The Journal of the Urusvati Himalayan Research Institute (U.J.) represents the multi-layered perceptions of the Roerichs, who sought new integration of cultural patterns and scientific frontiers in ever-expanding horizons."Every volume contains a contribution on archaeology as a science to reveal how nations became powerful and why they fell. They are a lesson for the governments of today who "must act upon them" (Sir Flinders Petrie, UJ.1.11). The art of excavation by Count du Buisson (UJ.1.13) links the art of archaeology with the technique of medicine: for all scientific methods are observing facts, experimentation, and manifestation. His excavations at Qatna show the guiding principles, methodology and discoveries of excavation. The second volume of the Journal carries a report of the important discoveries in Indian archaeology at Taxila, Mohenjo-daro, Stein?s explorations in Baluchistan and Waziristan, and so on. The third volume relates some outstanding discoveries in Baluchistan, Taxila, Mohenjo-daro, Sarnath, Nalanda, Paharpur, Nagarjunakonda, Pagan and Afghanistan. They have changed the historiography of India and today they bring back the thrill of discovery as we read them seventy years after their reportage in this Journal in 1933. George Roerich (1.27f) himself writes on the problems of Tibetan archaeology and the several desiderata in this terra incognita in his day. In the second volume the diary of the 1931 expedition to Western Tibet of Dr. W.N. Koelz is vivid account of the region in its prime simplicity.

Includes annual reports of the institute, 1929/30-

In the fall of 1932, University of Michigan naturalist Walter N. Koelz traveled to northwest India to lead a scientific collecting expedition in the rugged Himalayan regions of Western Tibet. Some eighteen months later he returned to the United States with a remarkable collection of biological specimens and an array of objects—Buddhist paintings, ritual objects, textiles, and household goods—acquired from monasteries, households, and merchants. This book presents the diary entries Koelz wrote at the end of each day throughout his expedition, recounting in detail each day’s travels, bookended by a chapter contextualizing his acquisition of sacred Buddhist objects and an appendix that presents previously unpublished thangka paintings that he collected.

Among Asian languages, Tibetan is second only to Chinese in the depth of its historical record, with texts dating back as far as the eighth and ninth centuries, written in an alphabetic script that preserves the contemporaneous phonological features of the language. The Classical Tibetan Language is the first comprehensive description of the Tibetan language and is distinctive in that it treats the classical Tibetan language on its own terms rather than by means of descriptive categories appropriate to other languages, as has traditionally been the case. Beyer presents the language as a medium of literary expression with great range, power, subtlety, and humor, not as an abstract object. He also deals comprehensively with a wide variety of linguistic phenomena as they are actually encountered in the classical texts, with numerous examples of idioms, common locutions, translation devices, neologisms, and dialectal variations.

"An outstanding literary biography" AMITAV GHOSH "Mukul writes beautifully, and brings to life a man who has often been misunderstood" BENJAMIN MOSER "This book is a remarkable contribution to the world of Indian letters: ANNIE ZAIDI Sachchidanand Hirananda Vatsyayan 'Agyeya' is unarguably one of the most remarkable figures of Indian literature. From his revolutionary youth to acquiring the mantle of a (highly controversial) patron saint of Hindi literature, Agyeya's turbulent life also tells a history of the Hindi literary world and of a new nation-spanning as it does two world wars, Independence and Partition, and the building and fraying of the Nehruvian state. Akshaya Mukul's comprehensive and unflinching biography is a journey into Agyeya's public, private and secret lives. Based on never-seen-before archival material-including a mammoth trove of private papers, documents of the CIA-funded Congress for Cultural Freedom and colonial records of his years in jail-the book delves deep into the life of the nonconformist poet-novelist. Mukul reveals Agyeya's revolutionary life and bomb-making skills, his CIA connection, a secret lover, his intense relationship with a first cousin, the trajectory of his political positions, from following M.N. Roy to exploring issues dear to the Hindu right, and much more. Along the way, we get a rare peek into the factionalism and pettiness of the Hindi literary world of the twentieth century, and the wondrous and grand debates which characterized that milieu. Writer, Rebel, Soldier, Lover features a formidable cast of characters: from writers like Premchand, Phanishwarnath Renu, Raja Rao, Mulk Raj Anand and Josephine Miles to Prime Minister Jawaharlal Nehru, revolutionary Chandra Shekhar Azad and actor Balraj Sahni. And its landscapes stretch from British jails, an intellectually robust Allahabad and modern-day Delhi to monasteries in Europe, the homes of Agyeya's friends in the Himalayas and universities in the US. This book is a magnificent examination of Agyeya's civilizational enterprise. Ambitious and scholarly, Writer, Rebel, Soldier, Lover is also an unputdownable, whirlwind of a read.

Buddhism is in many ways a visual tradition, with its well-known practices of visualization, its visual arts, its epistemological writings that discuss the act of seeing, and its literature filled with images and metaphors of light. Some Buddhist traditions are also visionary, advocating practices by which meditators seek visions that arise before their eyes. Naked Seeing investigates such practices in the context of two major esoteric traditions, the Wheel of Time (Kalacakra) and the Great Perfection (Dzogchen). Both of these experimented with sensory deprivation, and developed yogas involving long periods of dwelling in dark rooms or gazing at the open sky. These produced unusual experiences of seeing, which were used to pursue some of the classic Buddhist questions about appearances, emptiness, and the nature of reality. Along the way, these practices gave rise to provocative ideas and suggested that, rather than being apprehended through internal insight, religious truths might also be seen in the exterior world-realized through the gateway of the eyes. Christopher Hatchell presents the intellectual and literary histories of these practices, and also explores the meditative techniques and physiology that underlie their distinctive visionary experiences. The book also offers for the first time complete English translations of three major Tibetan texts on visionary practice: a Kalacakra treatise by Yumo Mikyo Dorj , The Lamp Illuminating Emptiness, a Nyingma Great Perfection work called The Tantra of the Blazing Lamps, and a B n Great Perfection work called Advice on the Six Lamps, along with a detailed commentary on this by Drugom Gyalwa Yungdrung.

No detailed description available for "Research on Tibeto-Burman Languages".