In contrast to most studies of migration, which assume that migrants arrive from less developed countries to the industrialised world, where they suffer from discrimination, poor living conditions and downward social mobility, this book examines a different sort of diaspora – descendants of Japanese migrants or "Nikkei" – in Bolivia, who, after a history of organised migration, have achieved middle-class status in a developing country, while enjoying much symbolic capital among the majority population. Based on extensive original research, the book considers the everyday lives of Nikkei and their identity, discusses how despite their relative success they remain not fully integrated into Bolivia's imperfect pluricultural society and explores how they think about, and relate to, Japan.

This book is an exploration of media scandals in contemporary Japanese society. In shedding new light on the study of scandal in Japan, the book offers a novel view of scandal as a specific mediatized ritual which follows moral disturbances throughout Japanese history. Media and society are analyzed largely in terms of social performances, while the focus is on how Japanese transgressors talk and act when explaining their scandals to the public. A detailed analysis of three case studies is provided: the drug scandal of the popular Japanese celebrity Sakai Noriko; the donation scandal centering the heavyweight politician Ozawa Ichirō; and the Olympus accounting fraud revealed by the British CEO Michael Woodford. This book will appeal to students and scholars of Japanese culture and society, anthropology, communication and media studies.

This book discusses the place of creative village policy in the revitalisation of rural Japan, highlighting how rural Japan is moving from a state of regional extinction to regional rejuvenation. Using the case study of Tamba Sasayama in Hyogo Prefecture, where collective initiatives by local government and the role of the local traditional potters are invested in fostering an aura of creativity in the region, the book examines the complex social relations and the intertwining values of different actors to illustrate how a growing outlook on creativity, rurality, and rural creativity requires a renewed perspective on and of rural Japan. Based on extensive field research, this book will be a valuable resource for students and scholars of Japanese studies, rural studies, and anthropology.

This book explores the decline of rural and peripheral areas in Japan, which results from an aging population, outmigration of the younger generations, and the economic decline of the primary sector. Based on extensive original research, the book examines in detail the case of the Noto peninsula. Allowing the locals to tell their stories, describe their problems, and come up with possible solutions, the book demonstrates the serious impact of rural decline on their daily life and work and highlights the struggle to sustain rural living in the globalized age. It argues that some recent innovations in global media, economy, technology, and ideology offer scope for reversing the decline, as some central government initiatives do, but that these are not always noticed, appreciated, and made use of by local people. The book also discusses the nature of the links between the peripheries and the centres – regional, national, and global – and how these often take the form of "internal colonialism."

Diaspora & transnationalism are widely used concepts in academic & political discourses. Although originally referring to quite different phenomena, they increasingly overlap today. Such inflation of meanings goes hand in hand with a danger of essentialising collective identities. This book analyses this topic.

Pacific Islander Americans constitute one of the United States' least understood ethnic groups. As expected, stereotypes abound: Samoans are good at football; Hawaiians make the best surfers; all Tahitians dance. Although Pacific history, society, and culture have been the subjects of much scholarly research and writing, the lives of Pacific Islanders in the diaspora (particularly in the U.S.) have received far less attention. The contributors to this volume of articles and essays compiled by the Pacific Islander Americans Research Project hope to rectify this oversight. Pacific Diaspora brings together the individual and community histories of Pacific Island peoples in the U.S. It is designed for use in Pacific and ethnic studies courses, but it will also find an audience among those with a general interest in Pacific Islander Americans. Contributors: Keoni Kealoha Agard, Melani Anae, Kekuni Blaisdell, John Connell, Wendy Cowling, Vincente M. Diaz, Michael Kioni Dudley, Dianna Fitisemanu, Inoke Funaki, Lupe Funaki, Karina Kahananui Green, David Hall, Jay Hartwell, Craig R. Janes, George H. S. Kanahele, Davianna Pomoaikai McGregor, Brucetta McKenzie, Helen Morton, Dorri Nautu, Tupou Hopoate Pauu, A. Ravuvu, Carol E. Robertson, Joanne Rondilla, E. Victoria Shook, Paul Spickard, Haunani-Kay Trask, Debbie Hippolite Wright.

In recent years, a large number of young Japanese have been migrating to New York and London for the purpose of engaging in cultural production in areas such as dance, fashion, DJing, film, and pop arts in the hope of 'making it' as artists. In the past, this kind of cultural migration was restricted to relatively small, elite groups, such as American artists in Paris in the 1920's, but Cultural Migrants from Japan looks at the phenomenon of tens of thousands of ordinary, middle-class Japanese youths who are moving to these cities for cultural purposes, and it questions how this shift in cultural migration can be explained. Following Appadurai's theory of the relation between electronic media and mass migration, and using ethnographies of twenty-two young migrants over a five year period, Fujita examines how television, film, and the internet influence this mobility. She challenges emerging orthodoxies in the general discussion of transnationalism, demonstrating the disjunction migrants experience between the pre-existing expectations created by media exposure, and the reality of creating and living as a 'transnational' artist participating in a global community. Intersecting long-term, multi-sited ethnography with emerging transnational and globalization theory, Cultural Migrants from Japan is a timely look at the emerging shift in concepts of national identity and migration.

This Handbook provides a framework for analysing migrant diversity, utilising case studies that illustrate the social dynamics and consequences of such diversity for both migrants and host societies. By engaging with a wide range of literature and theoretical perspectives related to race and ethnicity, diasporas, gender, superdiversity, and intersectionality, it examines how such diversities can result in social processes of inclusion, exclusion, and hierarchical inequalities.

With an immigrant population currently estimated at roughly 280,000, Japanese Brazilians are now the second largest group of foreigners in Japan. Although they are of Japanese descent, most were born in Brazil and are culturally Brazilian. As a result, they have become Japan's newest ethnic minority. Drawing upon close to two years of multisite fieldwork in Brazil and Japan, Takeyuki Tsuda has written a comprehensive ethnography that examines the ethnic experiences and reactions of both Japanese Brazilian immigrants and their native Japanese hosts.

Since 1855, nearly half a million Japanese immigrants have settled in the United States, and today more than twice that number claim Japanese ancestry. While these immigrants worked hard, established networks, and repeatedly distinguished themselves as entrepreneurs, they also encountered harsh discrimination. Nowhere was this more evident than on the West Coast during World War II, when virtually the entire population of Japanese Americans was forced into internment camps solely on the basis of ethnicity.