First published in 1970, nine years after Hemingway's death, this is the story of an artist and adventurer—a man much like Hemingway himself. Beginning in the 1930s, Islands in the Stream follows the fortunes of Thomas Hudson, from his experiences as a painter on the Gulf Stream island of Bimini through his antisubmarine activities off the coast of Cuba during World War II. Hemingway is at his mature best in this beguiling tale.

An Island in the Stream, a collaboration between Cuban and American writers and scholars, is a diverse collection of ecocritical and literary responses to the natural environment in Cuba and to Cuban environmental culture. The chapters explore Cuba’s vibrant cultural history with particular attention to literature and the visual and performing arts, which are viewed through such lenses as ecofeminism, postcolonial ecocriticism, multiculturalism, and the nuclear imaginary, among others. American environmentalists have long viewed modern Cuba as a model of progressive environmental thinking. In the 1990s, the Cuban government made sustainability a centerpiece of national policy initiatives. This book explores some of the historical foundations of contemporary sustainability efforts in Cuba, while also describing the current environmental situation in that part of the world. From José Martí to Excilia Saldaña, from Antonio Nuñez Jiménez to Lydia Cabrera, the chapters here aim to provide a starting point for others who wish to learn about Cuban environmental thought. The conjunction of scholarly and creative work is a gesture toward the interdependence of humanities research and artistic expression, both of which seek to encourage environmental and cultural mindfulness and sensitivity.

The present work concludes the important and monumental undertaking of Islanders in the Stream: A History of the Bahamian People, creating the most thorough and comprehensive history yet written of a Caribbean country and its people. In the first volume Michael Craton and Gail Saunders traced the developments of a unique archipelagic nation from aboriginal times to the period just before emancipation. This long-awaited second volume offers a description and interpretation of the social developments of the Bahamas in the years from 1830 to the present. Volume Two divides this period into three chronological sections, dealing first with adjustments to emancipation by former masters and former slaves between 1834 and 1900, followed by a study of the slow process of modernization between 1900 and 1973 that combines a systematic study of the stimulus of social change, a candid examination of current problems, and a penetrating but sympathetic analysis of what makes the Bahamas and Bahamians distinctive in the world. This work is an eminent product of the New Social History, intended for Bahamians, others interested in the Bahamas, and scholars alike. It skillfully interweaves generalizations and regional comparisons with particular examples, drawn from travelers' accounts, autobiographies, private letters, and the imaginative reconstruction of official dispatches and newspaper reports. Lavishly illustrated with contemporary photographs and original maps, it stands as a model for forthcoming histories of similar small ex-colonial nations in the region.

Dolly Parton: 100 Remarkable Moments in an Extraordinary Life is a beautifully illustrated celebration of a timeless icon who has shaped what it means to be a superstar.

"Larry W. Jones has written over 3,500 song lyrics with island based themes. Most are in the sytle of the "hapa haole" return-to-paradise tradition of the golden years of Territorial Hawaii"--Volume 7, title page verso

Ernest Hemingway’s groundbreaking prose style and examination of timeless themes made him one of the most important American writers of the twentieth century. Yet in Ernest Hemingway: Thought in Action, Mark Cirino observes, “Literary criticism has accused Hemingway of many things but thinking too deeply is not one of them.” Although much has been written about the author’s love of action—hunting, fishing, drinking, bullfighting, boxing, travel, and the moveable feast—Cirino looks at Hemingway’s focus on the modern mind, paralleling the interest in consciousness of such predecessors and contemporaries as Proust, Joyce, Woolf, Faulkner, and Henry James. Hemingway, Cirino demonstrates, probes the ways his character’s minds respond when placed in urgent situations or when damaged by past traumas. In Cirino’s analysis of Hemingway’s work through this lens—including such celebrated classics as A Farewell to Arms, The Old Man and the Sea, and “Big Two-Hearted River” and less-appreciated works including Islands in the Stream and “Because I Think Deeper”—an entirely different Hemingway hero emerges: intelligent, introspective, and ruminative.

Just as soon as it had got rolling, rock music had a problem: it wanted to be art. A mere four years separate the Beatles as mere kiddy culture from the artful geniuses of Sergeant Pepper's, meaning the very same band who represents the mass-consumed, "mindless" music of adolescents simultaneously enjoys status as among the best that Western culture has to offer. The story of rock music, it turns out, is less that of a contagious popular form situated in opposition to high art, but, rather, a story of high and low in dialogue--messy and contentious, to be sure, but also mutually obligated to account for, if not appropriate, one another. The chapters in this book track the uses of literature, specifically, within this relation, helping to showcase collectively its fundamental role in the emergence of the "pop omnivore."

Scientists beware! One of the finest documentation specialists of soil characteristics was Ernest Hemingway. Henry Mount has assembled hundreds of Hemingway passages and critiqued them from a science-based perspective in his book Hemingway's Tribute to Soil.