those unfamiliar with it. Truly a must-have reference for our changing and trying times, The Handy Islam Answer Book, is clearly and eloquently written by John Renard, Ph.D., a scholar of Islam with more than 40 years of research and teaching experience. This user-friendly guide answers nearly 800 questions and offers fun facts that cover Islamic history, religious practices, and Muslim cultural perspectives, including … When did Islam begin? Why is Mecca a holy city for Muslims? Do Muslims worship Muhammad? What was the fate of Medieval Christian pilgrims to the Holy Land? What do Muslims mean by the term "Allah"? What does the crescent moon and star symbol mean to Muslims? What is the Muslim “call to prayer”? Is it similar to “church bells”? Do Muslims believe that God “tests” people? Does Muhammad play a role in Islamic spirituality in a manner similar to Jesus’ role in Christianity? Is jihad a legal concept for Muslims? Is it true that Muhammad both preached and engaged in military campaigns? Do Muslims, Christians, and Jews worship the “same God”? Why do Jews, Christians, and Muslims all claim parts of Israel/Palestine as “Holy Land”? Why do some people, such as the Taliban, not want girls to get an education? Does Islam require wearing face veils? Is there any similarity between Muslim and Christian art? Muslims are diverse, and they have a vast spectrum of views about Islam, and The Handy Islam Answer Book is a resource for reliable information about Islam and Muslims. This helpful books also provides a historic timeline, a glossary of commonly used terms, a genealogy from Adam to Muhammad and beyond, a calendar of major observances, an extensive index, and a bibliography help further exploration of one of the world’s great religions.