This book introduces Christian readers of the Bible to the otherworldly way in which the rabbis of ancient times interpreted sacred texts. You will discover how the rabbis sought to keep their congregations engaged by telling tales, parables about the Bible. Sometimes they made up whole new background stories that do not appear in Scripture but shed light on it. They were gifted storytellers, and sometimes--almost like Doc in Back to the Future--crazy but brilliant inventers. And like Marty McFly, we can climb into this literary DeLorean and speed back to a time when sages saw things in Scripture that we could never see. Their interpretive insights were based upon immense knowledge of what we call the Old Testament. This knowledge they employed to keep the congregations engaged and informed. They may end up doing the same for us if we listen to what they have to teach us.

"Twenty-Sixth Annual Klutznick-Harris Symposium, October 27 and October 28, 2013, in Omaha, Nebraska."

Tracing its history from Moses Mendelssohn to today, Alan Levenson explores the factors that shaped what is the modern Jewish Bible and its centrality in Jewish life today. The Making of the Modern Jewish Bible explains how Jewish translators, commentators, and scholars made the Bible a keystone of Jewish life in Germany, Israel and America. Levenson argues that German Jews created a religious Bible, Israeli Jews a national Bible, and American Jews an ethnic one. In each site, scholars wrestled with the demands of the non-Jewish environment and their own indigenous traditions, trying to balance fidelity and independence from the commentaries of the rabbinic and medieval world.

Published to mark the 100th anniversary of The Jewish Publication Society, Jonathan Sarna’s engaging blend of anecdote and analysis presents the personalities and the controversies, the struggles and the achievements behind a century of publishing by the oldest English-language publisher of Jewish books in the world. Includes black and white photographs and extensive listings of JPS officers and editors, governing boards, and authors, translators, and illustrators, up to 1988.

Volume 7 of the Posen Library captures unprecedented transformations of Jewish culture amid mass migration, global capitalism, nationalism, revolution, and the birth of the secular self Between 1880 and 1918, traditions and regimes collapsed around the world, migration and imperialism remade the lives of millions, nationalism and secularization transformed selves and collectives, utopias beckoned, and new kinds of social conflict threatened as never before. Few communities experienced the pressures and possibilities of the era more profoundly than the world's Jews. This volume, seventh in The Posen Library of Jewish Culture and Civilization, recaptures the vibrant Jewish cultural creativity, political striving, social experimentation, and fractious religious and secular thought that burst forth in the face of these challenges. Editors Israel Bartal and Kenneth B. Moss capture the full range of Jewish expression in a centrifugal age--from mystical visions to unabashedly antitraditional Jewish political thought, from cookbooks to literary criticism, from modernist poetry to vaudeville. They also highlight the most remarkable dimension of the 1880-1918 era: an audacious effort by newly secular Jews to replace Judaism itself with a new kind of Jewish culture centering on this-worldly, aesthetic creativity by a posited "Jewish nation" and the secular, modern, and "free" individuals who composed it. This volume is an essential starting point for anyone who wishes to understand the divided Jewish present.