Joan Rivers returns: It ain't a culinary book, although characters eat a lot of fantastic dishes and dish about celebrities.This is not biography of any kind either. It's full of real data from Joan's life to keep it more close to our hearts and down to earth. Joan was once a comedienne. Due to unfortunate tour of events she crosses over to a new world that seems to be so like ours, but it's not the same. Before afterlife of star treatment she has few more assignments on the menu. With her new pals Mandy, Ksav, Monique and Mary she must go to new frontiers, to declutter and clean talentless celebrities from public life. You will "Meet the Farthashians", "Cleaning Ladies of Hollywood-end", "Divas without the voices", "Housewives from the Sexy mansion" and "Spoiled and dumb - kids of Beverly Halls" plus many more in the book, that glorifies true talent and puts satire treatment on so called stars of the Hollywood. Did I mention Joan's dog is back? Max will give you extra thrills

No matter how many times female comedians buck the conventional wisdom, people continue to ask: "Are women funny?" The question has been nagging at women off and on (mostly on) for the past sixty years. It's incendiary, much discussed, and, as proven in Yael Kohen's fascinating oral history, totally wrongheaded. In We Killed, Kohen pieces together the revolution that happened to (and by) women in American comedy, gathering the country's most prominent comediennes and the writers, producers, nightclub owners, and colleagues who revolved around them. She starts in the 1950s, when comic success meant ridiculing and desexualizing yourself; when Joan Rivers and Phyllis Diller emerged as America's favorite frustrated ladies; when the joke was always on them. Kohen brings us into the sixties and seventies, when the appearance of smart, edgy comedians (Elaine May, Lily Tomlin) and the women's movement brought a new wave of radicals: the women of SNL, tough-ass stand-ups, and a more independent breed on TV (Mary Tyler Moore and her sisters). There were battles to fight and preconceptions to shake before we could arrive in a world in which women like Chelsea Handler, Sarah Silverman, and Tina Fey can be smart, attractive, sexually confident—and, most of all, flat-out funny. As the more than 150 people interviewed for this riveting oral history make clear, women have always been funny. It's just that every success has been called an exception and every failure an example of the rule. And as each generation of women has developed its own style of comedy, the coups of the previous era are washed away and a new set of challenges arises. But the result is the same: They kill. A chorus of creative voices and hilarious storytelling, We Killed is essential cultural and social history, and—as it should be!—great entertainment.

This collection examines law and justice on television in different countries around the world. It provides a benchmark for further study of the nature and extent of television coverage of justice in fictional, reality and documentary forms. It does this by drawing on empirical work from a range of scholars in different jurisdictions. Each chapter looks at the raw data of how much "justice" material viewers were able to access in the multi-channel world of 2014 looking at three phases: apprehension (police), adjudication (lawyers), and disposition (prison/punishment). All of the authors indicate how television developed in their countries. Some have extensive public service channels mixed with private media channels. Financing ranges from advertising to programme sponsorship to licensing arrangements. A few countries have mixtures of these. Each author also examines how "TV justice" has developed in their own particular jurisdiction. Readers will find interesting variations and thought-provoking similarities. There are a lot of television shows focussed on legal themes that are imported around the world. The authors analyse these as well. This book is a must-read for anyone interested in law, popular culture, TV, or justice and provides an important addition to the literature due to its grounding in empirical data.

For more than 30 years, Lifetime has aired a broad range of programming, including original movies, sitcoms, dramas and reality shows. As other networks dedicated to women have come and gone, Lifetime continues to thrive in an ever-expanding cable marketplace, exploring such sensitive topics as race, commercialism, eating disorders, rape and domestic violence. This collection of new essays is the first to focus on Lifetime and the programs that helped define the network's brand that appeals to both viewers and advertisers. Series like Project Runway, Girlfriend Intervention and Army Wives are explored in depth. The contributors discuss the network's large opus of original films, as well at its online presence.

This biographical dictionary is devoted to the actors who provided voices for all the Disney animated theatrical shorts and features from the 1928 Mickey Mouse cartoon Steamboat Willie to the 2010 feature film Tangled. More than 900 men, women, and child actors from more than 300 films are covered, with biographical information, individual career summaries, and descriptions of the animated characters they have performed. Among those listed are Adriana Caselotti, of Snow White fame; Clarence Nash, the voice of Donald Duck; Sterling Holloway, best known for his vocal portrayal of Winnie the Pooh; and such show business luminaries as Bing Crosby, Bob Newhart, George Sanders, Dinah Shore, Jennifer Tilly and James Woods. In addition, a complete directory of animated Disney films enables the reader to cross-reference the actors with their characters.

Including more than 300 alphabetically listed entries, this 2-volume set presents a timely and detailed overview of some of the most significant contributions women have made to American popular culture from the silent film era to the present day. The lives and accomplishments of women from various aspects of popular culture are examined, including women from film, television, music, fashion, and literature. In addition to profiles, the encyclopedia also includes chapters that provide a historical review of gender, domesticity, marriage, work, and inclusivity in popular culture as well as a chronology of key achievements. This reference work is an ideal introduction to the roles women have played, both in the spotlight and behind it, throughout the history of popular culture in America. From the stars of Hollywood's Golden Age to the chart toppers of the 2020s, author Laura L. Finley documents how attitudes towards these icons have evolved and how their influence has shifted throughout time. The entries and essays also address such timely topics as feminism, the #MeToo movement, and the gender pay gap.

Before award-winning director Dan Curtis became known for directing epic war movies, he darkened the small screen with the horror genre's most famous soap opera, Dark Shadows, and numerous subsequent made-for-TV horror movies. This second edition serves as a complete filmography, featuring each of Curtis's four-dozen productions and 100 photographs. With the addition of new chapters on Dark Shadows, the author further explores the groundbreaking daytime television serial. Fans and scholars alike will find an exhaustive account of Curtis's work, as well as a new foreword from My Music producer Jim Pierson and an afterword from Dr. Mabuse director Ansel Faraj.

Two of bestselling author Jackie Collins' most fabulous books, The Goddess of Vengeance and Drop Dead Beautiful, in one gorgeous package. DROP DEAD BEAUTIFUL From Miami to Beverly Hills, from Mexico City to Acapulco to Las Vegas, dynamically sexy Lucky Santangelo and sweet-as-sin daughter, Max, are turning up the heat. So is Anthony Bonar, the son of Lucky's one-time godfather and lethal enemy, Enzio Bonatti. Lucky is preparing for the opening of her multibillion-dollar hotel complex in Las Vegas, The Keys, but Bonar-a vicious killer-is out to stop her any way he can. Meanwhile, sixteen-year-old Max has run off to Big Bear with a man she's met on the Internet. But he turns out to be a vengeful predator with a long-standing grudge against Lucky... So begins a non-stop thrill ride as Lucky builds her dream resort-and Max follows her dreams, and proves she's more than just a little Lucky. She's a kick-ass survivor. GODDESS OF VENGEANCE Passion. Beauty. Brains. Success. Lucky has everything her name implies. And as the force behind a high-profile casino and hotel complex, Lucky has exactly what billionaire businessman Armand Jordan is determined to take from her-and he's not afraid to play dirty. Meantime, Lucky's son Bobby is dealing with shady Russian investors and a hot new girlfriend, who happens to be a deputy D.A. While teenage Max is busy embarking on an affair with a sexy young movie star. It's business as usual for the Santangelo clan...But this time, it just might take more than Lady Luck for them all to come out on top. "Jackie Collins knows a thing or two about life in the fast lane [with] her wry sense of humor and spitfire approach." -Bazaar

A SUNDAY TIMES NUMBER ONE BESTSELLER ___________________________ The hilarious and heartwarming memoir from one of Britain's best-loved comedians and Women's Prize longlisted author, Dawn French. Dawn French is one of the greatest comedians of our time with a career that has spanned nearly four decades. Loved for her irreverent humour, Dawn has achieved massive mainstream success while continuing to push boundaries and challenge stereotypes. Here, she describes the journey that would eventually establish her as a perhaps unlikely, but nevertheless genuine, national treasure. As part of the much loved duo French and Saunders, Dawn helped create a repertoire of brilliantly observed characters, impersonating everything from Madonna and Harry Potter to The Exorcist. Dawn's iconic role in the Vicar of Dibley showcased not only her talent but also her ability to take a controversial and topical issue and make it mainstream - and very funny. From her early years as an RAF child and her flat-sharing antics with Jennifer Saunders, to her outspoken views on sizism and her marriage to Lenny Henry, Dear Fatty chronicles the extraordinary and hilarious rise of a complex, dynamic and unstoppable woman.