Once derided as senseless entertainment, movies have gradually assumed a place among the arts. Raymond Haberski's provocative and insightful book traces the trajectory of this evolution throughout the twentieth century, from nickelodeon amusements to the age of the financial blockbuster. Haberski begins by looking at the barriers to film's acceptance as an art form, including the Chicago Motion Picture Commission hearings of 1918–1920, one of the most revealing confrontations over the use of censorship in the motion picture industry. He then examines how movies overcame the stigma attached to popular entertainment through such watershed events as the creation of the Museum of Modern Art's Film Library in the 1920s. The arguments between Pauline Kael and Andrew Sarris's heralded a golden age of criticism, and Haberski focuses on the roles of Kael, Sarris, James Agee, Roger Ebert, and others, in the creation of "cinephilia." Described by Susan Sontag as "born of the conviction that cinema was an art unlike any other," this love of cinema centered on coffee houses, universities, art theaters, film festivals, and, of course, foreign films. The lively debates over the place of movies in American culture began to wane in the 1970s. Haberski places the blame on the loss of cultural authority and on the increasing irrelevance of the meaning of art. He concludes with a persuasive call for the re-emergence of a middle ground between art and entertainment, "something more complex, ambiguous, and vexing—something worth thought."

North by Northwest. Psycho. Rear Window. The Birds. Vertigo. When it comes to murder and mayhem, shock and suspense, the films of Alfred Hitchcock can not be surpassed. For this book, Charlotte Chandler interviewed Hitchcock, his wife, daughter, film crew members, and many of the stars who appeared in his films, including Kim Novak, Janet Leigh, Cary Grant, Tippi Hedren and James Stewart. Throughout the book, Chandler shares Hitchcock's wit and wisdom. When actors took themselves too seriously, he would remind them, “it's only a movie.” Chandler introduces us to the real Hitchcock, a devoted family man and notorious practical joker, who made suspenseful thrillers mixed with subtle humor and tacit eroticism. “It's Only a Movie is the best book ever written about my father. It really is amazing.” – Patricia Hitchcock

In It's Only a Movie, the incomparable Mark Kermode takes us into the weird world of a life lived in widescreen. Join him as he gets lost in Russia on the trail of a low-budget horror flick, gasp as he's shot at in Hollywood while interviewing Bavarian director Werner Herzog, cheer as he gets thrown out of the Cannes film festival for heckling in very bad French, and cringe as he's handbagged by Helen Mirren at London's glitzy BAFTA Awards. Written with sardonic wit and wry good humour, this compelling cinematic memoir is genuinely 'inspired by real events'.

Challenging audiences and critics alike, the films of Oliver Stone have compelled many viewers to re-examine some of their most revered beliefs about America's past. Stone has generated enormous controversy and debate among those who take issue with his dramatic use of history. This book brings Stone face to face with some of his most thoughtful critics and supporters and allows him room to respond to their views. Writers including David Halberstam, Stephen Ambrose, Arthur Schlesinger Jr, Walter LaFeber and Robert Rosenstone critique Stone's most contested films to show how they may distort, amplify or transcend the historical realities they appear to depict.

“Unlike me, life isn’t always pretty,” says Tiffany Spratt—a cheerleader destined for fame who will do anything to get there Tiffany is definitely glad that the best-looking boy in the universe just transferred to her high school. Her boyfriend, Wally, got caught hacking into the Pentagon’s computer system and was sent to boarding school, so she almost didn’t have a date for the Homecoming dance! But Tiffany knows that she’ll look fabulous next to her new boyfriend, Cannibal MacLaine—at least she thinks he said his name was Cannibal. Sure, it’s an incredibly unusual name, but then, he is from Los Angeles. Then something even more exciting happens: A major Hollywood director wants to film a horror movie right in their school! Not everyone is as pleased as Tiffany though—in fact, her own mother is leading protests against the plan—but Tiffany is Head Yell Leader at Hi High, so she gets the chamber of commerce on her side. The movie studio signs the contract, and everything is going to be perfect . . . if it doesn’t turn into a perfect nightmare first.

Richard Dinsmore, the world’s most brilliant physicist, and a paranoid schizophrenic, believes that aliens, led by a beautiful humanoid female, Noraa, are coming from the planet Rikenny, fifteen light years away. Dinsmore claims to be a time traveler, who lived through the dystopian future that followed mankind’s accepting a gift from the Rikennians. Since no one believes Dinsmore’s tale, if he is correct, mankind seems destined to suffer the disasters described in “Report from the Future,” a handout distributed by Dinsmore to the students in his physics for premedical students class. Brian Brandenburg, a student in the class, doesn’t believe Dinsmore’s tale, but he has an idea of how Dinsmore’s warning—true or not—can be brought to the attention of a wider audience. Angels from Rikenny is a tragicomic science fiction tale written for science fiction fans as well as for people who don’t ordinarily read science fiction. It is a time travel tale written for those who enjoy time travel stories as well as for people who get headaches when faced with the paradoxes of time travel.

What do Ford Financial, IBM, and Victoria's Secret have in common? Enterprise JavaBeans (EJB). As the industry standard for platform-independent reusable business components, EJB has just become Sun Microsystem's latest developer certification. Whether you want to be certifiable or just want to learn the technology inside and out, Head First EJB will get you there in the least painful way. And with the greatest understanding.You'll learn not just what the technology is, but more importantly, why it is, and what it is and isn't good for. You'll learn tricks and tips for EJB development, along with tricks and tips for passing this latest, very challenging Sun Certified Business Component Developer (SCBCD) exam. You'll learn how to think like a server. You'll learn how to think like a bean. And because this is a Head First book, you'll learn how to think about thinking.Co-author Kathy Sierra was one of Sun's first employees to teach brave, early adopter customers how to use EJB. She has the scars. But besides dragging you deep into EJB technology, Kathy and Bert will see you through your certification exam, if you decide to go for it. And nobody knows the certification like they do - they're co-developers of Sun's actual exam!As the second book in the Head First series, Head First EJB follows up the number one best-selling Java book in the US, Head First Java. Find out why reviewers are calling it a revolution in learning tough technical topics, and why Sun Chairman and CEO Scott McNealy says, "Java technology is everywhere...if you develop software and haven't learned Java, it's definitely time to dive in "Head First."And with Head First book, you don't even have to feel guilty about having fun while you're learning; it's all part of the learning theory. If the latest research in cognitive science, education, and neurobiology suggested that boring, dry, and excruciatingly painful was the best way to learn, we'd have done it. Thankfully, it's been shown that your brain has a sense of style, a sense of humour, and a darn good sense of what it likes and dislikes.In Head First EJB, you'll learn all about: Component-based and role-based development The architecture of EJB, distributed programming with RMI Developing and Deploying an EJB application The Client View of a Session and Entity bean The Session Bean Lifecycle and Component Contract The Entity bean Lifecycle and Component Contract Container-managed Persistence (CMP) Container-managed Relationships (CMR) EJB-QL Transactions Security EJB Exceptions The Deployment Descriptor The Enterprise Bean Environment in JNDI Programming Restrictions and Portability The book includes over 200 mock exam questions that match the tone, style, difficulty, and topics on the real SCBCD exam. See why Kathy and Bert are responsible for thousands of successful exam-passers--"The Sun certification exam was certainly no walk in the park, but Kathy's material allowed me to not only pass the exam, but Ace it!"--Mary Whetsel, Sr. Technology Specialist, Application Strategy and Integration, The St. Paul Companies"Kathy Sierra and Bert Bates are two of the few people in the world who can make complicated things seem damn simple, and as if that isn't enough, they can make boring things seem interesting."--Paul Wheaton, The Trail Boss, javaranch.com"Who better to write a Java study guide than Kathy Sierra, reigning queen of Java instruction? Kathy Sierra has done it again. Here is a study guide that almost guarantees you a certification!"--James Cubetta, Systems Engineer, SGI

From the golden age of art movies and underground cinema to X-rated porn, splatter films, and midnight movies, this breathtaking thriller is a tour de force of cinematic fact and fantasy, full of metaphysical mysteries that will haunt the dreams of every moviegoer. Jonathan Gates could not have anticipated that his student studies would lead him to uncover the secret history of the movies—a tale of intrigue, deception, and death that stretches back to the 14th century. But he succumbs to what will be a lifelong obsession with the mysterious Max Castle, a nearly forgotten genius of the silent screen who later became the greatest director of horror films, only to vanish in the 1940s, at the height of his talent. Now, 20 years later, as Jonathan seeks the truth behind Castle's disappearance, the innocent entertainments of his youth—the sexy sirens, the screwball comedies, the high romance—take on a sinister appearance. His tortured quest takes him from Hollywood's Poverty Row into the shadowy lore of ancient religious heresies. He encounters a cast of exotic characters, including Orson Welles and John Huston, who teach him that there's more to film than meets the eye, and journeys through the dark side of nostalgia, where the Three Stooges and Shirley Temple join company with an alien god whose purposes are anything but entertainment.

QuickTime is the industry standard for developing and distributing multimedia content on the Web and CD-ROM, for both Windows and Macintosh computers. This book includes QuickTime Pro 6 and a full set of content development tools for both Windows and Macintosh developers. This third edition of the best-selling and award-winning QuickTime for the Web is a hands-on guide showing how to integrate animation, video, recorded sound, MIDI, text, still images, VR, live streams, games, and user interactivity into a Web site. It now also covers how to benefit from QuickTime support for the MPEG-4 global multimedia standard. Written for Web masters, site designers, HTML and multimedia authors, and anyone else who wants to incorporate sound or video into their Web site, this book offers clear and detailed instruction in an engaging style. Written by an expert at Apple Computer, this is the most complete and authoritative source for creating QuickTime content for the Web. The first edition of this book won the Touchstone 2000 Merit Award for Books awarded annually by STC (Society for Technical Communications). Written for both Windows and Macintosh developers. Illustrates all the latest features in QuickTime Pro 6, including MPEG-4 support.

Divine Film Comedies creates a meaningful dialogue between stories in the Hebrew Bible and New Testament and comedies spanning the history of film. The text lies at the intersection of three disciplines: humor/comedy studies, film studies, and theology. Drawing on films from the silent era to the 21st century, the book highlights parallels between comedic sub-genres and sacred narratives, parables, and proverbs, illuminating a path to seeing and understanding both Scripture and film through a comic lens. The book will be of interest to students and scholars of theology and film, media, and communications.