In 1920, the chance to travel to India on a business trip is a great boon for a smart and talented young man. Until he wakes up in a Calcutta jail, framed for murder. Benjamin Albert is a brilliant rising star at his firm, a war hero and a loving husband and father. But when his own government turns its back on him and leaves him to rot in prison 8,000 miles from home, his wife Catherine must take matters into her own hands and battle a ruthless and unscrupulous corporation abetted by a corrupt colonial government. Timeless issues like racism, anti-Semitism, nationalism and women's rights are exposed during Catherine's race to save Benjamin.

As a young man, David Winyard rode his bicycle from Oregon to Delaware with Wandering Wheels, an Indiana-based cycling organization. The experience was so fulfilling that he repeated the trip a few years later on a tandem bicycle with his wife Traci. In 2002, after years of preparation, Winyard set out on the same bike to duplicate his youthful experience with his oldest child, David Charles, then fourteen. At age 45, Winyard found the trip to be a much greater challenge than expected. The result, SHORE TO SHORE: A Father-and-Son Journey Across America, describes their adventure, including the surprising lessons learned before, during, and after their trip.

This book covers a large variety of subjects, ranging from personal stories, to anecdotes of eight American presidents, to the investigation of the death of four NASA astronauts, to an encounter with a Russian Prime Minister, to inspirational subjects, to exploring why we are on this planet. There are inspiring discussions of Gods existence, dreams that forecast the future, stories of a haunted house, prayers that are answered, how we fit in the universe, a chapter on addictions, and much, much more.

This groundbreaking study focuses on the reconfiguring of the character of the Prodigal Son and his family as they appear in drama, novels, and poetry in English from the fifteenth to the twenty-first centuries.

This second edition of Historical Dictionary of African American Theater reflects the rich history and representation of the black aesthetic and the significance of African American theater’s history, fleeting present, and promise to the future. It celebrates nearly 200 years of black theater in the United States and the thousands of black theater artists across the country—identifying representative black theaters, playwrights, plays, actors, directors, and designers and chronicling their contributions to the field from the birth of black theater in 1816 to the present. This second edition of Historical Dictionary of African American Theater, Second Edition contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 700 cross-referenced entries on actors, playwrights, plays, musicals, theatres, -directors, and designers. This book is an excellent resource for students, researchers, and anyone wanting to know and more about African American Theater.

Masculinity in Contemporary New York Fiction is an interdisciplinary study that presents masculinity as a key thematic concern in contemporary New York fiction. This study argues that New York authors do not simply depict masculinity as a social and historical construction but seek to challenge the archetypal ideals of masculinity by writing counter-hegemonic narratives. Gendering canonical New York writers, namely Paul Auster, Bret Easton Ellis, and Don DeLillo, illustrates how explorations of masculinity are tied into the principal themes that have defined the American novel from its very beginning. The themes that feature in this study include the role of the novel in American society; the individual and (urban) society; the journey from innocence to awareness (of masculinity); the archetypal image of the absent and/or patriarchal father; the impact of homosocial relations on the everyday performance of masculinity; male sexuality; and the male individual and globalization. What connects these contemporary New York writers is their employment of the one of the great figures in the history of literature: the flâneur. These authors take the flâneur from the shadows of the Manhattan streets and elevate this figure to the role of self-reflexive agent of male subjectivity through which they write counter-hegemonic narratives of masculinity. This book is an essential reference for those with an interest in gender studies and contemporary American fiction.