Padriac Conway is Director of the UCD International Centre for Newman Studies and a Vice-President of University College Dublin. --Book Jacket.

Karl Rahner is one of the great theologians of the twentieth century, known for his systematic, foundationalist approach. This bold and original book explores the relationship between his theology and his philosophy, and argues for the possibility of a nonfoundationalist reading of Rahner. Karen Kilby calls into question both the admiration of Rahner's disciples for the overarching unity of his though, and the too easy dismissals of critics who object to his 'flawed philosophical staring point' or to his supposedly modern and liberal appeal to experience. Through a lucid and critical exposition of key texts including Spirit in the World and Hearer of the Word, and of themes such as the Vorgriff auf esse, the supernatural existential and the anonymous Christian, Karen Kilby reaffirms Rahner's significance for modern theology and offers a clear exposition of his thought.

Karl Rahner (1904-1984) has been called the most important and influential Roman Catholic thinker of the twentieth century. He was a major influence at the Second Vatican Council, and his extensive writings have inspired generations of modern students of theology. Dych provides a concise introduction to Rahner's theological interests and covers his thinking from his student days to the time of his death. Rahner's writings are numerous and complex, but this volume provides a sure and accessible guide to his legacy. In addition, Dych attempts to connect Rahner's main theological teachings with those of Vatican II and with the teachings found in the Exercises of St. Ignatius Loyola. In so doing, Dych places Rahner in the context of modern Catholic doctrine and the ongoing experience of Christians anxious to explore the mysteries of God and creation.

The situation of religious institutional diminishment in many Western countries requires new approaches to the proclamation of Christian faith. As a response to these complexities, Karl Rahner suggested a “mystagogic” approach as a future pathway for theology. A mystagogical approach seeks modes of spiritual and theological conversation which engage the religious imagination and draws upon personal experiences of transcendence and religious sensibility. In Karl Rahner, Culture and Evangelization: New Approaches in an Australian Setting, Anthony Mellor develops a reflective process of contemporary “mystagogia”, describing how different fields of engagement require different patterns of mystagogical conversation. While focussing on the Australian setting, these differentiate arenas of engagement are also applicable to other cultural settings and offer fresh perspectives for evangelization today.

This innovative book discloses Karl Rahner's foremost achievement: discovering and delineating an ethos of Catholicism, a multi-faceted and comprehensive approach to life in Christ. Karl Rahner's Theological Aesthetics does so by placing the German Jesuit and his teacher, philosopher Martin Heidegger, into a richly detailed dialogue on aesthetics. The book treats classic Rahner topics such as anthropology and Christology. But it breaks new ground by exploring themes such as angels, Mary, and the apocalypse, juxtaposed with analogous philosophical topics in Heidegger.

Karl Rahner SJ (1904-1984), perhaps the most influential figure in twentieth-century Roman Catholic theology, believed that the most significant influence on his work was Ignatius Loyola's Spiritual Exercises. This book casts significant new light on Rahner's achievement by presenting it against the background of the rediscovery of Ignatian spirituality in the middle decades of the twentieth century. It offers a fresh and contemporary theological interpretation of Ignatian retreat-giving, illuminating the creative new departures this ministry has taken in the last thirty years, as well as contributing to the lively current debate regarding the relationship between spirituality and speculative theology.

Karl Rahner (1904–84) was one of the most significant theological voices of the twentieth century. For many his theology has come to symbolise the Catholic Church's entry into modernity. Part of his enduring appeal lies in his ability to reflect on a whole variety of issues in theology and spirituality and concentrate this plurality into a few basic convictions. This Cambridge Companion provides an accessible introduction to the main themes of Rahner's work. Written by an international array of experts, it will be of interest to both students and scholars alike. Each chapter serves as a guide to its topic and recommends further reading for additional study. The contributors also assess Rahner's significance for contemporary theology by bringing his thought into dialogue with many current concerns including: religious pluralism, spirituality, postmodernism, ecumenism, ethics and developments in political and feminist theologies.

The widely-accepted Grundaxiom of Karl Rahner's doctrine of the Trinity functions in contemporary theology as a means of reconciling seemingly contradictory claims. The present study, by contrast, indirectly challenges the viability of such theologies by subjecting the Grundaxiom to a thoroughgoing, immanent critique. It argues that Rahner fails to supply a credible account of how human beings learn of the existence of the immanent Trinity.

This book is made up of a collection of texts unavailable in one volume until now, including six previously untranslated essays, from a major theologian of the twentieth century. Rahner's numerous writings focused on the revelation of God as mystery in the world and on the human being who has an essential openness towards the transcendent. His articles reveal an empathy and a depth of insight into the relationship between theology, faith and the arts which are remarkable and may take the reader by surprise. More recently, Rahner's contribution to the growing field of theology and the arts has been recognised by leading theologians on this subject. He asserts that theology must integrate the verbal and non-verbal arts as they are authentic means of human self-expression, of religious experience, and of God's self-communication; and therefore they are essential sources of theology. Rahner argues that theology, understood as a person's 'reflexive self-expression' about him- or herself 'in the light of divine revelation', cannot be regarded as complete until 'the arts become an intrinsic moment of theology itself'.

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