It’s almost impossible to discuss the history of rock music without praising the monumental quality, impact, variety, and boldness of Britain’s Jethro Tull. Named after an eighteenth-century agriculturalist – and not after their striking front-man Ian Anderson – the group almost immediately became one of the most ambitious, and significant acts in two subsections of the genre: progressive and folk rock. Officially formed in 1967, mastermind Anderson, guitarist Martin Barre and company initially forged a blues course before veering in a more diverse, and expansive direction. Their 1970s period – which is often considered their peak—took them close to progressive rock via iconic albums like Aqualung and Songs From The Wood plus lengthy narrative suites Thick as a Brick and A Passion Play, all hit albums on both sides of the Atlantic. Like numerous peers at the time (including ELP, Rush, Yes, and King Crimson), Tull then embraced the more commercially accessible demands of the 1980s – complete with a fair share of both synthesizers and hard rock. Album by album, this book examines the behind-the-scenes circumstances and motivations for each release via a track-by-track analysis to acutely observe why Jethro Tull were – and always will be – of invaluable 'benefit' to rock music. Jordan Blum holds an MFA in Creative Writing, and is the founder/Editor-in-Chief of The Bookends Review, an independent creative arts journal. He focuses mostly on progressive rock/metal and currently writes for – or has written for – many other publications, including Sonic Perspectives, Paste, Progression, Metal Injection, Rebel Noise, PROG, Sea of Tranquility, and Rock Society. Finally, he records his own crazy ideas under the pseudonym Neglected Spoon. When he's not focused on any of that, he teaches English courses at various colleges. He lives in Philadelphia, PA, USA.

The Legendary Jethro Tull - How many rock bands from the sixties can you name that are still around today? Probably not that many. There are a couple — the Rolling Stones, Santana-but most have broken up, stopped recording, and reappear only for the ubiquitous 'reunion' tours. Jethro Tull is one band that formed in 1968 and are still going strong, thanks to the leadership, vision, and extraordinary talent of its leader, Ian Anderson. Named after the 17th Century inventor of the seed drill, Jethro Tull have always been controversial, challenging, and completely impossible to categorize. Are they rock? Blues? 'Progressive'? English folk? These labels merely begin to describe Jethro Tull's eclectic and imaginative music. Author Raymond Benson looks at this legendary rock band and analyzes their place in pop music history. He examines every Jethro Tull album—track listing, personnel, cover art, recording history, and content. A handy rating system informs Tull newbies where to start and provides longtime fans with fodder for debate. A book for both the casual and hard-core fan, Jethro Tull is an insightful companion to enhance one's listening pleasure.

Eagles began as a backing group for vocalist Linda Ronstadt before striking out on their own. All being accomplished vocalists, musicians and songwriters, they jointly set themselves the goal of ‘number one singles and albums, great music, and a lot of money’. With guitarist Glenn Frey and drummer Don Henley as the combined driving force, by 1975 they had topped the singles and album charts at home and found major success in Britain and across the world, while establishing themselves as America’s foremost band. The global success of Their Greatest Hits 1971-1975 and Hotel California, to this day the first and third best-selling albums in America of all time, proved impossible to surpass, and after several line-up changes, they disbanded in 1980. A resumption in 1994 was cemented with the live/studio album Hell Freezes Over, followed in 2007 by Long Road out of Eden, their first studio album for 28 years. After Frey’s death in 2016, they recruited new members maintaining a live schedule that continues to this day. This book recounts the band’s rise, fall and rise again, with a detailed look at every track on each studio and live album, plus an overview of original songs and cover versions recorded but never officially released. John Van der Kiste has published over ninety books, mostly historical biography and music, including 1970: A Year in Rock, and titles on Mott the Hoople and Ian Hunter, Free and Bad Company, and Manfred Mann’s Earth Band in the 1970s for Sonicbond’s Decades series. He has reviewed books and records for the local and national press and fanzines co-founded and edited the 70s fanzine Keep on Rockin, and written booklet notes for CD reissues from EMI and other labels. A former DJ and performer with various groups, he also co-wrote one track on Riff Regan’s Milestones (2015), and played harmonica on London’s The Hell for Leather Mob (2020). He lives in Devon, U.K.

The brother and sister team of Karen and Richard Carpenter rank as one of the most successful acts in pop music history. Between the first Carpenters’ album released in 1969 and their final studio album together in 1981, they achieved three Grammy awards, 18 hits in the US Top 20 (and ten in the UK) and multiple platinum discs, leading to eventual sales of over 100 million copies worldwide. Although the group’s career was brought to a tragic and premature end by the untimely death of Karen Carpenter in 1983, they remain a much-loved band. The Carpenters crafted their own distinctive sound with multi-part harmonies and lush arrangements. A unique singer and gifted interpreter of songs, Karen was also passionate about playing the drums, with Richard’s talents extending to keyboards, singing, composing, arranging and producing. This book explores the background to each of their studio albums and classic singles, as well as their solo recordings, live albums and compilations of rare tracks. From their earliest recordings in a jazz trio through to Richard’s reinterpretations of their best-known songs with the Royal Philharmonic Orchestra, and as a solo pianist, this appraisal looks at over 55 years of Carpenters material. Paul Tornbohm is a songwriter and musician. As befits a Carpenters fan, he has recorded an album of his songs, August Afternoons, with his sister Cathy on lead vocals. A former member of the ‘ghost-rock’ group Piano Magic, Paul has also released the solo EP Down an English Lane. Additionally, he composes for Spontaneous Productions, a theatre company in Sydenham, London. Paul has a Masters in music production from Kingston University, teaches music qualifications at a sixth-form college in Surrey and lives in Crystal Palace, London, with his wife, the composer Yumi Mashiki. This is his first book.

Motorhead were arguably the greatest rock and roll band in history, but it took many years to win that accolade. As a result, this is the story of the band that refused to die. The band had to deal with wayward producers, hostile record companies, a couple of false starts and even the ignominy of being proclaimed the Worst Band in the World by the NME! Famed for their loudness and their singular anthem, ‘Ace Of Spades’, Motorhead not only proved inspirational for a host of newer bands but also, accidentally, created two sub-genres of heavy music - speed and thrash metal. Not bad for a band who announced themselves with: ‘We are Motorhead, and we play rock and roll.’ at live gigs. This book covers every studio album, combined with many rarities and the more significant solo work from Lemmy. Beginning with the highly regarded trio of albums that ended the 1970s, the book continues through the line-up hardships and turmoil of the 1980s to the occasionally awkward musical experiments of the early 1990s. It finally closes with the band’s triumphant two-decade-long career revival, making this book an essential companion to the entire studio output of a unique and iconic band. Duncan Harris started as a music journalist and interviewer in the 1980s, writing for fanzines and magazines. He contributed to the Rough Guides music series and, until recently, maintained a long series of reviews for the Internet website The Dreaded Press. This book is the result, a labour of love for an iconic band. Duncan continues to live in Wiltshire, UK, with his remarkable wife, their dog Willow and their cat Lily.

Fairport Convention are a great British institution – or, at least, they should be. For more than 50 years they have helped to keep traditional music alive and kicking by injecting it with a healthy dose of electric rock ’n’ roll. Their finest albums – including What We Did On Our Holidays and Liege And Lief – are landmarks is the development of British music. In this exhaustive and illuminating book, Kevan Furbank looks at all the studio albums in detail – from their uncertain debut in 1968 to their most recent release, celebrating half a century of music-making. He chronicles the stories behind each recording, touching on the highs and lows, the successes and tragedies, the pleasure and pain, and examines the songwriting, arrangements and traditions that inspired each track. In doing so, he also looks at the contributions made by the many great musicians who have passed through Fairport’s ‘revolving-door’ line-ups, including guitar wizard Richard Thompson, angel-voiced Sandy Denny, demon fiddler Dave Swarbrick and the ‘guv’nor’ of British folk-rock, Ashley Hutchings. Fairport Convention’s musical story is as dramatic as any soap opera. If you have never heard any Fairport this book is the perfect introduction. If you have, you will want to go back and revisit the music this band has made over the last 50 years. Because, in the words of Richard Thompson, it all comes round again.

Since Sonicbond Publishing launched at the end of 2018, iwe have published books that span most genres in popular music, from easy listening to psychedelia and from pop to metal. However, it is in the world of progressive rock that we have found our most comfortable home. This book features eleven chapters from books on some of the greats of the genre, including from our On Track series Yes, Genesis, Caravan, ELP, Gentle Giant, Jethro Tull, Pink Floyd, Porcupine Tree and Steve Hackett solo. Our Decades series offers up chapters on Marillion in the 1980s and Van Der Graaf Generator in the 1970s and our Year In series has a chapter on Aphrodite’s Child’s seminal 666. This is just the tip of the iceberg, though, and for the up-to-date list, check out the complete stocklist at the back of this book. The book contains two exclusive pieces that you won’t find in printed books anywhere else. Nick Holmes’ detailed chapter on Porcupine Tree’s Closure/Continuation can be found in the current E-book but not yet in the printed version. Stephen Lambe has rewritten his own chapter on Yes’ ‘lost album’ Talk, released 30 years ago. Contents: Closure/Continuation (2022) from Porcupine Tree On Track (Revised Edition) by Nick Holmes (to be published in 2025) Talk (1994) from Yes On Track by Stephen Lambe. Revised version for future Editions Aphrodite’s Child – 666 (1972) from 1972: The Year Progressive Rock Ruled The World by Kevan Furbank If I Could Do It All Over Again It Again I’d Do It All Over You (1970) from Caravan On Track by Andy Boot Tarkus (1971) from Emerson, Lake & Palmer On Track by Mike Goode Wind & Wuthering (1976) and the Spot The Pigeon EP from Genesis On Track by Stuart Macfarlane Acquiring The Taste (1971) from Gentle Giant On Track by Gary Steel Songs From The Wood (1977) from Jethro Tull On Track by Jordan Blum 1985: The Heart That We Have Live from Marillion in the 1980s by Nathaniel Webb Meddle (1971) from Pink Floyd On Track by Richard Butterworth Defector (1980) from Steve Hackett On Track by Geoffrey Feakes 1975: The Undercover Men From Van der Graaf Generator In The 1970s by Steve Pilkington

Pink Floyd are one of the most innovative and enduringly successful bands in history. 1973's Dark Side of the Moon, though far from the first concept album, established a new model for quasi-symphonic, long-form investigations into the human condition. It is a record of thoughtfully poignant lyrics and some of the most powerful, genre-defining rock music ever made. Roger Waters, Rick Wright, Nick Mason and the tragically brilliant Syd Barrett fused English whimsy with electrifying voyages through inner and outer space. Their underground gigs are the stuff of psychedelic legend, but between 1968 and 1971, with Barrett replaced by David Gilmour, their sonic inquiries were never braver. Some were delivered instantly while others were revealed slowly, but all played crucial parts in rock's development. During the 1970s, the music matured as the messages darkened. While Floyd continued to prove that emotional weight can be forged from deceptively modest arrangements, the band's live spectaculars reached a pitch of technical complexity and extravagance none has matched. With insightful analysis and witty objectivity, Richard Butterworth appraises afresh Pink Floyd's official recorded canon, from 'Arnold Layne' to The Endless River and beyond to 2022 and the first all-new Floyd music for 28 years. Richard Butterworth's grown-up career began in advertising, first as a paste-up artist and later as a graphic designer. Settling on copywriting, for years he reaped the pleasures, pains and penury of freelancing. As a lifelong believer in the healing and redemptive power of music, however, he knew that humankind's highest art form would eventually saddle up and ride him into the sunset. Today Richard lives in Cornwall, UK with his partner Sue, two golden retrievers, a tenor saxophone and a justifiably ancient laptop computer, on which he still writes about the music he loved before he was a grown-up.

Mention the words' heavy metal' and chances are one of the first names you'll get back is Iron Maiden. From their early days as front-runners of the New Wave Of British Heavy Metal in 1980, through to their epic and progressive works of more recent times, the band have been 'all things to all men' in the metal world. Such is their profile that even the non-metal fan would probably cite them as a key example of the genre. This book lifts the lid on every single track recorded by the band, album by album, from the punk-ish debut with original vocalist Paul DiAnno, via the glory years fronted by Bruce Dickinson, through to the sprawling double-disc epic Book Of Souls. By way of facts, anecdotes, analysis and a dollop of opinion, Steve Pilkington provides both an informative companion for the die-hard fan and a perfect road-map for the more casual listener to follow. From 'Prowler' to 'Empire Of The Clouds', through each and every line-up change, this is every Number recorded by The Beast – the ultimate recording history of Iron Maiden. Steve Pilkington is a music journalist, editor and broadcaster. He was Editor in Chief for the Classic Rock Society Magazine Rock Society and is now co-administrator of the rock website Velvet Thunder as well as presenting a weekly internet radio show called A Saucerful Of Prog. Before taking on this work full-time, he spent years writing for fanzines and an Internet music review site on a part-time basis. He has recently published Deep Purple and Rainbow On Track, The Rolling Stones On Track and Monty Python On Screen, all for Sonicbond, and has also written the official biography of legendary guitarist Gordon Giltrap. He lives in Wigan, Lancashire, UK.

Porcupine Tree began in 1987 as a solo project for Steven Wilson but became a four-piece band when Steven was later joined by Richard Barbieri, Colin Edwin, and Chris Maitland (who was later replaced by Gavin Harrison). Their first live gig was in a pub in High Wycombe, England, in 1993, but by 2010 the band had toured Europe and America extensively, ending up by playing to thousands of fans at a sold-out Royal Albert Hall in London. The band was nominated for two Grammy awards, and their last album, The Incident, made the top 30 in both the UK and the US. Although often labelled as a progressive rock band, Porcupine Tree constantly changed style. Beginning by playing psychedelic music, Porcupine Tree experimented with space rock, dance, trance and melodic pop as well as prog rock. In their last few albums, the band created a new hybrid of progressive metal riffs, melodic strength and rich vocal harmonies, with strong lyrics and powerful concepts. This aspect of the band has provided their most enduring legacy. This book analyses all Porcupine Tree’s studio albums and EPs in forensic detail, providing illuminating insight into the band’s music for existing and new fans alike.