This bestseller is a comprehensive review of the developments which have taken place in Jungian psychology since Jung's death.

What has Jung to do with the Postmodern? Chris Hauke's lively and provocative book, puts the case that Jung's psychology constitutes a critique of modernity that brings it in line with many aspects of the postmodern critique of contemporary culture. The metaphor he uses is one in which 'we are gazing through a Jungian transparency or filter being held up against the postmodern while, from the other side, we are also able to look through a transparency or filter of the postmodern to gaze at Jung. From either direction there will be a new and surprising vision.' Setting Jung against a range of postmodern thinkers, Hauke recontextualizes Jung' s thought as a reponse to modernity, placing it - sometimes in parallel and sometimes in contrast to - various postmodern discourses. Including chapters on themes such as meaning, knowledge and power, the contribution of architectural criticism to the postmodern debate, Nietzsche's perspective theory of affect and Jung's complex theory, representation and symbolization, constructivism and pluralism, this is a book which will find a ready audience in academy and profession alike.

First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.

This book tackles the broader issues of film production and consumption, the audience and the place of film culture in our lives.

Essays by an international team of Jungian analysts form a critical introduction to Jung and analytical psychology.

This groundbreaking collection brings the range and diversity of post-Jungian thought into the realm of contemporary literary and cultural criticism. These essays explore, expand, critique, and apply post-Jungian critical theory as they revisit and reread Jung's own writings from numerous perspectives. No longer treated as a source of clear, unequivocal, authoritative pronouncement, Jung's writings are themselves subjected to critical, deconstructive readings, and several of the essays confront head-on Jung's evident racism, antifeminism, anti-Semitism, and political conservatism. While not downplaying such charges, the contributors outline an alternative, post-Jungian theory responsive to contemporary feminist, postcolonial, and poststructural concerns. The result is not just a critical reinterpretation but, more important, a regeneration of Jungian thought.

Winner of the IAJS award for best edited book of 2018! The Routledge International Handbook of Jungian Film Studies weaves together the various strands of Jungian film theory, revealing a coherent theoretical position underpinning this exciting recent area of research, while also exploring and suggesting new directions for further study. The book maps the current state of debates within Jungian orientated film studies and sets them within a more expansive academic landscape. Taken as a whole, the collection shows how different Jungian approaches can inform and interact with a broad range of disciplines, including literature, digital media studies, clinical debates and concerns. The book also explores the life of film outside cinema - what is sometimes termed ‘post-cinema’ - offering a series of articles exploring Jungian approaches to cinema and social media, computer games, mobile screens, and on-line communities. The Routledge International Handbook of Jungian Film Studies represents an essential resource for students and researchers interested in Jungian approaches to film. It will also appeal to those interested in film theory more widely, and in the application of Jung’s ideas to contemporary and popular culture.

Do professions really place duty to society above clients' or their own interests? If not, how can they be trusted? While some public relations (PR) scholars claim that PR serves society and enhances the democratic process, others suggest that it is little more than propaganda, serving the interests of global corporations. This is not an argument about definitions, but about ethics - yet this topic is barely explored in texts and theories that seek to explain PR and its function in society. This book places PR ethics in the wider context of professional ethics and the sociology of professions. By bringing together literature from fields beyond public relations - sociology, professional and philosophical ethics, and Jungian psychology - it integrates a new body of ideas into the debate. The unprecedented introduction of Jungian psychology to public relations scholarship shifts the debate beyond a traditional Western 'Good/Bad' ethical dichotomy towards a new holistic approach, with dynamic implications for theory and practice. This thought-provoking book will be essential reading for students, academics and professionals with an interest in public relations, ethics and professionalism.

"You won't find anything better, not only for someone who is just beginning to take their dreams seriously, but also for those who find working with dreams a frustrating, baffling affair." - Round Table Review

In this fascinating and ground-breaking book, Itzhak Benyamini uses discourse analysis to lay out the way Lacan constructed his own intellectual discourse informed by Judeo-Christianity. Offering an understanding of Lacan’s emergence and intellectual struggles with significant contemporary intellectuals, the author builds a panoramic view of the entire psychoanalytic discourse at the time of the foundational post-Freudian generation. By engaging in close reading of texts and seminars given by Lacan between the 1930s and 50s, Benyamini uncovers the coming-into-being of Lacan's key concepts: The Mirror Stage, the Imaginary, the Real, the Symbolic, the Name-of-the-Father, the Other, jouissance, and das Ding. The author argues that Lacan wished to regulate this process of conceptualization by connecting the concepts of the "Father" and the "Other" with themes from the Judeo-Christian tradition, especially the Biblical one, to create a clinical ethic, that does not reflect a worldview or ideology and is guided solely by the analyzand’s unconscious desire.