Jizo, one of the most beloved Buddhist deities in Japan, is known primarily as the guardian of children and travelers. In coastal areas, fishermen and swimmers also look to him for protection. Soon after their arrival in the late 1800s, issei (first-generation Japanese) shoreline fishermen began casting for ulua on Hawai‘i’s treacherous sea cliffs, where they risked being swept off the rocky ledges. In response to numerous drownings, Jizo statues were erected near dangerous fishing and swimming sites, including popular Bamboo Ridge, near the Blowhole in Hawai‘i Kai; Kawaihapai Bay in Mokule‘ia; and Kawailoa Beach in Hale‘iwa. Guardian of the Sea tells the story of a compassionate group of men who raised these statues as a service to their communities. Written by an authority on Hawai‘i’s beaches and water safety, Guardian of the Sea shines a light on a little-known facet of Hawai‘i’s past. It incorporates valuable firsthand accounts taken from interviews with nisei (second-generation) fishermen and residents and articles from Japanese language newspapers dating as far back as the early 1900s. In addition to background information on Jizo as a guardian deity and historical details on Jizo statues in Hawai‘i, the author discusses shorecasting techniques and organizations, which once played a key role in the lives of local Japanese. Although shorecasting today is done more for sport than subsistence, it remains an important ocean activity in the Islands. In examining Jizo and the lives of issei, Guardian of the Sea makes a significant contribution to our understanding of recent Hawai‘i history.

The enduring cultural legacy of Shakespeare’s Juliet Capulet — a history "as vital and provocative as the character herself" (Literary Review). Romeo and Juliet may be the greatest love story ever told, but who is Juliet? Demure ingénue? Or dangerous Mediterranean madwoman? From tearstained copies of the First Folio to Civil War-era fanfiction, Shakespeare’s star-crossed heroine has long captured our collective imagination. Juliet is her story, traced across continents through four centuries of history, theatre, and film. As Oxford Shakespeare scholar Sophie Duncan reveals, Juliet’s legacy stretches beyond her literary lifespan into a cultural afterlife ranging from enslaved African girls in the British Caribbean to the real-life Juliets of sectarian violence in Bosnia and Belfast. She argues that our dangerous obsession with the beautiful dead teenager and Juliet’s meteoric rise as a defiant sexual icon have come to define the Western ideal of romance. Wry and inventive, Juliet is a tribute to fiction’s most famous teenage girl who died young, but who lives forever.

Women Writing the Nation: National Identity, Female Community, and the British - French Connection, 1770-1820 engages in recent discussions of the development of British nationalism during the eighteenth century and Romantic period. Leanne Maunu argues that women writers looked not to their national identity, but rather to their gender to make claims about the role of women within the British nation. Discussing texts by Frances Burney, Charlotte Smith, Mary Wollstonecraft, and others in the late-eighteenth and early-nineteenth centuries, Maunu demonstrates that women writers of this period imagined themselves as members of a fairly stable community, even if such a community was composed of many different women with many different beliefs. They appropriated the model of collectivity posed by the nation, mimicking a national imagined community.

Sabriel meets Romeo and Juliet in the stunning sequel to Bright Smoke, Cold Fire—from Rosamund Hodge, the author of Cruel Beauty and Crimson Bound. In the last days of the world, the walls of Viyara are still falling, and the dead are rising faster than ever. Juliet is trapped—ordered by Lord Ineo of the Mahyanai to sacrifice the remaining members of her family, the Catresou, to stave off the end of the world. Though they’re certain his plan is useless, Juliet and her former friend Runajo must comply with Lord Ineo’s wishes—unless they can discover a different, darker path to protecting Viyara. Romeo is tortured: Finally aware that his true love is alive, he is at once elated and devastated, for his actions led directly to the destruction of her clan. The only way to redemption is to offer his life to the Catresou to protect and support them . . . even if it means dying to do so. When Romeo’s and Juliet’s paths converge once again, only a journey into Death will offer answers and the key to saving them all—but is it a journey either of them will survive?

The Oxford Handbook of Shakespeare and Embodiment brings together 40 of the most important scholars and intellectuals writing on the subject today. Extending the purview of feminist criticism, it offers an intersectional paradigm for considering representations of gender in the context of race, ethnicity, sexuality, disability, and religion. In addition to sophisticated textual analysis drawing on the methods of historicism, psychoanalysis, queer theory, and posthumanism, a team of international experts discuss Shakespeare's life, contemporary editing practices, and performance of his plays on stage, on screen, and in the classroom. This theoretically sophisticated yet elegantly written Handbook includes an editor's Introduction that provides a comprehensive overview of current debates.