Representations of 'the Jew' have long been a topic of interest in Joyce studies. Neil Davison argues that Joyce's lifelong encounter with pseudo-scientific, religious and political discourse about 'the Jew' forms a unifying component of his career. Davison offers new biographical material, and presents a detailed reading of Ulysses showing how Joyce draws on Christian folklore, Dreyfus Affair propaganda, Sinn Fein politics, and theories of Jewish sexual perversion and financial conspiracy. Throughout, Joyce confronts the controversy of 'race', the psychology of internalised stereotype, and the contradictions of fin-de-siècle anti-Semitism.

The books that comprise the 'Casebooks in Criticism' series offer edited in-depth readings and critical notes and studies on the most important classic novels. This volume explores Joyce's 'Ulysses'.

A day in the life of Leopold Bloom, whose odyssey through the streets of turn-of-the-century Dublin leads him through trials that parallel those of Ulysses on his epic journey home.

"This study therefore begins by focusing on the character of Stephen. Stephen is, significantly, a time-obsessed writer who wishes to obtain the time-transcending status of an Ovid or a Homer. When the wider tale is examined in terms of Stephen's ambition, Ulysses emerges as, potentially, a "self-begetting" work - that is, the finished narration can be read as a creation of the aspiring writer featured within the narrative itself."--BOOK JACKET.

This book is both a study of how James Joyce created two of the most iconic characters in literature--Leopold Bloom and Marion Tweedy Bloom--as well as a history of the genesis of Ulysses. From a genetic critical perspective, it explores the conception and evolution of the Blooms as fictional characters in the work's wide range of surviving notes and manuscripts. At the same time, it also chronicles the production of Ulysses from 1917 to its first edition in 1922 and beyond. Based on decades of research, it is an original engagement with the textual archive of Ulysses, including the exciting, recently-discovered manuscripts now in the National Library of Ireland. Luca Crispi excavates the raw material and examines the creative processes Joyce deployed in the construction of the Blooms and so the writing of Ulysses. Framed by a contextual introduction and four bibliographical appendices, the seven main chapters are a critical investigation of the fictional events and memories that constitute the "lives" of the Blooms. Thereby, it is also a commentary on Joyce's conception of Ulysses more generally. Crispi analyzes how the stories in the published book achieved their final form and discloses previously unexamined versions of them for everyone who enjoys reading Ulysses. This book demonstrates the various ways in which specialist textual work on the genesis of Ulysses directly intersects with other critical and interpretive readings. Joyce's Creative Process is a behind-the-scenes guide to the creation of one of the most important books ever written.

When it comes to James Joyce's landmark work, Ulysses , the influence of three literary giants, Homer, Shakespeare, and Dante, cannot be overlooked. Examining Joyce in terms of Homeric narrative, Dantesque structure, and Shakespearean plot, Weir rediscovers Joyce's novel through the lens of his renowned predecessors.

James Joyce's 'JAMES JOYCE Premium Collection' is a literary masterpiece that encapsulates the essence of modernist writing. This collection includes his most iconic works such as 'Ulysses', 'A Portrait of the Artist as a Young Man', 'Dubliners', 'Chamber Music', and 'Exiles'. Joyce's avant-garde approach to narrative structure and stream of consciousness writing style sets him apart as a pioneer in the world of literature. Each work delves deep into the human psyche, exploring themes of identity, relationships, and the complexities of life in early 20th century Ireland. The rich tapestry of characters and intricate plotlines showcase Joyce's unparalleled storytelling ability and his profound understanding of the human condition. James Joyce, known for his meticulous attention to detail and innovative use of language, drew inspiration from his own experiences growing up in Dublin and his observations of society at the time. His dedication to capturing the complexities of human emotion and the nuances of everyday life is evident throughout his extensive body of work. Joyce's ability to challenge literary conventions and push the boundaries of storytelling makes him a truly unique and influential figure in the world of literature. I highly recommend 'JAMES JOYCE Premium Collection' to readers who appreciate intricate narratives, profound character development, and thought-provoking themes. This collection offers a comprehensive insight into Joyce's genius and is a must-read for anyone interested in exploring the depths of modernist literature.

In this lively, approachable introduction, which covers the whole range of James Joyce's writing from Dubliners to Finnegans Wake, Steven Connor traces the key concerns of language, identity and the transforming experiences of modernity.

"This is the most comprehensive and original of the studies dealing with Joyce's response to the idea of God accepted in Ireland and to the sacred images and rituals prevalent there. It shows how in Ulysses he undermines and exploits the crucial elements of his rejected faith: how he recalls the omnipotent Father to reveal his artistic powers, the incarnated Son to celebrate his own human images, and the consecrated host to imply his hidden spiritual presence." "Frederick K. Lang has closely analyzed both Joyce's texts and his sources, including important sources previously unidentified. First, he reveals that Joyce's transubstantiation of theology and liturgy in Ulysses is foreshadowed in his first short story. There, by setting the Latin Mass in an Irish home, Joyce casts doubt upon the Church's ability to transform matter, and, in his revised version of the story, he casts further doubt by including parallels with the Greek liturgy, a rite he regarded as subversive of the Latin Mass. Next, Lang reinterprets Joyce's theory of literary art in light of its specific origins in Aquinas and the New Testament, and in doing so he reveals the precise meaning of the term "epiphany." He proceeds to demonstrate that the earlier theory, including the concept of epiphany, underlies the Hamlet theory, and that the famous reference to "love" is linked to God's narcissism and creativity. How the literary artist resembles God is implied not only in the Hamlet theory but in the references to orthodox and heretical views of the Father-Son relation and the Eucharist, views that explain Joyce's reincarnation as both Stephen Dedalus and Leopold Bloom." "In Ulysses the word "reincarnation" has an additional meaning. Not only does Joyce's soul assume new flesh, but so does the Word of God. Along with the feast of Christ celebrated in Ireland on 16 June 1904, the novel assimilates first the Mass, then the black mass, and finally the Good Friday liturgy. At the end of Ulysses, Molly Bloom emerges as "the genuine christine" prophecied on the first page. Joyce's offering of her body, blood, and water evokes both the Crucifixion and the Eucharist, and thus makes flesh a Gospel read in Irish churches on the day he chose as Bloomsday." "This book is lucid and provocative. Free of theory and jargon, it not only gives Joyce scholars fresh information and new interpretations, but would interest and enlighten any reader of Ulysses."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved