This book provides a detailed account of the lives of the poor, particularly their use of social networks to meet everyday needs. Based on fieldwork in Cameroon, the book provides a distinctive approach that draws on social network theory and insights from economic anthropology to shed light on how the poor make a living. Though embeddedness in social networks is essential to human achievement, we know little about the social and cultural forces and processes that shape poor people’s decisions to seek help from strong, weak, and disposable ties in an African context. Focusing on network practice rather than network structure, the author argues that the ability of poor people to meet their diverse needs rests on several elements, such as favourable interactions and social and cultural forces. He examines various issues crucial to the lives of the poor, such as food, shelter, healthcare, death and funerals, and access to finance. Particular focus is given to the complicated nature of social relationships, the different contexts where these relationships take place, and how these factors shape poor individuals’ decisions regarding whom to turn to when attempting to meet their needs, including how they actually meet those needs. This book will be of interest to researchers, teachers, students, and policy-makers in African Studies economics, development studies, sociology, and anthropology.

Vansina’s scope is breathtaking: he reconstructs the history of the forest lands that cover all or part of southern Cameroon, Gabon, Equatorial Guinea, the Congo, Zaire, the Central African Republic, and Cabinda in Angola, discussing the original settlement of the forest by the western Bantu; the periods of expansion and innovation in agriculture; the development of metallurgy; the rise and fall of political forms and of power; the coming of Atlantic trade and colonialism; and the conquest of the rainforests by colonial powers and the destruction of a way of life. “In 400 elegantly brilliant pages Vansina lays out five millennia of history for nearly 200 distinguishable regions of the forest of equatorial Africa around a new, subtly paradoxical interpretation of ‘tradition.’” —Joseph Miller, University of Virginia “Vansina gives extended coverage . . . to the broad features of culture and the major lines of historical development across the region between 3000 B.C. and A.D. 1000. It is truly an outstanding effort, readable, subtle, and integrative in its interpretations, and comprehensive in scope. . . . It is a seminal study . . . but it is also a substantive history that will long retain its usefulness.”—Christopher Ehret, American Historical Review

In Voice of the Leopard: African Secret Societies and Cuba, Ivor L. Miller shows how African migrants and their political fraternities played a formative role in the history of Cuba. During the eighteenth and nineteenth centuries, no large kingdoms controlled Nigeria and Cameroon's multilingual Cross River basin. Instead, each settlement had its own lodge of the initiation society called Ékpè, or “leopard,” which was the highest indigenous authority. Ékpè lodges ruled local communities while also managing regional and long-distance trade. Cross River Africans, enslaved and forcibly brought to colonial Cuba, reorganized their Ékpè clubs covertly in Havana and Matanzas into a mutual-aid society called Abakuá, which became foundational to Cuba's urban life and music. Miller's extensive fieldwork in Cuba and West Africa documents ritual languages and practices that survived the Middle Passage and evolved into a unifying charter for transplanted slaves and their successors. To gain deeper understanding of the material, Miller underwent Ékpè initiation rites in Nigeria after ten years' collaboration with Abakuá initiates in Cuba and the United States. He argues that Cuban music, art, and even politics rely on complexities of these African-inspired codes of conduct and leadership. Voice of the Leopard is an unprecedented tracing of an African title-society to its Caribbean incarnation, which has deeply influenced Cuba's creative energy and popular consciousness.

A collection of poetry written by students at the United Nations Institute for Namibia (Lusaka), reflecting the hopes and commitment of the younger generation to the struggle for independence and national reconstruction in Namibia. The editor has contributed an introductory essay - "Colonialism, culture and resistance: the case of Namibia" (p. 11-23) - outlining the historical process and the ideological character of colonial rule in Namibia. He shows how non-European cultures were objects of violent conquest, and that the prevailing ideology denied any meaningful sense to the existence of indigenous cultures. In the present era, he argues, the aim of the National Party has been to integrate cultural aspects on a tribal basis as a tool of perpetuating colonial structures under the cover of "separate development". (Eriksen/Moorsom 1989).