Julian of Norwich the best-known of the medieval mystics today. The text of her Revelation has circulated continually since the fifteenth century, but the twentieth century saw a massive expansion of her popularity. Theological or literary-historical studies of Julian may remark in passing on her popularity, but none have attempted a detailed study of her reception. This collection fills that gap: it outlines the full reception history from the extant manuscripts to the present day, looking at Julian in devotional cultures, in modernist poetry and present-day popular literature, and in her iconography in Norwich, both as a pilgrimage site and a tourist attraction.

A noted scholar examines the work of the English mystic Julian of Norwich Julian of Norwich is the late fourteenth-century and early fifteenth-century English woman theologian. With her mystical writings, she has become one of the most popular and influential spiritual figures of our times. In Julian of Norwich: In God's Sight, the eminent scholar Philip Sheldrake offers a study of the theology that Julian expresses in her writings. The author examines what is known about Julian’s mystical experience or mystical consciousness, discusses what can be surmised about Julian’s likely identity and places her writings in historical, cultural and spiritual contexts. Julian of Norwich: In God's Sight is based on a faithful reading of Julian’s texts, especially the Long Text, as well as on her own declared theological-spiritual purpose. This compelling book: Presents a contextually-grounded and text-related study of the key elements of Julian’s theology Offers a scholarly work by a well-known expert in the field Unlocks an ever-richer understanding of Julian’s writings Includes an examination of the key texts attributed to Julian Written for students of theology and those interested in learning more about this popular mystic, Julian of Norwich: In God's Sight offers ascholarly review of Julian’s most important writings.

This book presents ecological insights drawn from a reading of Julian of Norwich, considering how effectively she can help us in our current plight. The argument is that to address the ecological crisis with the mindset that created it will only cause more problems, and that to really undo the harm humanity has done and continues to do will take a transformation of selfhood and hence of perception, from the Gestell, technological self that is the child of the Enlightenment to the porous self that we truly are, underneath our buffered, separated, controlling and lonely exterior. The author suggests Julian of Norwich’s text Revelations of Divine Love has the power to effect this transformation if we can learn to read it as disciples, not masters, just as Julian received and responded to her revelations as a performative, porous, receptive disciple. The chapters describe the technological mindset and its causal relationship with the ecological crisis, and articulate in detail how, if they are to transform us, we must read the Julian texts, taking first steps away from our technological selves as we do so. The book then takes significant passages from Julian and reads them in the performative, porous way that has been recommended. It will be of particular interest to scholars of theology and ecology, as well as medieval mysticism.

This book examines the relationship between transcendence and immanence within Christian mystical and apophatic writings. Original essays from a range of leading, established, and emerging scholars in the field focus on the roles of language, signs, and images, and consider how mystical theology might contribute to contemporary reflection on the Word incarnate. This collection of essays re-examines works from such canonical figures as Eckhart, Augustine, Plotinus, Pseudo-Dionysius, Nicolas of Cusa, Teresa of Avila, John of the Cross, Julian of Norwich, along with the philosophical thought of Iris Murdoch, Jacques Lacan, and Martin Heidegger, and the contemporary phenomena of the Emerging Church. Presenting new readings of key ideas in mystical theology, and renewed engagement with the visionary and the everyday, the therapeutic and the transformative, these essays question how we might think about what may lie between transcendence and immanence.

With contributions from 29 leading international scholars, this is the first single-volume guide to the appropriation of medieval texts in contemporary culture. Medieval Afterlives in Contemporary Culture covers a comprehensive range of media, including literature, film, TV, comics book adaptations, electronic media, performances, and commercial merchandise and tourism. Its lively chapters range from Spamalot to the RSC, Beowulf to Merlin, computer games to internet memes, opera to Young Adult fiction and contemporary poetry, and much more. Also included is a companion website aimed at general readers, academics, and students interested in the burgeoning field of Medieval afterlives, complete with: - Further reading/weblinks - 'My favourite' guides to contemporary medieval appropriations - Images and interviews - Guide to library archives and manuscript collections - Guide to heritage collection See also our website at https://medievalafterlives.wordpress.com/.

This pioneering Handbook offers a comprehensive consideration of the dynamic relationship between English literature and religion in the early modern period. The sixteenth and seventeenth centuries were the most turbulent times in the history of the British church and, perhaps as a result, produced some of the greatest devotional poetry, sermons, polemics, and epics of literature in English. The early-modern interaction of rhetoric and faith is addressed in thirty-nine chapters of original research, divided into five sections. The first analyses the changes within the church from the Reformation to the establishment of the Church of England, the phenomenon of puritanism and the rise of non-conformity. The second section discusses ten genres in which faith was explored, including poetry, prophecy, drama, sermons, satire, and autobiographical writings. The middle section focuses on selected individual authors, among them Thomas More, Christopher Marlowe, John Donne, Lucy Hutchinson, and John Milton. Since authors never write in isolation, the fourth section examines a range of communities in which writers interpreted their faith: lay and religious households, sectarian groups including the Quakers, clusters of religious exiles, Jewish and Islamic communities, and those who settled in the new world. Finally, the fifth section considers some key topics and debates in early modern religious literature, ranging from ideas of authority and the relationship of body and soul, to death, judgment, and eternity. The Handbook is framed by a succinct introduction, a chronology of religious and literary landmarks, a guide for new researchers in this field, and a full bibliography of primary and secondary texts relating to early modern English literature and religion.

The Routledge History of Women in Early Modern Europe is a comprehensive and ground-breaking survey of the lives of women in early-modern Europe between 1450 and 1750. Covering a period of dramatic political and cultural change, the book challenges the current contours and chronologies of European history by observing them through the lens of female experience. The collaborative research of this book covers four themes: the affective world; practical knowledge for life; politics and religion; arts, science and humanities. These themes are interwoven through the chapters, which encompass all areas of women’s lives: sexuality, emotions, health and wellbeing, educational attainment, litigation and the practical and leisured application of knowledge, skills and artistry from medicine to theology. The intellectual lives of women, through reading and writing, and their spirituality and engagement with the material world, are also explored. So too is the sheer energy of female work, including farming and manufacture, skilled craft and artwork, theatrical work and scientific enquiry. The Routledge History of Women in Early Modern Europe revises the chronological and ideological parameters of early-modern European history by opening the reader’s eyes to an exciting age of female productivity, social engagement and political activism across European and transatlantic boundaries. It is essential reading for students and researchers of early-modern history, the history of women and gender studies.

Interdisciplinary and ecumenical in scope, Poetry and Prayer offers theoretical discussion on the profound connection between poetic inspiration and prayer as well as reflection on the work of individual writers and the traditions within which they stand. An international range of established and new scholars in literary studies and theology offer unique contributions to the neglected study of poetry in relation to prayer. Part I addresses the relationship of prayer and poetry. Parts II and III consider these and related ideas from the point of view of their implementation in a range of different authors and traditions, offering case studies from, for example, the Bible, Dante, Shakespeare and Herbert, as well as twentieth-century poets such as Thomas Merton, Denise Levertov, W.H. Auden and R.S. Thomas.

Few have consoled the church as ably as the fourteenth-century mystic Julian of Norwich. However, her prophetic gifts have received little scholarly attention. Drawing on contemporary homiletical theory and the history of Christian spirituality, Donyelle C. McCray presents Julian as a preacher, examining the apostolic dimensions of Julian’s vocation as an anchoress and highlighting the steps she took to align herself with renowned preachers like Saint Cecelia, Mary Magdalene, and the apostle Paul. Like Paul, Julian saw Jesus’ body as her primary text, placed human weakness at the center of her theology, and used her own confined body as a rhetorical tool. Yet she navigated a web of censorship that threatened to silence her. To voice her convictions, Julian developed a novel approach to authority and exploited the fluidity of the medieval English sermon genre. McCray charts this process, revealing Julian as a central personality in the history of preaching whose best contemporary parallels operate outside the pulpit in august figures like retreat leader Evelyn Underhill, gospel singer Mother Willie Mae Ford Smith, and street preacher Reverend Billy.

Julian of Norwich (ca. 1343&–ca. 1416), a contemporary of Geoffrey Chaucer, William Langland, and John Wyclif, is the earliest woman writer of English we know about. Although she described herself as &“a simple creature unlettered,&” Julian is now widely recognized as one of the great speculative theologians of the Middle Ages, whose thinking about God as love has made a permanent contribution to the tradition of Christian belief. Despite her recent popularity, however, Julian is usually read only in translation and often in extracts rather than as a whole. This book presents a much-needed new edition of Julian&’s writings in Middle English, one that makes possible the serious reading and study of her thought not just for students and scholars of Middle English but also for those with little or no previous experience with the language. &• Separate texts of both Julian&’s works, A Vision Showed to a Devout Woman and A Revelation of Love, with modern punctuation and paragraphing and partly regularized spelling. &• A second, analytic edition of A Vision printed underneath the text of A Revelation to show what was left out, changed, or added as Julian expanded the earlier work into the later one. &• Facing-page explanatory notes, with translations of difficult words and phrases, cross-references to other parts of the text, and citations of biblical and other sources. &• A thoroughly accessible introduction to Julian&’s life and writings. &• An appendix of medieval and early modern records relating to Julian and her writings. &• An analytic bibliography of editions, translations, scholarly studies, and other works. The most distinctive feature of this volume is the editors&’ approach to the manuscripts. Middle English editions habitually retain original spellings of their base manuscript intact and only emend that manuscript when its readings make no sense. At once more interventionist and more speculative, this edition synthesizes readings from all the surviving manuscripts, with careful justification of each choice involved in this process. For readers who are not concerned with textual matters, the result will be a more readable and satisfying text. For Middle English scholars, the edition is intended both as a hypothesis and as a challenge to the assumptions the field brings to the business of editing.