This book is a study of how the theories and actual practices of a Pan-Asian empire were produced during Japan’s war, 1931–1945. As Japan invaded China and conducted a full-scale war against the United States in the late 1930s and early 1940s, several versions of a Pan-Asian empire were presented by Japanese intellectuals, in order to maximize wartime collaboration and mobilization in China and the colonies. A broad group of social scientists – including Rōyama Masamichi, Kada Tetsuji, Ezawa Jōji, Takata Yasuma, and Shinmei Masamichi – presented highly politicized visions of a new Asia characterized by a newly shared Asian identity. Critically examining how Japanese social scientists contrived the logic of a Japan-led East Asian community, Part I of this book demonstrates the violent nature of imperial knowledge production which buttresses colonial developmentalism. In Part II, the book also explores questions around the (re)making of colonial Korea as part of Japan’s regional empire, generating theoretical and realistic tensions between resistance and collaboration. Japan’s Pan-Asian Empire provides original theoretical perspectives on the construction of a multi-ethnic and multi-cultural empire. It will appeal to students and scholars of modern Japanese history, colonial and postcolonial studies, as well as Korean studies.

The 1930s was a dark period in international affairs. The Great Depression affected the economic and social circumstances of the world’s major powers, contributing to armed conflicts such as the Spanish Civil War and the Second World War. This volume focuses exclusively on Japan, which witnessed a flurry of progressive activities in this period, activities which served both domestic and international society during the “tumultuous decade.” Featuring an interdisciplinary and international group of scholars, Tumultuous Decade examines Japanese domestic and foreign affairs between 1931 and 1941. It looks at Japan in the context of changing approaches to global governance, the rise of the League of Nations, and attempts to understand the Japanese worldview as it stood in the 1930s, a crucial period for Japan and the wider world. The editors argue that, like many other emerging powers at the time, Japan experienced a national identity crisis during this period and that this crisis is what ultimately precipitated Japan’s role in the Second World War as well as the global order that took shape in its aftermath.

With this book the editors complete the three-volume series on modern Japanese colonialism and imperialism that began with The Japanese Colonial Empire, 1895-1945 (Princeton, 1983) and The Japanese Informal Empire in China, 1895-1937 (Princeton, 1989). The Japanese military takeover in Manchuria between 1931 and 1932 was a critical turning point in East Asian history. It marked the first surge of Japanese aggression beyond the boundaries of its older colonial empire and set Japan on a collision course with China and Western colonial powers from 1937 through 1945. These essays seek to illuminate some of the more significant processes and institutions during the period when the empire was at war: the creation of a Japanese-dominated East Asian economic bloc centered in northeast Asia, the mobilization of human and physical resources in the older established areas of Japanese colonial rule, and the penetration and occupation of Southeast Asia. Introduced by Peter Duus, the volume contains four sections: Japan's Wartime Empire and the Formal Colonies (Carter J. Eckert and Wan-yao Chou), Japan's Wartime Empire and Northeast Asia (Louise Young, Y. Tak Matsusaka, Ramon H. Myers, and Takafusa Nakamura), Japan's Wartime Empire and Southeast Asia (Mark R. Peattie, E. Bruce Reynolds, and Ken'ichi Goto), and Japan's Wartime Empire in Other Perspectives (George Hicks, Hideo Kobayashi, and L. H. Gann).

This edited collection brings together international scholars and filmmakers with research expertise across a range of non-Western film cultures, but who have one shared aim: to challenge and offer alternatives to Eurocentric theoretical, historical perspectives in film studies.

In this volume of Political Power and Social Theory, a special collection of papers reconsiders race and racism from global and historical perspectives. Together, these articles serve as an entry point for sharpening our sociological understandings of how racism operates in current times.

The contributors to this book examine and compare the colonial and decolonisation experiences of people in Taiwan and Nan’yō Guntō – Micronesia – who underwent periods of rule by the Greater Japanese Empire. Early anthropological theory of Western imperialist countries focused on transforming 'savage' cultures by ruling in a high-handed manner. When Japan asserted its hegemony through sudden colonisation, its culture was perceived as inferior to the civilisation indices previously experienced by those it ruled. How did these ruled nations construct their cultural and historical awareness in areas where the strategic design of Japan’s 'civilising mission' was not convincing? After the end of World War II many emerging countries in the Third World achieved independence through various negotiations or struggles with their former colonial powers and built new relationships with their erstwhile rulers. However, after Japan’s defeat, Taiwan and Nan’yō Guntō became ruled by new foreign governments. How did Japan’s reign and transplanted Japanese culture affect the formation of historical awareness and cultural construction of present-day communities in these two regions? This book provides a fascinating ethnographic insight into the effects of empire and colonisation on the historic imagination, which will be of great interest to historical anthropologists of Taiwan, Japan, and the Pacific.

Widely known for her writings on Islam with a particular focus on the transnational history of politics in Islam and Japan, this volume brings together twenty of the author’s key essays thematically structured as 'Japan and Islam', 'Japanese Ottoman Relations and Japanese-Turkish Interaction', and 'Reflections on Tokugawa Japan from Turkey'. Awarded the Japan Foundation Special Prize for Japanese Studies in 2007, Selçuk Esenbel’s volume will provide an invaluable reference resource for current and future research in an increasingly important context.

Passing, Posing, Persuasion interrogates the intersections between cultural production, identity, and persuasive messaging that idealized inclusion and unity across Japan’s East Asian empire (1895–1945). Japanese propagandists drew on a pan-Asian rhetoric that sought to persuade colonial subjects to identify with the empire while simultaneously maintaining the distinctions that subjugated them and marking their attempts to self-identify as Japanese as inauthentic, illegitimate forms of “passing” or “posing.” Visions of inclusion encouraged assimilation but also threatened to disrupt the very logic of imperialism itself: If there was no immutable difference between Taiwanese and Japanese subjects, for example, then what justified the subordination of the former to the latter? The chapters emphasize the plurality and heterogeneity of empire, together with the contradictions and tensions of its ideologies of race, nation, and ethnicity. The paradoxes of passing, posing, and persuasion opened up unique opportunities for colonial contestation and negotiation in the arenas of cultural production, including theater, fiction, film, magazines, and other media of entertainment and propaganda consumed by audiences in mainland Japan and its colonies. From Meiji adaptations of Shakespeare and interwar mass media and colonial fiction to wartime propaganda films, competing narratives sought to shape how ambiguous identities were performed and read. All empires necessarily engender multiple kinds of border crossings and transgressions; in the case of Japan, the policing and blurring of boundaries often pivoted on the outer markers of ethno-national identification. This book showcases how actors—in multiple senses of the word—from all parts of the empire were able to move in and out of different performative identities, thus troubling its ontological boundaries.

This book tackles the question of border control in and around imperial Japan in the first half of the twentieth century, with a specific focus on its documentation regime. It explores the institutional development, media and literary discourses, and on[1]the-ground practices of documentary identification in the Japanese empire and the places visited by its subjects. The contributing authors, covering such regions as Korea, Manchuria, Taiwan, Siberia, Australia, and the United States, place the question of individual identity in the eyes of the respective governments in dialogue with the global developments of the identification and mobility control practices. The chapters suggest the importance of focusing more than previously on the narrative of individual identification, not as a tool for creating nation states but as a tool for generating, strengthening, and maintaining asymmetrical relationships between people of different socioeconomic backgrounds who moved in and out of empires. This book joins the effort in the recent scholarship in migration history to highlight experiences of migrants beyond the transatlantic world, and that in East Asian history to investigate the space and connections beyond the boundaries of the nation states. By bringing together the analyses on the trans-Pacific mobility and Japan’s imperial expansion and its aftermath in East Asia, it shows a complex interplay between state power and moving individuals, two forces whose relationships went far beyond simple competition.

When Emperor Hirohito announced defeat in a radio broadcast on 15th August 1945, Japan was not merely a nation; it was a colossal empire stretching from the tip of Alaska to the fringes of Australia grown out of a colonial ideology that continued to pervade East Asian society for years after the end of the Second World War. In Overcoming Empire in Post-Imperial East Asia: Repatriation, Redress and Rebuilding, Barak Kushner and Sherzod Muminov bring together an international team of leading scholars to explore the post-imperial history of the region. From international aid to postwar cinema to chemical warfare, these essays all focus on the aftermath of Japan's aggressive warfare and the new international strategies which Japan, China, Taiwan, North and South Korea utilised following the end of the war and the collapse of Japan's empire. The result is a nuanced analysis of the transformation of postwar national identities, colonial politics, and the reordering of society in East Asia. With its innovative comparative and transnational perspective, this book is essential reading for scholars of modern East Asian history, the cold war, and the history of decolonisation.