Looking at the breadth of Joan Didion's writing, from journalism, essays, fiction, memoir and screen plays, it may appear that there is no unifying thread, but Matthew R. McLennan argues that 'the ethics of memory' – the question of which norms should guide public and private remembrance – offers a promising vision of what is most characteristic and salient in Didion's works. By framing her universe as indifferent and essentially precarious, McLennan demonstrates how this outlook guides Didion's reflections on key themes linked to memory: namely witnessing and grieving, nostalgia, and the paradoxically amnesiac qualities of our increasingly archived public life that she explored in famous texts like Slouching Towards Bethlehem, The Year of Magical Thinking and Salvador. McLennan moves beyond the interpretive value of such an approach and frames Didion as a serious, iconoclastic philosopher of time and memory. Through her encounters with the past, the writer is shown to offer lessons for the future in an increasingly perilous and unsettled world.

Looking at the breadth of Joan Didion's writing, from journalism, essays, fiction, memoir and screen plays, it may appear that there is no unifying thread, but Matthew R. McLennan argues that 'the ethics of memory' – the question of which norms should guide public and private remembrance – offers a promising vision of what is most characteristic and salient in Didion's works. By framing her universe as indifferent and essentially precarious, McLennan demonstrates how this outlook guides Didion's reflections on key themes linked to memory: namely witnessing and grieving, nostalgia, and the paradoxically amnesiac qualities of our increasingly archived public life that she explored in famous texts like Slouching Towards Bethlehem, The Year of Magical Thinking and Salvador. McLennan moves beyond the interpretive value of such an approach and frames Didion as a serious, iconoclastic philosopher of time and memory. Through her encounters with the past, the writer is shown to offer lessons for the future in an increasingly perilous and unsettled world.

Issues surrounding precarity, debility and vulnerability are now of central concern to philosophers as we try and navigate an increasingly uncertain world. Matthew R. McLennan delves into these subjects enthusiastically and sensitively, presenting a vision of the discipline of philosophy which is grounded in real, lived experience. Developing an invigorating, if at times painful, sense of the finitude and fragility of human life, Philosophy and Vulnerability provocatively marshals three disciplinary “nonphilosophers” to make its argument: French filmmaker and novelist Catherine Breillat, journalist and masterful cultural commentator Joan Didion and feminist poet and civil rights activist Audre Lorde. Through this encounter, this book suggests ways in which rigorous attention to difference and diversity must nourish a militant philosophical universalism in the future.

This new volume repositions narrative medicine and trauma studies in a global context with a particular focus on ethics. Trauma is a rapidly growing field of especially literary and cultural studies, and the ways in which trauma has asserted its relevance across disciplines, which intersect with narrative medicine, and how it has come to widen the scope of narrative research and medical practice constitute the principal concerns of this volume. This collection brings together contributions from established and emerging scholars coming from a wide range of academic fields within the faculty of humanities that include literary and media studies, psychology, philosophy, history, anthropology as well as medical education and health care studies. This crossing of disciplines is also represented by the collaboration between the two editors. Most of the authors in the volume use narrative medicine to refer to the methodology pioneered by Rita Charon and her colleagues at Columbia University, but in some chapters, the authors use it to refer to other methodologies and pedagogies utilizing that descriptor. Trauma is today understood both in the restricted sense in which it is used in the mental health field and in its more widespread, popular usage in literature. This collection aspires to prolong, deepen, and advance the field of narrative medicine in two important aspects: by bringing together both the cultural and the clinical side of trauma and by opening the investigation to a truly global horizon.

California and the Melancholic American Identity in Joan Didion’s Novels: Exiled from Eden focuses on the concept of Californian identity in the fiction of Joan Didion. This identity is understood as melancholic, in the sense that the critics following the tradition of both Sigmund Freud and Walter Benjamin use the word. The book traces the progress of the way Californian identity is portrayed in Joan Didion’s novels, starting with the first two in which California plays the central role, Run River and Play It As It Lays, through A Book of Common Prayer to Democracy and The Last Thing He Wanted, where California functions only as a distant point of reference, receding to the background of Didion’s interests. Curiously enough, Didion presents Californian history as a history of white settlement, disregarding whole chapters of the history of the region in which the Californios and Native Americans, among other groups, played a crucial role: it is this reticence that the monograph sees as the main problem of Didion’s fiction and presents it as the silent center of gravity in Didion’s oeuvre. The monograph proposes to see the melancholy expressed by Didion’s fiction organized into four losses: of Nature, History, Ethics, and Language; around which the main analytical chapters are constructed. What remains unrepresented and silenced comes back to haunt Didion’s fiction, and it results in a melancholic portrayal of California and its identity – which is the central theme this monograph addresses.

Collection of essays on the work of the American writer, Joan Didion (born in 1944). Also includes a number of interviews with her.

Professors of accounting--one British and one Kuwaiti--challenge western businessmen's assumed superiority over Arabic traders and hagglers. The reason, they say, that there is no clearly defined and generally accepted set of accounting principles in the west, is that there is no ethical basis for judging and recording transactions that are at least partly designed to deceive. Islam, they contend, provides such a basis, which does not require a belief in the religion to make use of. They show how the principles have been and are now applied. For academics and practicing accountants. Annotation copyrighted by Book News, Inc., Portland, OR

A genuine classic of literary criticism, On Moral Fiction argues that ”true art is by its nature moral.”

This composition reader is organized by the common patterns of rhetorical development. It is particularly distinguished by its selection of readings, all of which have been class-tested, and chosen for their ability to stimulate interest. The book draws a strong connection between active, critical reading and careful, thoughtful writing. Two introductory units offer step-by step suggestions for sound reading strategies and for writing as a process. Each unit begins with an introduction to a rhetorical pattern and provides an abundance of illustrative examples to help writers understand the methods and purposes used in employing the pattern. Annotated essays in each unit introduction illustrate thought processes in working with each rhetorical strategy. Extensive post-reading apparatus with each selection includes questions on Meaning and Purpose, Strategy and Structure, Style and Language, and Writing Tasks. For anyone interested in composition.