Preaching is a challenging, privileged, and awesome responsibility. As important as mining the text for its meaning and message and making connections to our twenty-first-century world is the responsibility to engage the imaginations of the people in the pews (or chairs). In this book, Ray Friesen--life-long preacher and retired pastor--has provided twenty examples of how to be creative and engage those imaginations. Most were written under the pressures of bi-vocational ministry (preaching forty times a year as half-time pastor and operating a mediation practice). They are offered to you, not as sermons for you to preach, but as examples of what is possible, even with all the other responsibilities you may have. Each sermon and type of creativity will create an opportunity to set your imagination and creativity free to engage the imaginations, hearts, and dreams of your parishioners.

A compelling digital short story from the No.1 bestselling author of the Will Trent series. Jude Hanson returns home to Poulet and her mother – the Georgia mountain town she grew up in and couldn’t wait to leave, and the woman she hoped never to see again.

This set of essays offers new insights into the journalistic process and the pressures American front-line reporters experienced covering World War II. Transmitting stories through cable or couriers remained expensive and often required the cooperation of foreign governments and the American armed forces. Initially, reporters from a neutral America documented the early victories by Nazi Germany and the Soviet invasion of Finland. Not all journalists strove for objectivity. During her time reporting from Ireland, Helen Kirkpatrick remained a fierce critic of that country’s neutrality. Once the United States joined the fight after the Japanese attack on Pearl Harbor, American journalists supported the struggle against the Axis powers, but this volume will show that reporters, even when members of the army sponsored newspaper, Stars and Stripes were not mere ciphers of the official line. African American reporters Roi Ottley and Ollie Stewart worked to bolster the morale of Black GIs and undermined the institutional racism endemic to the American war effort. Women front-line reporters are given their due in this volume examining the struggles to overcome gender bias by describing triumphs of Thérèse Mabel Bonney, Iris Carpenter, Lee Carson, and Anne Stringer. The line between public relations and journalism could be a fine one as reflected by the U.S. Marine Corps’ creating its own network of Marine correspondents who reported on the Pacific island campaigns and had their work published by American media outlets. Despite the pressures of censorship, the best American reporters strove for accuracy in reporting the facts even when dependent on official communiqués issued by the military. Many wartime reporters, even when covering major turning points, sought to embrace a reporting style that recorded the experiences of average soldiers. Often associated with Ernie Pyle and Bill Mauldin, the embrace of the human-interest story served as one of the enduring legacies of the conflict. Despite the importance of American war reporting in shaping perceptions of the war on the home front as well as shaping the historical narrative of the conflict, this work underscores how there is more to learn. Readers will gain from this work a new appreciation of the contribution of American journalists in writing the first version of history of the global struggle against Nazi Germany, imperial Japan, and fascist Italy.

Discover the secrets to crafting a successful novel in this guide by a master writer & instructor and New York Times–bestselling author. Bestselling author David Farland taught dozens of writers who went on to staggering literary success, including such #1 New York Times Bestsellers as Brandon Mull (Fablehaven), Brandon Sanderson (Wheel of Time), James Dashner (The Maze Runner) and Stephenie Mayer (Twilight). In this book, Dave teaches how to analyze an audience and outline a novel to appeal to a wide readership. The secrets found in his unconventional approach will help you understand why so many of his authors went on to prominence. Hailed as “the wizard of storytelling,” Dave was an award-winning, international best-selling author with more than fifty novels in print, and a tireless mentor and instructor of new writers. His book Million Dollar Outlines is a seminal work teaching authors how to create a blueprint for a novel that can lead to bestseller success.

The Canticle of the Creatures “is Francis’s love song. It is Franciscan wholeness, for in it is contained the depth of his prayer and of his life in Christ. In its singing he was singing his dying and his rising, for his song was a journey of praise and thanksgiving for his place of origin and his destination, the Most High, All-Powerful, Good Lord.”—Murray Bodo Using St. Francis’s canticle as a framework, Murray Bodo, a Franciscan friar, and Susan Saint Sing, a secular Franciscan, reflect on the vision of Francis and Clare as it has played out over the course of their own lives. Susan’s experiences of healing during trips to Assisi and praying in nature and Murray’s deep understanding of Francis and Clare as poets and mystics come together in a duet that brings God’s love song to life. These deeply personal reflections explore the power of prayer and meditation, the sacredness of all creation, and the pull of sacred places. This meditative, reflective reading experience conveys what a lifetime of Franciscan spirituality looks like and will draw you into exploring your own experience of the vision of Francis and Clare.

George A. Romero (b. 1940) has achieved a surprising longevity as director since his first film, Night of the Living Dead (1968). After relocating to Canada, he shows no signs of slowing up: his recent film, Survival of the Dead (2009), is discussed in a new interview conducted by Tony Williams for this volume, and still other films are awaiting release. Although commonly known as a director of zombie films, a genre he himself launched, Romero's films often transcend easy labels. His films are best understood as allegorical commentaries on American life that just happen to appropriate horror as a convenient vehicle. Romero's films encompass works as different as The Crazies, Hungry Wives, Knightriders, and Bruiser. The interviews in this collection cover a period of over forty years. In whatever format they originally appeared—the printed page, the internet, or the video interview—these discussions illustrate both the evolution of Romero's chosen forms of technology and the development of his thinking about the relationship between cinema and society. They present Romero as an independent director in every sense of the word.