A beautiful book on the tradition of kantha, a Bengali embroidery technique with a rich heritage rooted in storytelling and upcycling, with inspiration and techniques for contemporary makers. The word 'kantha' refers to both the style of running stitch, as well as the finished cloth: quilted textiles made from multiple layers of cast-off cloth, traditionally embroidered with threads pulled out from the borders of old saris and dhotis. These beautiful fabrics were created exclusively by women in the Bengal region of the Indian subcontinent. In this richly illustrated book, textile artist Ekta Kaul explores the history of the kantha tradition and finds objects of extraordinary beauty. She goes on to look at how the kantha spirit is inspiring artists today and discusses creative techniques to help you develop your own interpretations, alongside a dictionary of fundamental kantha stitches with supporting images and instructions. Steeped in the ethos of sustainability, emotional repair and mindful making, kantha will lead you to uncover a slower and more thoughtful approach to stitching.

In Bengal, mothers swaddle their infants and cover their beds in colorful textiles that are passed down through generations. They create these kantha from layers of soft, recycled fabric strengthened with running stitches and use them as shawls, covers, and seating mats. Making Kantha, Making Home explores the social worlds shaped by the Bengali kantha that survive from the nineteenth and early twentieth centuries. In the first study of colonial-period women’s embroidery that situates these objects historically and socially, Pika Ghosh brings technique and aesthetic choices into discussion with iconography and regional culture. Ghosh uses ethnographic and archival research, inscriptions, and images to locate embroiderers’ work within domestic networks and to show how imagery from poetry, drama, prints, and watercolors expresses kantha artists’ visual literacy. Affinities with older textile practices include the region’s lucrative maritime trade in embroideries with Europe, Africa, and China. This appraisal of individual objects alongside the people and stories behind the objects’ creation elevates kantha beyond consideration as mere handcraft to recognition as art.

This first book-length study on kanthas published outside of South Asia focuses on two premier collections, one assembled by the legendary historian of Indian art, Dr. Stella Kramrisch, the other by Jill and Sheldon Bonovitz, leading proponents of self-taught art. Created from worn-out garments imaginatively embroidered by women with motifs and tales drawn from a rich regional repertoire, kanthas traditionally were stitched as gifts for births, weddings, and other family occasions. Innovative essays by leading scholars explore the domestic, ritual, and historical contexts of the fascinating quilts in these collections--made between the mid-19th and mid-20th century in what is today Bangladesh and West Bengal, India--and trace their reinterpretation as emblems of national identity and works of art.

Traditional art of Bengal on needlework for quilting; includes some reproductions of designs.