When Veronica accidentally got pregnant by her husband, the next time she saw her hairdresser, who also happened to be a regular client, she told him that she was going to stop being a prostitute. “Good,” he said. “Thank God. Y’know I always thought that you were too good to be a prostitute. You’re a nice girl, you’re smart, and you’re pretty. You shouldn’t lead a life like that. I’m glad you’re not going to be a prostitute anymore.” Two months later after Veronica miscarried, she was in the hairdresser’s shop and said to him, “I’m thinking about getting back into prostitution.” “Are you available Thursday night?”was his only question.

Dances and balls appear throughout world literature as venues for young people to meet, flirt, and form relationships, as any reader of Pride and Prejudice, War and Peace, or Romeo and Juliet can attest. The popularity of social dance transcends class, gender, ethnic, and national boundaries. In the context of nineteenth- and twentieth-century Jewish culture, dance offers crucial insights into debates about emancipation and acculturation. While traditional Jewish law prohibits men and women from dancing together, Jewish mixed-sex dancing was understood as the very sign of modernity––and the ultimate boundary transgression. Writers of modern Jewish literature deployed dance scenes as a charged and complex arena for understanding the limits of acculturation, the dangers of ethnic mixing, and the implications of shifting gender norms and marriage patterns, while simultaneously entertaining their readers. In this pioneering study, Sonia Gollance examines the specific literary qualities of dance scenes, while also paying close attention to the broader social implications of Jewish engagement with dance. Combining cultural history with literary analysis and drawing connections to contemporary representations of Jewish social dance, Gollance illustrates how mixed-sex dancing functions as a flexible metaphor for the concerns of Jewish communities in the face of cultural transitions.

Arguing that social dance haunted the interwar imagination, Zimring reveals the powerful figurative importance of music and dance, both in the aftermath of war, and during Britain's entrance into cosmopolitan modernity and the modernization of gender relations. Analysing paintings, films, memoirs, ballet, documentary texts and writings by Modernist authors, Zimring illuminates the ubiquitous presence of social dance in the British imagination during a time of cultural transition and recuperation.

When Veronica accidentally got pregnant by her husband, the next time she saw her hairdresser, who also happened to be a regular client, she told him that she was going to stop being a prostitute. Good, he said. Thank God. Yknow I always thought that you were too good to be a prostitute. Youre a nice girl, youre smart, and youre pretty. You shouldnt lead a life like that. Im glad youre not going to be a prostitute anymore. Two months later after Veronica miscarried, she was in the hairdressers shop and said to him, Im thinking about getting back into prostitution. Are you available Thursday night'was his only question.

Loss and Gain is a philosophical novel which depicts the culture of Oxford University in the mid-Victorian era and the conversion of a young student to Roman Catholicism. Charles Reding arrives at Oxford University planning to follow the advice and example of his father, and to submit to the teachings of the Church of England without becoming involved in any factious parties. To follow the right views, Reding seeks a source of Church authority, and is disappointed to find only party dissension and the Protestant doctrine of Private Judgment. He begins to have doubts about some aspects of his faith, giving him thoughts of conversion, which greatly excite and trouble him.

Zbornik ('Ponovni premislek o ustvarjanju znanja in vključevanje/izključevanje v plesnih skupnostih, Zbornik 32. Simpozija ICTM Študijske skupine za etnokoreologijo, 29. julij–5. avgust 2022, Brežice, Slovenija') vsebuje izbor prispevkov, predstavljenih na 32. simpoziju ICTM Študijske skupine za etnokoreologijo, osrednji mednarodni konferenci s področja etnokoreologije, plesne antropologije in sorodnih disciplin, ki je potekal v Brežicah od 25. julija do 5. avgusta 2022. Prispevki, predstavljeni na simpoziju in vključeni v zbornik, obravnavajo dve ključni temi: ponovni premislek o ustvarjanju znanja v raziskavah plesa in vključevanje/izključevanje v plesnih skupnostih. Poleg tega je poseben razdelek namenjen plakatom, predstavljenim na simpoziju, dodatek pa ponuja vpogled v utelešeno izkušnjo dogodka, čeprav so ga nekateri doživeli le prek spleta. Zbornik, ki obsega 49 prispevkov 53 avtorjev, sta izdala Mednarodni svet za glasbene in plesne tradicije (ICTMD) in Glasbenonarodopisni inštitut ZRC SAZU.