Blues and More is the second book in the Jazz Anyone.....' series, an exciting method to learn the art of jazz improvisation that's ideal for either individual study or classroom use with an entire jazz ensemble. Through the use of structured lessons and sequenced concepts involving exercises, licks and mini-charts, as well as recorded jazz tracks on the accompanying CDs, a student can acquire invaluable improvisation skills.

Blues and More is the second book in the Jazz Anyone.....' series, an exciting method to learn the art of jazz improvisation that's ideal for either individual study or classroom use with an entire jazz ensemble. Through the use of structured lessons and sequenced concepts involving exercises, licks and mini-charts, as well as recorded jazz tracks on the accompanying CDs, a student can acquire invaluable improvisation skills.

This ... series is designed to aid the instrumentalist in learning how to improvise jazz, includes three CDs of 70 recorded jazz tracks. Exercises, licks and mini-charts aid in developing jazz melodies, rhythm, style and ear training. The Teacher edition contains all the material [from the other books] (C, B♭, B♭ tenor sax, E♭, bass clef, guitar, piano, bass, drums) [in the series]--p. [4] of cover.

Play and Learn is an exciting method to learn the art of jazz improvisation---for individual study or classroom use with an entire jazz ensemble. Through the use of recorded jazz tracks (70 on the CDs included), sequenced concepts involving exercises, licks and mini-charts, plus structured lessons, a student can acquire improvisation skills.

Making Music is the third book in the exciting Jazz Anyone...' series, a unique method to learn the art of jazz improvisation. Through the use of structured lessons and sequenced concepts involving exercises, licks and mini-charts, as well as recorded jazz tracks on two accompanying compact discs, a student can acquire invaluable improvisation skills.

In his eulogy of saxophonist Johnny Hodges (1907-70), Duke Ellington ended with the words, "Never the world's most highly animated showman or greatest stage personality, but a tone so beautiful it sometimes brought tears to the eyes--this was Johnny Hodges. This is Johnny Hodges." Hodges' unforgettable tone resonated throughout the jazz world over the greater part of the twentieth century. Benny Goodman described Hodges as "by far the greatest man on alto sax that I ever heard," and Charlie Parker compared him to Lily Pons, the operatic soprano. As a teenager, Hodges developed his playing style by imitating Sidney Bechet, the New Orleans soprano sax player, then honed it in late-night cutting sessions in New York and a succession of bands lead by Chick Webb, Willie "The Lion" Smith, and Luckey Roberts. In 1928 he joined Duke Ellington, beginning an association that would continue, with one interruption, until Hodges' death. Hodges' celebrated technique and silky tone marked him then, and still today, as one of the most important and influential saxophone players in the history of jazz. As the first ever biography on Johnny Hodges, Rabbit's Blues details his place as one of the premier artists of the alto sax in jazz history, and his role as co-composer with Ellington.