“Intelligent, witty, thoroughly engaging . . . the most fascinating biography I have read in years.” —The Minneapolis Star Tribune She was one of the all-time great letter writers, according to Virginia Woolf, but as the wife of Victorian literary celebrity Thomas Carlyle, Jane Welsh Carlyle has been much overlooked. In this “hugely satisfying” new biography (The Spectator), Kathy Chamberlain brings Jane out of her husband’s shadow, focusing on Carlyle as a remarkable woman and writer in her own right. Caught between her own literary aspirations and Victorian society’s oppression of women, Jane Welsh Carlyle hoped to move beyond domestic life and become a respected published writer. As she and her husband moved in exclusive London literary circles, mingling with noted authors, poets, and European revolutionaries, Carlyle created and reported to her correspondents on her rich, rewarding life in her Chelsea home—until her husband’s infatuation with a wealthy, imposing aristocratic society hostess threw her life into chaos. Through dedicated research and unparalleled access to Jane Welsh Carlyle’s private correspondence, Chamberlain presents an elegant portrait of an extraordinary woman. “Sparkles with the wit and intelligence of the subject herself . . . If you think, as I originally did, that you have no particular interest in the life of Jane Carlyle, read this—you will be captivated.” —Elizabeth Strout, Pulitzer Prize-winning author of Lucy by the Sea “Compelling . . . illuminates the outwardly decorous but often inwardly tempestuous lives of Victorian women.” —The New Yorker “Chamberlain, Jane’s latest and incomparably best biographer . . . gives us, at last, a Jane Carlyle who seems thrillingly alive.” —Christian Science Monitor

Since the late twentieth century, there has been a strategic campaign to recover the impact of Victorian women writers in the field of English literature. However, with the increased understanding of the importance of interdisciplinarity in the twenty-first century, there is a need to extend this campaign beyond literary studies in order to recognise the role of women writers across the nineteenth century, a time that was intrinsically interdisciplinary in approach to scholarly writing and public intellectual engagement.

Hailed by Virginia Woolf and many others as one of the all-time great letter writers, Jane Welsh Carlyle, wife of Thomas Carlyle, is not as well-known today as she should be. In this compelling new biography for the general reader, Kathy Chamberlain brings Jane out of her husband's shadow, revealing her to be a remarkable woman and writer in her own right. Caught between her own literary aspirations and Victorian society's oppression of women, Jane Welsh Carlyle hoped to move beyond domestic life and become a respected published writer. As she and her husband moved in exclusive London literary circles, mingling with noted authors, poets, and European revolutionaries, Carlyle created and reported to her correspondents on her rich, rewarding life in her Chelsea home - until her husband's infatuation with a wealthy, imposing aristocratic society hostess threw her life into chaos.

What was special about 1845 and why does it deserve particular scrutiny? In his much-anticipated new book, one of the leading authorities on the Victorian age argues that this was the critical year in a decade which witnessed revolution on continental Europe, the threat of mass insurrection at home and radical developments in railway transport, communications, religion, literature and the arts. The effects of the new poor law now became visible in the workhouses; a potato blight started in Ireland, heralding the Great Famine; and the Church of England was rocked to its foundations by John Henry Newman's conversion to Roman Catholicism. What Victorian England became was moulded, says Michael Wheeler, in the crucible of 1845. Exploring pivotal correspondence, together with pamphlets, articles and cartoons, the author tells the riveting story of a seismic epoch through the lives, loves and letters of leading contemporaneous figures.

Tin Tin’s Snowy, Odysseus’s Argos, Darwin’s Polly, Mary Queen of Scots’s 22 lap-dogs, Elizabeth Barrett Browning’s Flush... Behind every great man or woman is a dog. A Dictionary of Interesting and Important Dogs is a rich compendium of the world’s most significant and beloved dogs. Embracing the intriguing and the provocative, the essential and the trivial, Peter J. Conradi forays into history, literature and personal anecdotes to unearth a treasure trove of canine characters. Discover the stories behind Karl Marx's and his daughter's Dogberry Club; the lapdogs who were secreted in first-class cabins on the Titanic and how they survived; Edinburgh’s Greyfriars Bobby who stayed by his master’s grave for 14 years; and the one undisputed fact about Shakespeare – his singular dislike for dogs. A Dictionary of Interesting and Important Dogs is a wonderful and witty homage to man’s most faithful friend.

Marrying life-writing with classical reception, this book examines ancient biography and its impact on subsequent ages. Close readings of ancient texts are framed by an assessment of their influence on the age of the French Revolution and Napoleon, and on the nineteenth, twentieth, and twenty-first centuries, of responses to ancient biography of modern critics, and of its visible legacy in art and film. Crucially it asks what modern biographers can learn from their ancient predecessors. Are the challenges involved in life-writing still the same? Have working methods changed, and in what ways? What in the context of biographical writing is truth, and how are its interests best served? How is it possible, now as then, honestly to convey a life?

In collaboration with a Scotland Yard detective, who is also a Freemason, Frances Yates, eminent historian of Renaissance spirituality and proponent of martyred priest Giordano Bruno, employs her unique scholarship to solve a murder and the theft of a rare volume in the renowned musty library of ancient philosophical traditions, where she has long been a resident scholar. While immersed in an article regarding the significance of mysterious tarot cards, Yates comes to realize that the recurring images of the cards illustrate universal life stages and character traits that may provide clues to the identity of the murderer. Along the way, she encounters more recent scholarship regarding feminist theology that, together with the tarot, prompts her to reconsider her own patriarchal spiritual worldview.

This volume represents the first biography of Alice MacDonald Kipling Fleming (1868-1948), known as Trix. Rarely portrayed with sympathy or accuracy in biographies of her famous brother Rudyard, Trix was a talented writer and a memorable character in her own right whose fascinating life was unknown until now. In telling Trix’s story, Barbara Fisher rescues her from the misrepresentations, trivializations, and outright neglect of Rudyard’s many biographers. This book provides the first account of Trix’s life, beginning with the horrible childhood she shared with Rudyard as a Raj orphan in England. The biography follows adolescent Trix as she returned to India, where her brother encouraged her to write poems and stories, which were regularly mistaken for his. Her marriage to a stiff Scottish officer is chronicled from its hopeful beginnings through its childless, cheerless middle to its calm and compromised end. Trix’s bouts of mental illness are described in sympathetic detail. Turning her attention to Trix’s oeuvre Barbara Fisher locates and attributes all of her short fiction, poetry, and journalism, giving special attention to Trix’s two ambitious but flawed novels. She also puts into historical context Trix’s long and productive participation as a medium for the Society for Psychical Research. Most importantly, Trix: The Other Kipling gives a voice, a mind, and a heart to a misunderstood, misrepresented, but indomitable woman – an accomplishment which will be of great interest to readers interested in Victorian women authors, in the cultural interchanges between England and colonial India, in serious psychical research, in the early treatment of mental illness, and more generally, in the everyday life and struggles of intellectual women of the 19th and early 20th century.

"In the early 1820s, the acclaimed Victorian philosopher, social critic, and essayist Thomas Carlyle achieved a level of expertise in German language and literature that prompted editors to seek him out as a reviewer and launched his career as an essayist. Carlyle has long been credited with establishing the importance of new German writing in Britain at the time, and Essays on German Literature brings together his complete writings on the topic. This volume will be published in two parts. In the essays in part 1, Carlyle ranges broadly over German literature, much of it new to English-speaking audiences, and comments on three writers-Goethe, Richter, and Novalis-who profoundly influenced him. The essays in part 2 include historical overviews of German literature from the Middle Ages to the present and a series of commentaries marking the passing of Goethe. In keeping with the Norman and Charlotte Strouse Edition of the Writings of Thomas Carlyle, these essays are accompanied by a thorough historical introduction to the material, extensive notes providing historical and cultural context while expanding on references and allusions, and a textual apparatus that carefully details and explains the editorial decisions made in reconciling the editions of each essay"--

"In the early 1820s, the acclaimed Victorian philosopher, social critic, and essayist Thomas Carlyle achieved a level of expertise in German language and literature that prompted editors to seek him out as a reviewer and launched his career as an essayist. Carlyle has long been credited with establishing the importance of new German writing in Britain at the time, and Essays on German Literature brings together his complete writings on the topic. This volume will be published in two parts. In the essays in part 1, Carlyle ranges broadly over German literature, much of it new to English-speaking audiences, and comments on three writers-Goethe, Richter, and Novalis-who profoundly influenced him. The essays in part 2 include historical overviews of German literature from the Middle Ages to the present and a series of commentaries marking the passing of Goethe. In keeping with the Norman and Charlotte Strouse Edition of the Writings of Thomas Carlyle, these essays are accompanied by a thorough historical introduction to the material, extensive notes providing historical and cultural context while expanding on references and allusions, and a textual apparatus that carefully details and explains the editorial decisions made in reconciling the editions of each essay"--