Finding himself locked in his room for six weeks, a young officer uses his imagination to travel around his room, using the various objects it contains as inspiration for a delightful parody of contemporary travel-writing and exercise in Sternean picaresque, and humorously demonstrating what one can explore without having to travel to exotic locations. Contains a foreword by Alain de Botton

A wise and utterly original book of travel essays from an international bestselling author that will “give one an expansive sense of wonder” (The Baltimore Sun). Any Baedeker will tell us where we ought to travel, but only Alain de Botton will tell us how and why. With the same intelligence and insouciant charm he brought to How Proust Can Save Your Life, de Botton considers the pleasures of anticipation; the allure of the exotic, and the value of noticing everything from a seascape in Barbados to the takeoffs at Heathrow. Even as de Botton takes the reader along on his own peregrinations, he also cites such distinguished fellow-travelers as Baudelaire, Wordsworth, Van Gogh, the biologist Alexander von Humboldt, and the 18th-century eccentric Xavier de Maistre, who catalogued the wonders of his bedroom. The Art of Travel is a “refreshing and profoundly readable" book (The Philadelphia Inquirer). Don’t leave home without it.

The imagination has long been associated with travel and tourism; from the seventeenth century when the showman and his peepshow box would take the village crowd to places, cities and lands through the power of stories, to today when we rely on a different range of boxes to whisk us away on our imaginative travels: the television, the cinema and the computer. Even simply the notion of travel, it would seem, gives us license to daydream. The imagination thus becomes a key concept that blurs the boundaries between our everyday lives and the idea of travel. Yet, despite what appears to be a close and comfortable link, there is an absence of scholarly material looking at travel and the imagination. Bringing together geographers, sociologists, cultural researchers, philosophers, anthropologists, visual researchers, archaeologists, heritage researchers, literary scholars and creative writers, this edited collection explores the socio-cultural phenomenon of imagination and travel. The volume reflects upon imagination in the context of many forms of physical and non-physical travel, inviting scholars to explore this fascinating, yet complex, area of inquiry in all of its wonderful colour, slipperiness, mystery and intrigue. The book intends to provide a catalyst for thinking, discussion, research and writing, with the vision of generating a cannon of scholarship on travel and the imagination that is currently absent from the literature.

This book collects the lifelong research on boredom by American psychologist Augustin de la Peña (1942-2021). It focuses on the experience of boredom—and other similar states, including ennui, melancholy, laziness, interest, attention, and entertainment—and its associated behaviors. Offering an interdisciplinary chronicle of boredom, from Antiquity to the present, special attention is paid to its daily experience as a ubiquitous phenomenon that informs cultural and political actions that continue to shape our society. Dr. de la Peña describes the obsolescence of the Western Commonsense View of Reality to propose a Developmental Psychophysiological Approach to Reality, reconceptualizing boredom. The book theorizes the condition as both logical and emotional, an axis that has defined the sensibility of the modern era. This is a volume edited posthumously by Josefa Ros Velasco and Christian Parreno in homage to Augustin’s work and his invaluable contribution to the establishment of the field of boredom studies.

Psychogeography. Increasingly this term is used to illustrate a bewildering array of ideas from ley lines and the occult, to urban walking and political radicalism. But where does it come from and what exactly does it mean? Psychogeography is the point where psychology and geography meet in assessing the emotional and behavioural impact of urban space. The relationship between a city and its inhabitants is measured in two ways - firstly through an imaginative and literary response, secondly on foot through walking the city. From Urban Wandering to the Society of the Spectacle, from the Dérive to Détournement, Psychogeography provides us with new ways of apprehending our surroundings, transforming the familiar streets of our everyday experience into something new and unexpected. This guide conducts the reader through this process, offering both an explanation and definition of the terms involved, an analysis of the key figures and their work as well as practical information on Psychogeographical groups and organisations.

Dubbed the Indiana Jones of wildlife science by The New York Times, Alan Rabinowitz has devoted—and risked—his life to protect nature’s great endangered mammals. He has journeyed to the remote corners of the earth in search of wild things, weathering treacherous terrain, plane crashes, and hostile governments. Life in the Valley of Death recounts his most ambitious and dangerous adventure yet: the creation of the world’s largest tiger preserve. The tale is set in the lush Hukaung Valley of Myanmar, formerly known as Burma. An escape route for refugees fleeing the Japanese army during World War II, this rugged stretch of land claimed the lives of thousands of children, women, and soldiers. Today it is home to one of the largest tiger populations outside of India—a population threatened by rampant poaching and the recent encroachment of gold prospectors. To save the remaining tigers, Rabinowitz must navigate not only an unforgiving landscape, but the tangled web of politics in Myanmar. Faced with a military dictatorship, an insurgent army, tribes once infamous for taking the heads of their enemies, and villagers living on less than one U.S. dollar per day, the scientist and adventurer most comfortable with animals is thrust into a diplomatic minefield. As he works to balance the interests of disparate factions and endangered wildlife, his own life is threatened by an incurable disease. The resulting story is one of destruction and loss, but also renewal. In forests reviled as the valley of death, Rabinowitz finds new life for himself, for communities haunted by poverty and violence, and for the tigers he vowed to protect.

The Art of Wandering is a history of that curious hybrid, the writer as walker. From the Ancient world to the modern day, the role of the walker continues to evolve, from philosopher and pilgrim, vagrant and visionary, to experimentalist and radical. From Rousseau and De Quincey to Virginia Woolf and Werner Herzog, this seemingly innocuous activity has inspired a literary tradition encompassing philosophy and poetry, the novel and the manifesto. Today, this figure has returned to the forefront of the public imagination, as writers and walkers follow in the footsteps of earlier generations. For the walker is once again on the march, seeking out new territory and recording new impressions of the landscape. Newly revised and updated, The Art of Wandering explores these adventures on foot. Every walk can be expressed as a story narrated by the walker; it is these stories and the lives of those who walked them which are examined here.

Armchair travel may seem like an oxymoron. Doesn’t travel require us to leave the house? And yet, anyone who has lost herself for hours in the descriptive pages of a novel or the absorbing images of a film knows the very real feeling of having explored and experienced a different place or time without ever leaving her seat. No passport, no currency, no security screening required—the luxury of armchair travel is accessible to us all. In Traveling in Place, Bernd Stiegler celebrates this convenient, magical means of transport in all its many forms. Organized into twenty-one “legs”—or short chapters—Traveling in Place begins with a consideration of Xavier de Maistre’s 1794 Voyage autour de ma chambre, an account of the forty-two-day “journey around his room” Maistre undertook as a way to entertain himself while under house arrest. Stiegler is fascinated by the notion of exploring the familiar as though it were completely new and strange. He engages writers as diverse as Roussel, Beckett, Perec, Robbe-Grillet, Cortázar, Kierkegaard, and Borges, all of whom show how the everyday can be brilliantly transformed. Like the best guidebooks, Traveling in Place is more interested in the idea of travel as a state of mind than as a physical activity, and Stiegler reflects on the different ways that traveling at home have manifested themselves in the modern era, from literature and film to the virtual possibilities of the Internet, blogs, and contemporary art. Reminiscent of the pictorial meditations of Sebald, but possessed of the intellectual playfulness of Calvino, Traveling in Place offers an entertaining and creative Baedeker to journeying at home.

This book examines writing that has been created in isolation and confinement, and it explores the stories, characters, and situations that have arisen from these states throughout history. It offers a deeper understanding of how others have found inspiration, purpose, and clarity in these difficult and challenging conditions. By traversing the narratives of writers, wanderers, mariners, prisoners, recluses, and soldiers, this book offers writers and readers a chance to re-think the parameters of their own circumstances. Exploring a broad range of themes, from writing during a pandemic (COVID-19), travel writing, writing from incarceration, and writing within war and conflict zones, each chapter will look at historical contexts as well as contemporary examples within these themes to demonstrate the rich history and current relevance of writing during confinement and isolation. The book also contains tips and exercises to help develop writing skills during restrictive circumstances. This is a valuable resource for scholars seeking to observe how writing has developed through various themes of isolation in the past, as well as students at both undergraduate and postgraduate levels of creative writing, communication studies, and journalism seeking to learn through lived experiences how to hone their writing during challenging times.

Intimate Metropolis explores connections between the modern city, its architecture, and its citizens, by questioning traditional conceptualizations of public and private. Rather than focusing purely on public spaces—such as streets, cafés, gardens, or department stores—or on the domestic sphere, the book investigates those spaces and practices that engage both the urban and the domestic, the public and the private. The legal, political and administrative frameworks of urban life are seen as constituting private individuals’ sense of self, in a wide range of European and world cities from Amsterdam and Barcelona to London and Chicago. Providing authoritative new perspectives on individual citizenship as it relates to both public and private space, in-depth case studies of major European, American and other world cities and written by an international set of contributors, this volume is key reading for all students of architecture.