Aniela Jaffé was given permission to quote from Jung’s highly personal "Red Book," and she does so in her essay on Jung’s creative phases. Shortly before her death, the author also updated and expanded her long-famous article addressing the National Socialism accusations leveled against Jung. Sir Laurens van der Post provides a sharp echo in his Epilogue, written especially for this edition. Chapters: Parapsychology / C.G. Jung and National Socialism / From Jung’s Last Years / The Creative Phases in Jung’s Life / Alchemy / Epilogue (L. van der Post).

C. G. Jung: The Basics is an accessible, concise introduction to the life and ideas of C. G. Jung for readers of all backgrounds, from those new to Jung’s work to those looking for a convenient reference. Ruth Williams eloquently and succinctly introduces the key concepts of Jungian theory and paints his biographical picture with clarity. The book begins with an overview of Jung’s family life, childhood, and relationship with (and subsequent split from) Sigmund Freud. Williams then progresses thematically through the key concepts in his work, clearly explaining ideas including the unconscious, the structure of the psyche, archetypes, individuation, psychological types and alchemy. C. G. Jung: The Basics also presents Jung’s theories on dreams and the self, and explains how his ideas developed and how they can be applied to everyday life. The book also discusses some of the negative claims made about Jung, especially his ideas on politics, race, and gender, and includes detailed explanations and examples throughout, including a chronology of Jung’s life and suggested further reading. C. G. Jung: The Basics will be key reading for students at all levels coming to Jung’s ideas for the first time and general readers with an interest in his work. For those already familiar with Jungian concepts, it will provide a helpful guide to applying these ideas to the real world.

Carl Gustav Jung (1875-1961) was never more insightful and intriguing than when he discussed mythology. The key to understanding the Jungian approach to mythology lies in the concept of the image, which provides the basis for his theory of the unconscious. By emphasizing the image over the word, Jungian psychology distinguishes itself dramatically from Freudian, Lacanian, and other psychologies that stress the task of interpreting the language- the words- of the unconscious. In Jung and the Jungians on Myth, Steven Walker carefully leads the reader through the essential lines of thought in Jungian psychology before developing his method for using Jungian ideas to approach mythological texts. Whether one is sympathetic toward Jung's ideas or critical of them, one will find in Walker's discussion a lucid introduction to Jungian perspectives on myth and psychology.

In this, the first full-length biography of the great Swiss psychologist, Carl Gustav Jung is remembered not only for his valuable contribution to psychotherapy and to our understanding of the inner workings of the mind, but for the enduring controversies he sparked. In Frank McLynn's capable hands, readers will come to understand the man who originated what are widely held to be some of the greatest ideas of this century.

C. G. Jung and the Dead: Visions, Active Imagination and the Unconscious Terrain offers an in-depth look at Jung’s encounters with the dead, moving beyond a symbolic understanding to consider these figures a literal presence in the psyche. Stephani L. Stephens explores Jung’s personal experiences, demonstrating his skill at visioning in all its forms as well as detailing the nature of the dead. This unique study is the first to follow the narrative thread of the dead from Memories, Dreams, Reflections into The Red Book, assessing Jung’s thoughts on their presence, his obligations to them, and their role in his psychological model. It offers the opportunity to examine this previously neglected theme unfolding during Jung’s period of intense confrontation with the unconscious, and to understand active imagination as Jung’s principle method of managing that unconscious content. As well as detailed analysis of Jung’s own work, the book includes a timeline of key events and case material. C. G. Jung and the Dead will offer academics and students of Jungian and post-Jungian studies, the history of psychology, Western esoteric history and gnostic and visionary traditions a new perspective on Jung’s work. It will also be of great interest to Jungian analysts and psychotherapists, analytical psychologists and practitioners of other psychological disciplines interested in Jungian ideas.

First multi-year cumulation covers six years: 1965-70.

This book deals with alchemy's rich, multifaceted tradition from three perspectives - history, psychology, and nomothetic science - something rarely seen in other books on the same subject. Part I - Alchemy: Histories concerns the interdisciplinary and cross-cultural intercourse that occasioned the rich tapestry of alchemical tropes, themes, narratives, and pursuits, addressing the harmonious fusion of Hellenistic nature philosophy, Gnostic mythology, and Egyptian crafts and metallurgical practices in late antiquity - and much more, including the alchemy's role during the Renaissance, its influence on Jacob Boehme’s theosophy, and its medieval imagery's integral role in Jung’s theory of the collective unconscious. Part 2 - Alchemy: Processes of the Mind looks at the alchemical opus and its stages in the context of analytical, developmental, and clinical psychology, offering psychological interpretations of the Splendor Solis plates and integrated alchemical interpretations of personality, personal growth, and the human condition. Part 3 - Alchemy: The Noetic Science examines the empirical validity of alchemical theory and pursuit, addressing the viability of metallic transmutation, the theory of esoteric correspondences - the planet-metal connections - and how its animistic paradigm and principles of transformation might connect to more innovative, radical ideas emergent within the nomothetic disciplines.

All the creative art psychotherapies (art, dance, music, drama, poetry) can trace their roots to C.G. Jung's early work on active imagination. Jung developed his concept between the years 1913 and 1916, following his break with Freud. Jungian analyst Joan Chodorow here offers a collection of Jung's writings on the active imagination, gathered together for the first time.

The title for this book comes from the ancient Aboriginal concept of “song lines” —pathways to another world reached through dreamtime and visionary insight, and encounters with the unknown realm of experience. Veronica Goodchild addresses how dreams, synchronicities, UFO/ET encounters, Crop Circle mysteries, and NDEs all point to the new unfolding vision of reality. She draws on ancient mystery traditions to explore how this metamorphosis is already reflected cross-culturally in Hopi, Aztec, Mayan, Hindu, Tibetan, Maori, Zulu, Dogon, and Egyptian cultures. Songlines of the Soul proposes a new paradigm of reality, a new worldview. The signatures of this new reality are arising both in our own experiences and all around us if only we can stretch wide our stubbornly held perceptions of what is “reality.” As we stand at a crucial turning point in our human history, this book offers hope, a call to awaken and expand our perceptions of the fundamental principles that orchestrate reality. In an age when the answers offered by governments and traditional religion are no longer sufficient, the quest for meaning must—as it always has in the past—arise first through visions, dreams, and journeys to other dimensions of consciousness.