This book explores the Catholic aesthetic and mystical dimensions in Kate Chopin’s fiction within the context of an evolving American Catholicism in the late nineteenth and early twentieth centuries. Through a close reading of her novels and numerous short stories, Kate Chopin and Catholicism looks at the ways Chopin represented Catholicism in her work as a literary device that served on multiple levels: as an aesthetic within local color depictions of Louisiana, as a trope for illuminating the tensions surrounding nineteenth-century women’s struggles for autonomy, as a critique of the Catholic dogma that subordinated authenticity and physical and emotional pleasure, and as it pointed to the distinction between religious doctrine and mystical experience, and enabled the articulation of spirituality beyond the context of the Church. This book reveals Chopin to be not only a literary visionary but a writer who saw divinity in the natural world.

Authors Rory O'Neill Schmitt and Rosary O'Neill share the NOLA life of Kate Chopin, the first great American woman novelist. In this epic story, Chopin becomes a Phoenix rising amidst the disgrace, death, and abandonment in the romantic desperate setting of post-Civil War Louisiana. This book, a follow up to Edgar Degas in New Orleans, presents Chopin, who lived in the same neighborhood as the Degas family during that time. Chopin celebrated in New Orleans' great homes and mansions up River Road with their wonderland of oaks, columns, balconies. She had lived in the Garden District, watched New Orleans trolleys with their big windows roll past the Gothic mansions and Greco-Roman houses on St. Charles Avenue, strolled languidly through Audubon Park with its oak tree wonderland full of swa mps and lush Louisiana foliage.

An Earthy Entanglement with Spirituality offers compelling perspectives on the human spirit as represented in literature and art. Authors approach the inquiry using distinct critical approaches to varied primary sources—poetry of various genres and periods, Shakespearean drama, contemporary theater, Renaissance sculpture, and the novel, short story, sketch, and dialogue.

The essays in Kate Chopin in the Twenty-First Century update Chopin scholarship, creating pathways, both broad and narrow, for study in a new century. Given Chopin’s atypical literary career and her frequent writing about unconventional themes for her time—such as divorce, infidelity, and suicide—she may have approved such approaches as the essays here suggest. This collection of essays offers readers newer ways of thinking about Chopin’s works. They break away from the familiar trends of the feminist considerations of her work, ranging from her short stories, to her lesser-known novel, At Fault, to her best-known work, The Awakening. Part one introduces interdisciplinary themes for reading “culture” in Chopin, including urban living and theatre as a lens for viewing New Orleans’s social and class stratifications; the importance of music—a central interest of Chopin’s—in her texts; and the cultural relevance of Vogue magazine, where eighteen of Chopin’s stories were first published. Part two identifies important and overlapping concerns of religion, race, class, and gender within the contexts of selected short works. And part three offers fresh readings of The Awakening, using the lens of race, as well as the lens of class to reconsider protagonist Edna Pontellier’s transformation and her dependency upon the “rights” of privilege within a specific cultural context. Together, all of the essays in the collection, by both established and newer scholars, help to usher Chopin’s work into the twenty-first century.

Examines how secular transformations of religious ideas have helped to shape the style and substance of works by American writers, filmmakers and artists from Catholic backgrounds.

Roman Catholic writers in colonial America played only a minority role in debates about religion, politics, morality, national identity, and literary culture. However, the commercial print revolution of the nineteenth century, combined with the arrival of many European Catholic immigrants, provided a vibrant evangelical nexus in which Roman Catholic print discourse would thrive among a tightly knit circle of American writers and readers. James Emmett Ryan’s pathbreaking study follows the careers of important nineteenth-century religionists including Orestes Brownson, Isaac Hecker, Anna Hanson Dorsey, and Cardinal James Gibbons, tracing the distinctive literature that they created during the years that non-Catholic writers like Herman Melville and Emily Dickinson were producing iconic works of American literature. Faithful Passages also reveals new dimensions in American religious literary culture by moving beyond the antebellum period to consider how the first important cohort of Catholic writers shaped their message for subsequent generations of readers in the late nineteenth and early twentieth centuries. Perhaps most strikingly, Ryan shows that by the early twentieth century, Roman Catholic themes and traditions in American literature would be advanced in complex ways by mainstream, non-Catholic modernist writers like Kate Chopin and Willa Cather. Catholic literary culture in the United States took shape in a myriad of ways and at the hands of diverse participants. The process by which Roman Catholic ideas, themes, and moralities were shared and adapted by writers with highly differentiated beliefs, Ryan contends, illuminates a surprising fluidity of religious commitment and expression in early U.S. literary culture.

Looking at the works of diverse writers as the gens de couleur libre poets of antebellum New Orleans, this book focuses on the shifting and contradictory ways Catholicism has signified within southern literature and culture. It contributes to a more nuanced understanding of American and southern literary and cultural history.

Offering a wealth of information about church membership and ethnic and geographical makeup, the book explores how Catholic views on issues such as human life, abortion, poverty, and American culture have profoundly affected political and moral discourse in the United States. A chronology, glossary, profiles of prominent American Catholics, annotated bibliography, and a list of electronic resources are also included.

A collection of critical essays on Kate Chopin's work.

One in four Americans is Roman Catholic, and the beliefs, practices, structures, and loyalties of this large faith community are important to the political, social, and religious life of America. This book explores the dynamic and sometimes difficult rela