An Epitome of the History of Faire Argenis and Polyarchus is Judith Man's English translation of a 1623 French work by Nicolas Coeffeteau, Histoire de Poliarque et d'Argenis, which is itself an abridgement and translation of one of the most widely read fictional works of the seventeenth century, John Barclay's 1621 Latin romance Argenis. An extended political allegory of the rise to power of the French king Henri IV, Barclay's romance is peppered with numerous veiled anecdotes of politics at the English and other European courts and long disquisitions on statecraft and political ethics. It has been assumed that Barclay's work was strictly for a male audience, but Man's translation is evidence that women did in fact read Argenis, and might even suggest that allegorical romance offered women writers and readers an inroad into political discourse.

The Book of Judith tells the story of a fictitious Jewish woman beheading the general of the most powerful imaginable army to free her people. The parabolic story was set as an example of how God will help the righteous. Judith's heroic action not only became a validating charter myth of Judaism itself but has also been appropriated by many Christian and secular groupings, and has been an inspiration for numerous literary texts and works of art. It continues to exercise its power over artists, authors and academics and is becoming a major field of research in its own right. The Sword of Judith is the first multidisciplinary collection of essays to discuss representations of Judith throughout the centuries. It transforms our understanding across a wide range of disciplines. The collection includes new archival source studies, the translation of unpublished manuscripts, the translation of texts unavailable in English, and Judith images and music.

The Book of Judith has aroused a great deal of scholarly interest in the last few decades.This volume, the first full length commentary on Judith to appear in over 25 years, includes a new translation and a detailed verse-by-verse commentary, which touches upon philological, literary, and historical questions. The extensive introduction discusses the work's date and historical background, and looks closely at the controversial question of the book's original language. Biblical influences on the book's setting, characters, plot, and language are investigated, and the heroine, Judith is viewed against the background of biblical women (and men). The influence of classical Greek writers such as Herodotus and Ctesias on the work is noted, as are the interesting differences between the Septuagint and Vulgate versions of Judith.

Judith is an aspiring young actress and the mistress of a writer on a popular satirical magazine. Her life has increasingly become a dangerous mixture of drugs and self-delusion. When she eventually suffers a breakdown, she seeks healing in an Indian ashram run by an eccentric and even possibly mad guru. But what is at the back of appearances? How calculated is the self-destructiveness from which a new order might emerge? Judith returns to England and joins up with Bert, one of a few friends who have helped her. Bert is making a film about an anti-Bomb demonstration outside a US airbase; the demonstrators have threatened to detonate a bomb themselves in protest. Within this increasingly chaotic setting Judith is led, by way of a search for a lost child of one of her friends, to a place of stillness at the centre. But what attitude makes sense in this sort of world? Who survives? Judith is the third novel based on the interlocking fortunes of the characters in Catastrophe Practise.

Growing Up : A Story of the Girlhood of Judith Mackenzie “I was not sure whether it were to write a book, or to teach, or to go as a foreign missionary; I think I hoped it would be the foreign missionary, because that was the most self-sacrificing. The book was all one great joy. The teaching was absorbing, but I must go away to study. I was afraid to go away, I did not like to go away from Bensalem, I would miss my mother away from Bensalem, and you, and all the parsonage, and the whole village. But I thought I was called; as called as Roger was to preach, or any woman, saint, or heroine, who had done a great thing. You cannot think what it was to me. It made me old. I wanted God to speak out of Heaven and tell me what to do. It began to lose its selfishness, after that. The first thing that began to shake my confidence was something Mrs. Lane said that afternoon she talked to Jean and me about what women were doing and could do. She did not make woman’s work attractive; she took the heart out of me. I did not know why she should do that. I knew better all the time. I knew what women had done and were doing. I knew she was doing a noble work, literary work, work in prisons, temperance work; the instances she gave me seemed trivial, as if she were laughing at me. But something opened my eyes; I felt that I might be disobedient to my heavenly vision, that I was looking up into the heavens for my call, and the voice might be all the time in my ear. That was the night I came back here and found you so cozy and satisfied under your own roof-tree, with the voice in your ear, and the work in your hand. The world went away from me. I stayed. I am glad I stayed. My only trouble is, and it is a real trouble, that God did not care for my purpose, or my prayers; that he has let them go as if they never entered into his mind; I thought they were in his heart as well as mine.”

This next volume in the popular Ignatius Catholic Study Bible series leads readers through a penetrating study of the Old Testament books Tobit, Judith and Esther, using the biblical text itself and the Church's own guidelines for understanding the Bible. Ample notes accompany each page, providing fresh insights by renowned Bible teachers Scott Hahn and Curtis Mitch as well as time-tested interpretations from the Fathers of the Church. These helpful study notes provide rich historical, cultural, geographical, and theological information pertinent to the Old Testament book—information that bridges the distance between the biblical world and our own. The Ignatius Catholic Study Bible also includes Topical Essays, Word Studies, and Charts. The Topical Essays explore the major themes of Tobit, Judith and Esther, often relating them to the teachings of the Church. The Word Studies explain the background of important biblical terms, while the Charts summarize crucial biblical information "at a glance".