In the eight regular journals and three miscellaneous notebooks of this volume is the record of fusions. This period of his life closes, as it opened, with 'acquiescence and optimism.'

In the eight regular journals and three miscellaneous notebooks of this volume is the record of fusions. This period of his life closes, as it opened, with 'acquiescence and optimism.'

"Before 1800 nothing was irrelevant. So argues Elisa Tamarkin's sweeping cultural history of a key shift in consciousness: the arrival, around 1800, of "relevance" as the means to grasp how something previously disregarded becomes important and interesting. At a time when so much makes claims to attention every day, how does one decide what is most valuable right now? This is not only a contemporary problem. For Ralph Waldo Emerson, the question for the nineteenth century was how, in the immensity and "succession" of objects, anything becomes a proper object of experience. How that question was finally defined as one of relevance is the story of Apropos of Nothing. Relevance, Tamarkin shows, was primarily an Anglo-American concept. It engaged major intellectual figures, centrally the pragmatists-William James, Alain Locke, and John Dewey-and before them thinkers including Emerson and Alfred North Whitehead. Most of all, relevance was a problem for the worlds of art, literature, education, and criticism. These were fascinated by how old, boring, distant, or unfamiliar things get taken in; how they are admitted as meaningful; how they come home to us like the ludicrous raven comes to Edgar Allan Poe's student in the middle of the night in some obscure connection with himself. Many nineteenth-century American artists saw their paintings as pragmatic works that make relevance-that suggest versions of events that feel apropos of our world the moment we see them. (Tamarkin's book is richly illustrated, in color, with works by Winslow Homer, Abbott Handerson Thayer, Edgar Degas, and others.) Relevance remains a conundrum, especially for the humanities. It obliges us to say why we admit Poe's poem-or, say, a line of Emerson's-is interesting enough to study it, to dedicate ourselves to understanding it, to affirming that this effort is, in Emerson's words, "relevant to me and mine, to nature, and the hour that now passes.""--

Ramona, continuously in print for over a century, has become a cultural icon, but Jackson's prolific career left us with much more, notably her achievements as a prose writer and her work as an early activist on behalf of Native Americans. This long-overdue biography of Jackson's remarkable life and times reintroduces a distinguished figure in American letters and restores Helen Hunt Jackson to her rightful place in history.".

Volume III of Mark Twain's notebooks spans the years 1883 to 1891, a period during which Mark Twain's personal fortunes reached their zenith, as he emerged as one of the most successful authors and publishers in American literary history. During these years Life on the Mississippi, Adventures of Huckleberry Finn, and a Connecticut Yankee in King Arthur's Court appeared, revealing the diversity, depth, and vitality of Mark Twain's literary talents. With his speeches, his public performances, and his lecture tour of 1884/1885, he became the most recognizable of national figures. At the same time, Mark Twain's growing fame and prosperity allowed him to plunge deeply into the business world, a sphere not suited to his erratic energies. He created the subscription publish firm of Charles L. Webster & Company, Which published the most profitable book of its time, the Personal Memoirs of U.S. Grant. And he became the primary financial support for the ingenious but imperfectible Paige typesetter. Within a few years both the publishing company and the typesetter had taxed Mark Twain's patience, and pocket, beyond endurance. The near bankruptcy of the publishing firm and the debacle of the typesetter scheme finally resulted in 1891 in a drastic decision--to leave the house in Hartford, Connecticut, which had long been the symbol of Mark Twain's rising fortunes and idyllic family life, and move to Europe for an indefinite period in the hope of reducing the family's living expenses. The Clemens family would never return to the Hartford house, and the European stay would lengthen into an almost unbroken nine years of exile. Mark Twain's notebooks permit an intimate view of this turbulent period, whose triumphs were tempered by intimations of financial disaster and personal bitterness.

Helen Hunt Jackson’s passionate crusade for Indian rights comes to life in this collection of more than 200 letters, most of which have never been published before. With Valerie Sherer Mathes’s helpful notes, the letters reveal the behind-the-scenes drama of Jackson’s involvement in Indian reform, which led her to write A Century of Dishonor and her protest novel, Ramona. Ralph Waldo Emerson described Jackson as the "greatest American woman poet." These stirring letters will intrigue anyone interested in Indian affairs, nineteenth-century women’s studies, or the social history of Victorian America, where Jackson made her mark despite the restrictions on women. Among her correspondents were Oliver Wendell Holmes, Henry Wadsworth Longfellow, Moncure D. Conway, Henry B. Whipple, Henry L. Dawes, Henry Teller, Carl Schurz, and of course, commissioners of Indian affairs and such prominent editors as Whitelaw Reid, Charles Dudley Warner, and Richard Watson Gilder. The letters are presented in sections on the Ponca and Mission Indian causes, allowing readers to focus on the time period and Indian group of choice.

Wittgenstein wrote that "philosophy ought really to be written only as a form of poetry." American poetry has long engaged questions about subject and object, self and environment, reality and imagination, real and ideal that have dominated the Western philosophical tradition since the Enlightenment. Kristen Case's book argues that American poets from Emerson to Susan Howe have responded to the central problems of Western philosophy by performing, in language, the continually shifting relation between mind and world. Pragmatism, recognizing the futility of philosophy's attempt to fix the mind/world relation, announces the insights that these poets enact. Pursuing the flights of pragmatist thinking into poetry and poetics, Case traces an epistemology that emerges from American writing, including that of Emerson, Marianne Moore, William James, and Charles Olson. Here mind and world are understood as inseparable, and the human being is regarded as, in Thoreau's terms, "part and parcel of Nature." Case presents a new picture of twentieth-century American poetry that disrupts our sense of the schools and lineages of modern and postmodern poetics, arguing that literary history is most accurately figured as a living field rather than a line. This book will be of particular interest to scholars and students of pragmatism, transcendentalism, and twentieth-century American poetry. Kristen Case is Assistant Professor of English at the University of Maine at Farmington.

Alexander von Humboldt (1769–1859) was a world traveler, bestselling writer, and versatile researcher, a European salon sensation, and global celebrity. Yet the enormous literary echo he generated has remained largely unexplored. Humboldt inspired generations of authors, from Goethe and Byron to Enzensberger and García Márquez, to reflect on cultural difference, colonial ideology, and the relation between aesthetics and science. This collection of one-hundred texts features tales of adventure, travel reports, novellas, memoirs, letters, poetry, drama, screenplays, and even comics—many for the first time in English. The selection covers the foundational myths and magical realism of Latin America, the intellectual independence of Emerson, Thoreau, Poe, and Whitman in the United States, discourses in Imperial, Weimar, Nazi, East, and West Germany, as well as recent films and fiction. This documented source book addresses scholars in cultural and postcolonial studies as well as readers in history and comparative literature.